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older | 1 | .... | 1140 | 1141 | (Page 1142) | 1143 | 1144 | .... | 2472 | newer

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    Atenção que a faixa 7 está cortada, e em vez da faixa 5 (que deveria ser "No pó que ficou") está outra música, "Sorte com sentido"...

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    coverFLAC | 253 MB | LINKS

    One third of the eternally awesome Black Diamond Heavies and akin to personal favorite the Immortal Lee County Killers, John Wesley Myers aka James Leg returns with his 3rd solo effort on the great, Alive Naturalsound Records, Blood On The Keys. If you’ve ever heard a James Leg record or better yet have never seen the man perform live, blood is the last thing to leave on the keys of that Rhodes piano, everything else has been poured out by record and/or shows end. Not a terribly big man in stature but fire up the PA and set him on a keyboard stool and you’re best to find the nearest bomb shelter. Stacked high with voracious punk blues with his piano at center stage, Leg stands 90ft tall and rising.

    Recorded yet again at whats become homebase recording-wise, the Masonic Lodge in Dayton, KY with engineer/producer deluxe Jason Soda at the helm, Blood On the Keys picks up where Leg’s last effort, Below The Belt left off. Chunky, rowdy, classy come clanky piano progressions with Leg’s satanic howl bouncing around the mix like Howlin’ Wolf’s third white cousin. The tracks are fleshed out with plenty meat on the bone for this effort, fiddle fills and strings, guitars aforementioned, and copious if not deadly doses of gravel punk rock. Polarized by soul numbers like “I’ll Take It” and jumpy blues the likes of record closer, “Should’ve Been Home With You”.

    Leg sounds like no one, and writes like no one. That’s his beauty. If you’re looking for a soundalike pack it in and head home, you’re clearly barking aside the wrong tree. If you’re a fan of gunnite gypsy punk with a rocksteady back beat, James Leg is your eternal ediface. There is nothing like a Leg record and there never will be, no one plays like him, no one growls like him, and certainly no one rocks like him. He’s a world travelled stalwart and will be forever a gem in the Blues crown. Enough waxing poetic, here’s the premier of “Hugging The Line” in all its clanky glory. Blood On The Keys is available on September 30th .


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    320 kbps | 103 MB | LINKS

    Though this is the trio’s debut album, the members of Gal Friday are hardly new to the industry. Raised in rural North Carolina, they’ve already impacted the industry with their flawless sibling harmonies and rooted rock-meets-southern gospel sound. Though they initially started out as solo acts, it was only a matter of time before friends and family members encouraged the gals to become a trio – and Gal Friday was born. Boy are we glad it was! The sisters have already taken the stage in opening sets for A-listers Keith Urban, Charles Esten, The Band Perry, LoCash, Jason Aldean, Lee Brice, Travis Tritt, Wynonna Judd, Chase Rice, and Kellie Pickler, among others.


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    VA CARIBBEAN VOYAGE: Nevis & St. Kitts: Tea Meetings, Christmas Sports, & the Moonlight Night Издатель ................... Rounder Records (USA) / 82161-1731-2 / 2002 Жанр .............................. Caribbean Folk Music / Traditional Folk Music Аудио .

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    VA CARIBBEAN VOYAGE: Nevis & St. Kitts: Tea Meetings, Christmas Sports, & the Moonlight Night Издатель ................... Rounder Records (USA) / 82161-1731-2 / 2002 Жанр .............................. Caribbean Folk Music / Traditional Folk Music Аудио .

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    320 kbps | 88 MB | LINKS

    By the end of the ’70s, John Denver was still a star, but he didn’t have many hits. That situation didn’t improve in the early ’80s, as his records started sliding slowly down the charts. This is the era that Greatest Hits, Vol. 3 covers — one that found Denver’s popularity fading, but not necessarily his skills. Sure, his songs don’t sound as effortless or charming as they used to, but the best moments from these years (most of which are captured on this compilation) illustrate that he was still capable of crafting ingratiating folk-pop songs. It’s not for every listener, but fans of Denver’s classic years that want to dig a little deeper may find some gems here. — Stephen Thomas Erlewine

    Tracklist:

    01. How Can I Leave You Again (Remastered)
    02. Some Days Are Diamonds (Some Days Are Stone) (Remastered)
    03. Shanghai Breezes (Remastered)
    04. Seasons of the Heart (Remastered)
    05. Perhaps Love (2011 Greatest Hits Vol. 3)
    06. Love Again (Remastered)
    07. Dancing with the Mountains (2011 Greatest Hits Vol. 3)
    08. Wild Montana Skies (2011 It’s About Time)
    09. I Want to Live (Remastered)
    10. The Gold And Beyond (2011 Greatest Hits Vol. 3)
    11. Autograph (2011 Greatest Hits Vol. 3)


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    320 kbps | 1,7 GB | LINKS

    Box set of key Bob Dylan studio recordings, digitally remastered for the ultimate listening experience. This release contains all the original remastered SACD hybrids with original artwork in a Digipak format and is compatible on both CD and SACD players.

    1963 – The Freewheelin’ Bob Dylan

    1964 – Another Side Of Bob Dylan

    1965 – Highway 61 Revisited

    1966 – Blonde On Blonde – Disc 1

    1966 – Blonde On Blonde – Disc 2

    1967 – John Wesley Harding

    1969 – Nashville Skyline

    1974 – Planet Waves

    1975 – Blood On The Tracks

    1976 – Desire

    1978 – Street-Legal

    1979 – Slow Train Coming

    1983 – Infidels

    1989 – Oh Mercy

    2001 – Love And Theft


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    Δεν χρειάζεται να πούμε πολλά για το ποιος είναι ο ντράμερ Barry Altschul. Όσοι ασχολούνται έστω και στοιχειωδώς με την προχωρημένη τζαζ σίγουρα θα γνωρίζουν τον Altschul από την παρουσία του δίπλα στον Paul Bley στα sixties, βεβαίως από τη συμμετοχή του στους Circle (Chick Corea, DaveHolland, AnthonyBraxton) και οπωσδήποτε από τη συνεισφορά του σε προσωπικά άλμπουμ των Corea, Braxton, Sam Rivers, Dave Liebman και τόσων άλλων στα seventies και πέραν αυτών. Φυσικά έχει και προσωπική δισκογραφία ο Altschul – κι ένα τέτοιο προσωπικό ας το πούμε έτσι άλμπουμ του είναι και τοLive in Kraków[Not Two, 2017], που συνυπογράφεται από τους 3Dom Factor(ένα από τα τελευταία trioτου, που το συναποτελούν ο μπασίστας Joe Fonda και ο σαξοφωνίστας Jon Irabagon ex-Mostly Other People Do the Killing).
    Ζωντανά λοιπόν ηχογραφημένοι στο Alchemia Club της Κρακοβίας, της διαχρονικής πρωτεύουσας της jazzστην Πολωνία, την 4η Δεκεμβρίου 2016, οι Altschul, Fondaκαι Irabagonπαρουσιάζουν ένα ελεύθερο σετ, αποτελούμενο από πέντε κομμάτια τού Altschul και μια διασκευή στο “Ask me now” του Thelonious Monk.
    ajazz%2Bbarry.jpg
    Το “Live in Kraków” ανοίγει με το 12λεπτο “Martins stew”, που ξεκινά μ’ ένα μακροσκελές σόλο του Altschul(ξεπερνά τα τρία λεπτά), πριν εισβάλουν τα δύο υπόλοιπα όργανα και κολλήσουν τη σύνθεση στο κόκκινο (απίστευτος ο Irabagon… δεν τον προλαβαίνεις ούτε όταν τον ακούς στο σπίτι σου απ’ το CD). Ακολουθεί το “Ask me now”, εκεί όπου η πασίγνωστη μελωδία του Monk, έρχεται και φεύγει, διαλυμένη ή ακεραία, μέσω μιας συνεχούς ελεύθερης προσέγγισης. Τη σκυτάλη παίρνει το 10λεπτο “For Papa Joe , Klook and Philly too”, που είναι αφιερωμένο στους ιστορικούς τζαζ ντράμερ Papa Jo Jones, Kenny Clarke και Philly Joe Jones, που επηρέασαν τον Barry Altschul στην καλλιτεχνική πορεία του. Το κομμάτι διακρίνεται για τη μεγάλη έντασή του, το δυναμικό παίξιμο και των τριών δηλαδή, που, σε μια εκπληκτική performance, βάζουν φωτιά στα τόπια. Δύσκολα ακούγονται ακόμη και ροκ-τρίο τόσο δυνατά, όσο εδώ οι Altschul, Fondaκαι Irabagon. Είτε σε ομαδικό παίξιμο, είτε ανά δύο, είτε σε πολύ σύντομα σόλο (ο Altschul βασικά) είναι και οι τρεις τους απίθανοι. Προτελευταίο κομμάτι του άλμπουμ είναι το 9λεπτο “Irina”, που είναι blues βασικά και συγχρόνως το μόνο slowκομμάτι του CD… αλλά τι slow! Φοβερός οIrabagon στοσοπρανίνο και… from another planet το rhythm section.
    Το “Live in Kraków” θα κλείσει με το 14λεπτο “The3Dom Factor”, έναν τζαζ ολετήρα που σπέρνει διαρκή ηχητικό πανικό. Απίστευτα timbre από τον Irabagon, συν κρουστά και μπάσο που σμπαραλιάζουν μέτρα και κανόνες.
    Εκπληκτικό άλμπουμ, με βαριές υπογραφές πολύ μεγάλων μουσικών!
    Επαφή: www.nottwo.com

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    Darius Rucker / When Was the Last Time Жанр : Folk, Country Носитель : WEB Год издания : 2017 Издатель (лейбл) : CAPITOL Страна исполнителя (группы) : USA Аудиокодек : FLAC (*.flac) Тип рипа : tracks Битрейт аудио : lossless Продолжительность : 00:48:49 Источник (релизер) : qobuz Наличие сканов в содержимом раздачи : нет Треклист : 01.

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    320 kbps | 104 MB | LINKS

    The greatest white female rock singer of the 1960s, Janis Joplin was also a great blues singer, making her material her own with her wailing, raspy, supercharged emotional delivery. First rising to stardom as the frontwoman for San Francisco psychedelic band Big Brother & the Holding Company, she left the group in the late ’60s for a brief and uneven (though commercially successful) career as a solo artist. Although she wasn’t always supplied with the best material or most sympathetic musicians, her best recordings, with both Big Brother and on her own, are some of the most exciting performances of her era. She also did much to redefine the role of women in rock with her assertive, sexually forthright persona and raunchy, electrifying on-stage presence.

    Tracklist:
    1. Me (Instrumental) (5:15)
    2. Maybe (4:07)
    3. Summertime (4:49)
    4. Try (Just A Little Bit Harder) (6:20)
    5. Can’t Turn You Loose (7:30)
    6. Combination Of The Two (5:46)
    7. Ball And Chain (6:50)
    8. Piece Of My Heart (4:28)


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    Indigo Summer • Indigo Summer Жанр : Country/Pop Страна : USA (Nashville, TN) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:37:03 Наличие сканов : нет 01.

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    • Moon In A Mason Jar • Жанр : Country Страна : USA (Double Springs, AL) Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:36:28 Наличие сканов : нет 01.

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older | 1 | .... | 1140 | 1141 | (Page 1142) | 1143 | 1144 | .... | 2472 | newer