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    Steve Roach - The Delicate Beyond (2014) FLAC
    Artist: Steve Roach | Album: The Delicate Beyond | Released: 2014 | Genre: Electronic, Ambient | Duration: 73:59

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    Martian - Flying in Love (2010) FLAC (tracks)
    Artist: Martian | Album: Flying in Love | Released: 20 December, 2010 | Genre: Chillout, Lounge | Country: USA | Duration: 00:55:42

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    VA - Ultimate Dance (2016) FLAC (tracks + .cue)
    Artist: VA | Album: Ultimate Dance | Released: 2016 | Label: Sony Music | Genre: Electronic, Disco, Dance, Pop | Country: International

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    Girls Night Out - The Ultimate Collection (2017)

    Artist: Various Artists
    Title: Girls Night Out - The Ultimate Collection
    Label: Union Square Music, BMG Company
    Style: Dance, Electropop, Hi-NRG, Funk, Northern Soul, Post-Disco, Gospel
    Release Date: 25-08-2017
    Format: CD, Compilation
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Tracks: 100 Tracks
    Size: 856 Mb / 06:14:04 Mina

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  • 09/01/17--00:19: Zola Jesus – Okovi (2017)
  • 320 kbps | 105 MB | LINKS

    For over a decade, Nika Roza Danilova has been recording music as Zola Jesus. She’s been on Sacred Bones Records for most of that time, and Okovi marks her reunion with the label.

    Fittingly, the 11  songs on Okovi share musical DNA with her early work on Sacred Bones. The music was written in pure catharsis, and as a result, the sonics are heavy, dark, and exploratory. In addition to the contributions of Danilova’s longtime live bandmate Alex DeGroot, producer/musician WIFE, cellist/noise-maker Shannon Kennedy from Pedestrian Deposit, and percussionist Ted Byrnes all helped build Okovi’s textural universe.

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    Όπως είχαμε γράψει και παλαιότερα… «το σχήμα πιάνο-φωνή απασχολεί τον Ran Blake από το ξεκίνημα της καριέρας του. Το πρώτο του άλμπουμ στην RCA, το 1962, που είχε τίτλο “The Newest Sound Around” έγινε με τη συμμετοχή της Jeanne Lee, ενώ διεσώθη, μαζί της, κι ένα live στη Στοκχόλμη (1966), που εκδόθηκε για πρώτη φορά πολλά χρόνια αργότερα (1995) ως “Free Standards” από τη γαλλική Columbia. Με την Lee ξανασυναντήθηκε ο Blake το 1989 στο άλμπουμ τής Owl “You Stepped Out of the Cloud”, ενώ πιο πριν (1978) είχε συνεργαστεί με την Eleni Odoni στο “Rapport” [Arista-Novus], ερμηνεύοντας, μάλιστα, οι δυο τους, το “Βραδιάζει” του Μίκη Θεοδωράκη. Το 1994 ο Ran Blake συνεργάζεται για πρώτη φορά με την τραγουδίστρια Christine Correa (πάντα σε σχήμα πιάνο-φωνή), μια συνεργασία την οποίαν επαναλαμβάνει 15 χρόνια αργότερα με την ηχογράφηση του “Out of Shadows” κ.λπ.». Να θυμίσουμε ακόμη τα πιο πρόσφατα ντούο τού Ran Blake με την Sara Serpa, πριν πάμε στο τελευταίο εξ αυτών, το Town & Country [Town & Country[Sunnyside Communications, 2017], τη συνεργασία του δηλαδή με την Dominique Eade.
    Η Eade δεν είναι φυσικά τυχαία περίπτωση. Με τον Ran Blake, μάλιστα, γνωρίζονται από το 1978, όταν η νεαρή τότε τραγουδίστρια πήγε στη Βοστώνη, για να σπουδάσει στο Berklee, αναγνωρίζοντας αμέσως στον Blake τον πρώτο αληθινό δάσκαλό της. Φυσικά, μέσα στα χρόνια η Eadeανέπτυξε τις συνεργασίες της και τη δισκογραφία της, κάνοντας μάλιστα κι ένα άλμπουμ μαζί του, το “Whirlpool” το 2011 – κάτι που επαναλαμβάνει τώρα με το “Town & Country”.
    Η βασική αιτία που έγινε το συγκεκριμένο άλμπουμ είναι η περυσινή προεκλογική περίοδο στην Αμερική, που επανέφερε στο κέντρο (σχεδόν) κλασικά τραγούδια από τις περασμένες δεκαετίες και βεβαίως από τα sixties. Τραγούδια διαμαρτυρίας, όπως μάθαμε να τα λέμε εμείς εδώ στην Ελλάδα, αλλά και άλλα, διάφορα, που έκρυβαν εντός τους το πάθος και την αναζήτηση. Ο… Τραμπ, τα προκάλεσε όλα αυτά; Αν είναι έτσι… μπράβο του.
    Εδώ λοιπόν Blake και Eade διασκευάζουν Bob Dylan [“Its alright, Ma (Im only bleeding)”], Jean Ritchie (το έξοχο “West Virginia mine disaster”), Dave Goulder (το απίθανο “The Easter tree”), Huddie Ledbetter (“Goodnight, Irene”), βεβαίως τζαζ στάνταρντ (τραγούδια του Walter Schumann ή του Henry Mancini) και άλλα τινά, διαμορφώνοντας ένα πολύ ζωντανό και πολύ σημερινό ρεπερτόριο, με ωραίες εναλλαγές και βεβαίως με τις κλασικές τύπου Ran Blake εναρμονίσεις, που διατηρούν πάντα την «μονκική» περιπετειώδη ολιγάρκεια, και φυσικά με την ευέλικτη, εκφραστική και εξ ίσου… μυστηριώδη φωνή της Eade, που κατορθώνει να συνομιλήσει με τον πιανίστα, βοκαλίζοντας, ακόμη και στις πιο ιδιοσυγκρασιακές στιγμές του. Δυνατό!

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    320 kbps | 78 MB | LINKS


    01. Gone Rogue 03:05
    02. Last Night 04:51
    03. Me Swimming 06:17
    04. Watching the Sun Go Down 03:58
    05. One Big Wave 03:11
    06. Bring Me the Fever 02:41
    07. Burned It Down 03:48
    08. Towards the Dawn 02:43
    09. Lost Everything 02:57
    10. Surprise Yourself 03:35

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    320 kbps | 105 MB | LINKS

    Greg Howe’s new album, “Wheelhouse” marks a highly anticipated return to his solo instrumental work. It features Greg Howe at his best along with appearances from guitar legend Richie Kotzen (Winery Dogs, Mr. Big) and legendary keyboardist Ronnie Foster (Stevie Wonder, George Benson).

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    The Rough Guide To Indian Classical Music 2 CD Жанр : Folk, World, & Country Носитель : CD Страна-производитель диска (релиза) : UK Год издания : 2014 Издатель (лейбл) : Music Rough Guides Номер по каталогу : RGNET1318CD Страна исполнителя (группы) : India Аудиокодек : FLAC (*.

    Тема на форуме

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    320 kbps | 165 MB | LINKS

    World renowned guitarist, singer and songwriter Martin Simpson releases his 20th solo album in 40 years ‘Trails & Tribulations’ on September 1st 2017 via Topic Records. The brand-new studio album, his first new solo work since 2013’s widely praised ‘Vagrant Stanzas’.Produced and engineered by Andy Bell, ‘Trails & Tribulations’ features some of Martin’s most inventive playing yet, showcasing his virtuosity on a variety of instruments including acoustic guitars, resonator guitars, Weissenbown lap steel guitar, electric guitars, 5 string banjo, ukulele – and voice.

    “‘Trails & Tribulations’ is a collection of songs about nature, about travels and about real life stories. There are traditional songs, poems and contemporary songs by great writers, and songs that I had to write because nobody else knew what I wanted to say. I travel, I learn songs, I write and try to get better at the skills required for me to do my job. I look at the world as I pass by, on the road, out of the train window, or as I stop and pay close attention to the square foot under my nose. There is so much to see and to hear and to inspire and to try and understand. I had a huge amount of fun playing and recording these songs, using different instruments, different noises, old friends and new ones, all of whom brought so much to the mix.”
    Martin Simpson, April 2017.

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    МЫ СЛАВЯНЕ ! ЧехоСловацкое издание / JSME SLOVANÉ ! ČeskoSlovenská edice Жанр : ЧехоСловацкая музыка Носитель : Minidisc Страна-производитель диска (релиза) : ЧехоСловакия, Славия / Родина-мать Год издания : 2017 Издатель (лейбл) : Славянская музыка Номер по каталогу : 20.

    Тема на форуме

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    The Tiger Lillies
    Edgar Allan Poe’s Haunted Palace
    (Misery Guts Music, 2017)
    more details

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  • 09/01/17--05:12: La Rouquine Du Premier
  •  rouquine.jpg

    La Rouquine Du Premier Est Un Groupe De Sept Musiciens De Toulouse,
    Né 1995 Par Les Arts De La Rue, Ils Jouent Une Musique Rock Folk
    Pleine De Diversité Jusqu'à Leurs Fin, Dix Ans Plus Tard

    La Rouquine Du Premier Es Una Banda De Siete Musicos Desde Toulouse,
    Que Nace En 1995 Por Los Artes De La Calle, Tocan Una Musica Rock Folk
    Con Mucha Diversidad Hasta Que Acaban, Diez Años Despues

    La Rouquine Du Premier Are A Band Of Seven Musicians, From Toulouse,
    Who's Born In 1995 By The Street's Art, They Played A Music Rock Folk
    With Much Diversities, Up To They Stopped, Ten Years After

    Site Officiel

    La Rouquine Du Premier 1996 [Ep Live]

    01 Fou De Vous
    02 La Poule Becassine
    03 Gambille
    04 La Rouquine Du Premier

    La Rouquine Du Premier 2000

    01 Boom Boom
    02 Flip Flap
    03 C'Est Pas Beau Dis
    04 La Vinaigrette
    05 Le Borgne
    06 La Nuit Te Prend La Vie
    07 Les Petits Chemins
    08 Maudits Sois-Tu
    09 Eymjie
    10 Ni En El Fin Del Mundo
    11 18 Fevrier
    12 Mon Bon Ami
    13 La Locomotive

    Walalilouwa 2002

    01 La Morenita De Dynamita
    02 Walalilouwa
    03 Le Lait-Bière
    04 Les Zanimos
    05 Ce Matin
    06 Drôle De Vie, La Nuit
    07 Bière Blanche
    08 Gnique-Gnoque
    09 Les Enfants
    10 Digame
    11 Qui Va Piano
    12 Petit Bonhomme
    13 La Chanson Des Amours

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    Dania Al Khatib - Dania* = دانية* - أجمل أغاني =The Best of Dania (2006)

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  • 09/01/17--06:22: Dania - Rayah Albak (2008)
  • Dania - Rayah Albak (2008)

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    دانية* = Dania* ‎– دانية = Dania - Fiesta (1197)

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    Big Mean Sound MachineOn Runnin’ for the Ghost, Big Mean Sound Machine sounds intent on obliterating every imaginable musical border: the lines between regional or geographic styles, the divide between acoustic and electronic instruments, the boundary between live and sampled music, the gap between ancient and contemporary music…just about any and every musical “box” you can think of.
    The fourth full-length chapter in the musical story of this ten-piece afrobeat band led by bassist Angelo Peters was inspired by performing with master afrobeat drummer Tony Allen; their liner notes reveal that, “This album is dedicated to the sharing of music and education.”
    Runnin’ for the Ghost continually grows in density, color and dynamics, and feels like…

    105 MB  320 ** FLAC

    …you’ve jammed your ears into the high-speed spin cycle of an afrobeat washing machine. “Seeing the Bigger Picture” synthesizes afrobeat guitar and melody with Afro-Cuban percussion patterns, convening near the Caribbean through Peters’ hard-rocking bass line (as if meeting in their geographic middle), with a synthesizer solo wriggling through like a line scribbled in fluorescent color.

    “Van Chatter,” which blends Central African Soukous with West African Highlife, kicks off from Andrew Klein’s drumrolls and just keeps right on rolling. Klein and other percussionists keep this pot boiling hot while guitarist Dan Barker spreads electric juju on top like sticky glittery jam, melting with the horns and the rhythm section into that curious musical place where rhythm and melody meet. As its title suggests, “Triple Bacon” stacks thick slices of meaty bass, drums, percussion and guitar into a multi-decked afrobeat and highlife sandwich, joyous and tasty.

    The relentlessly undulating serpentine horn chart in the title track is remarkably arranged and even more expertly played. This tune comes out of the box sounding like it’s already been (pre-)remixed by The Chemical Brothers—a computerized rhythm like the underbelly of a rampaging mechanical bull driving a Latin brass band’s march through ancient Egyptian deserts, and ending with a birdsong’s curtain call of solitary flute against harmonizing electronics. Simply remarkable.

    Recorded live, with half captured in a Baptist church, Runnin’ for the Ghost presents the sound of tomorrow’s music, more than a few days early.

    Personnel: Alicia Aubin: trombone; Ray McNamara: guitar; Tyler Burchfield: baritone sax, flute; Greg Blair: baritone sax; Andrew Klein: drums, cymbals, percussion; Lucas Ashby: congas, percussion, effects; Angelo Peters: bass, mini-moog, synthesizers; Dan Barker: guitar, baritone guitar; Dana Billings: Roland Juno, mini-moog, combination organs; Paulie Philippone: mini-moog, Wurlitzer electric piano; combination organs; Lex Schmidt: congas, percussion; Bobby Spellman: trumpet; Jamie Yaman: tenor saxophone; Josh Oxford: mini-moog, synthesizers; Jack Storer: trumpet.

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  • 09/01/17--07:44: Carvanas
  • Twenty-three studio albums into his career, you have a pretty good idea what you’re getting from Chico Buarque. Even though he’s dipped his toes into the new media world by joining Instagram in July, Buarque’s latest record, Caravanas, adds another nine warm, graceful songs to a catalog that goes back 50 years.

    The new record, released Aug. 25 on Biscoito Fino, coasts from genre to genre—a jazzy, singer-songwriter opener, followed by a blues number, followed by a spare acoustic arrangement of a ballad that Buarque originally composed for a musical in 2001. Caravanas is a testament to when longevity turns into range.

    Born in Rio de Janeiro in 1944, Buarque was one of the post-bossa nova pioneers of música popular brasileira, or MPB, in the 1960s. Unlike his peers in the Tropicalia movement—Caetano Veloso, Gilberto Gil and their ilk—Buarque wasn’t into the pop art of the time, nor the idea of being a pop star. He went as far as staging a play about a pop star who is eventually torn apart by the public and eaten. To drive the point home, the play’s audience was pelted with chicken meat. Maybe his music didn’t eschew the older forms, but never let it be said that Chico Buarque isn’t willing to try something weird.

    He’s always had these interests outside of music: He’s an award-winning novelist. People will describe him as a poet, acknowledging him as one of Brazil’s greatest living songwriters.

    Buarque’s experience writing for the theater shines through on Caravanas. He has an eye for detail and a short-story writer’s ability to concisely find and evoke the sweet sadness in a moment, like in “Massarandupió,” a grandfather and grandson hand-in-hand on the beach. The melody of “Jogo de Bola,” or “ball game,” bounces up against the beat like a soccer ball being dribbled—samba and football together at last.

    There are a few reworked older songs on the album: the aforementioned “A Moça do Sonho,” from the musical, as well as a “Dueto,” originally performed with bossa nova queen Nora Leão, now paired up with his granddaughter.

    Buarque cut his teeth in the early ’70s trying to sneak political commentary in metaphor past the censors of Brazil’s military dictatorship, but on this album’s standout title and closing track, he holds nothing back. The song castigates “the orderly and virtuous people” who recoil in fear from “suburban Muslim types” and “black naked torsos,” and make appeals to the police to send them back to Africa or wherever they’ve come from. The song borrows dynamics from Duke Ellington’s “Caravan,” and the absurd explanation for Islamophobia from Albert Camus’s The Stranger. Perhaps most surprisingly, it features the rapper Rafel Mike providing beat-boxing. I guess that goes to prove that even at 73 years old and deep into his career, maybe you don’t always know what Chico Buarque’s going to do.

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    320 kbps | 111 MB | LINKS

    Wildfire, perfectly captures in a word the burning power of Elles Bailey’s vocals and stage presence as she sings blues that have captured in its blue flame, country, roots and soul. The voice is smoky with textures and tones that pulls out lyrics and coats them in Elles special brand of Bristol fanned Wildfire.

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