320 kbps | 103 MB | LINKS
Tracklist:
01. Sunset
02. Dark Day
03. Redshift
04. Homelands
05. Henrecia Latina
06. Tere Khyal
07. The Conference
08. Breathing Light
09. Nadia
10. Riverpulse
320 kbps | 152 MB | LINKS
On his new album, “Dounia Tabolo”, Boubacar Traoré has decided to bring in musicians from the Southern States of the USA he had met on tour: Cedric Watson on violin and washboard, and Corey Harris on guitar, together with Leyla McCalla on cello and vocals. His intention was to change the coloration of his songs, while conserving their original character.
From blues to folk, Cajun to Zydeco music, his new traveling companions have provided a touch of folly and swing, blues depth and discreet elegance, in a repertoire of old (Dounia Tabolo, Kanou,?) and new numbers (Ben de Kadi, Mousso,..).
More than ever, Boubacar Traoré is showing himself to be the living, vital connection between Mali and the Mississippi.
320 kbps | 152 MB | LINKS
On his new album, “Dounia Tabolo”, Boubacar Traoré has decided to bring in musicians from the Southern States of the USA he had met on tour: Cedric Watson on violin and washboard, and Corey Harris on guitar, together with Leyla McCalla on cello and vocals. His intention was to change the coloration of his songs, while conserving their original character.
From blues to folk, Cajun to Zydeco music, his new traveling companions have provided a touch of folly and swing, blues depth and discreet elegance, in a repertoire of old (Dounia Tabolo, Kanou,?) and new numbers (Ben de Kadi, Mousso,..).
More than ever, Boubacar Traoré is showing himself to be the living, vital connection between Mali and the Mississippi.
320 kbps | 305 MB | LINKS
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This double album is the essential Blues & Roots collection for the festival season and beyond.Featuring huge hits and festivals favourites Leon Bridges, Hozier, Alabama Shakes, Matt Corby, Gary Clark Jr, The Waifs, Laura Marling, Vance Joy and stacks more
320 kbps | 105 MB | LINKS
New Zealand based singer songwriter, influenced by the likes of John Hiatt, JJ Cale and the Band, but who delivers his own unique blend Blues, Country and Americana.
320 kbps | 139 MB | LINKS
Birmingham, Alabama singer Roszetta Johnson created marvellous southern soul, particularly when collaborating with songwriter Sam Dees, also from that city. (Note the spelling of her name; her records were usually issued as by Rozetta or occasionally Rosetta.) This CD features all her known recordings from the 60s and 70s; only some much later CD tracks are absent.
Tracklist:
1. I’ve Come Too Far With You (To Turn Back Now) [Alternate Version] (4:15)
2. Mama Was A Bad Seed (3:39)
3. You Better Keep What You Got (3:06)
4. I Can Feel My Love Coming Down (Alternate Take) (3:08)
5. For That Man Of Mine (3:29)
6. Mine Was Real (3:02)
7. A Woman’s Way (3:31)
8. Who Are You Gonna Love (Your Woman Or Your Wife) (3:44)
9. Holding The Losing Hand (3:30)
10. Chained & Bound (2:19)
11. Can’t You Just See Me (2:11)
12. To Love Somebody (3:05)
13. Personal Woman (4:09)
14. (I Like Making That) Early Moring Love (2:35)
15. It’s Been So Nice (3:03)
16. How Can You Lose Something You Never Had (3:07)
17. I Can Feel My Love Coming Down (3:06)
18. I’ve Come Too Far With You (To Turn Back Now) (3:39)
320 kbps | 158 MB | LINKS
Marking ten years of great music, The High Kings release ‘Decade – The Best of The High Kings’ . Decade features fan favourites such as Rocky Road to Dublin, Marie’s Wedding and Spancil Hill as well as 5 brand new recordings.
Tracklist:
01 – The Rocky Road to Dublin
02 – Spancil Hill
03 – The Fields of Athenry
04 – The Rising of the Moon
05 – Hand Me Down My Bible
06 – Rare Auld Times
07 – Four Green Fields
08 – The Lonesome Boatman
09 – Homeland
10 – Marie’s Wedding
11 – The Green Fields of France
12 – The Black Velvet Band
13 – Irish Pub Song
14 – Red Is the Rose
15 – Grace
16 – Friends for Life
17 – The Town I Loved so Well
18 – The Parting Glass
320 kbps | 112 MB | LINKS
The album ‘Down At The Liquor Store’ was recorded together with The Kings Men, a group that also used to work with such greats as B.B. King, Elvis Presley and many others out of music history! This CD is highly recommended, a fantastic Delta Soul record!
Björk
Utopia
(One Little Indian, 2017)
more details
320 kbps | 83 MB | LINKS
The members of The Farm Hands already had a lifetime of experience as country veterans when they originally formed, and on Colors, they continue to show the fruits of that labor. Blending bluegrass and gospel, The Farm Hands display a number of shades to their sound, including minor-key train stories (“The Old 109”), twangy patriotic ballads (the title track), and even a cover of Gram Parsons’ “Sin City,” picking away at their instruments like the craftsmen that they are.
320 kbps | 152 MB | LINKS
In the late 1970s, punk swept through the UK and washed away any remaining mop-top mods. In Dunedin, New Zealand—among the furthest possible cities from London—kiwi punks applied this self-sufficient ethos and wrote pop songs. Their lo-fi jangle pulled from the Byrds’ ’60s pop melodies, the psychedelia of Pink Floyd circa Syd Barrett, and the Velvet Underground’s corporeal dronings. It would be dubbed the historically influential Dunedin sound after a 1982 compilation from its most iconic label, Flying Nun Records. Two of the bands on that comp, the Chills and the Verlaines, along with their Flying Nun labelmates the Bats and the Clean, would come to define New Zealand’s mid-1980s indie rock scene. Amid all these humbly named acts, Look Blue Go Purple—Francisca Griffin (formerly Kathy Bull), Norma O’Malley, Kath Webster, Denise Roughan, and Lesley Paris—were bound to stand out.
Like their optimistic, kaleidoscopic moniker suggests, Look Blue Go Purple poured vivacity into a scene that was already chock full of cheery, sparkling songs. But unlike a majority of their peers, the quintet never released an LP, which prevented them from finding a foreign audience despite their mainstream success on the New Zealand pop charts. Still Bewitched, a recent compilation of Look Blue Go Purple’s three EPs and unreleased live rarities, promises to expose a new crowd to the band’s enchanting style.
After forming in 1983, Look Blue Go Purple debuted with a tight, distinct sound on 1985’s Bewitched EP. The five women fused the gentle guitar pop that was then well-established by their Dunedin/Flying Nun labelmates with the post-punk experimentation of the Slits and the Raincoats, and to a lesser extent, Swell Maps and Television. Three of Bewitched’s four tracks each focus on a different sound: the whistling synths of “Safety in Crosswords,” the new-age flute and staggered drumbeat of “Vain Hopes,” and the cloudy chill of “As Does the Sun.” But it’s “Circumspect Penelope” that gathers these elements together and affirms Bewitched’s pleasant distance. “She’s been waiting 20 years/And you just walk in/Telling stories of the sea/She should hate you, your Penelope,” the band bitterly scold The Odyssey’s titular character, whose wife has been waiting years for Odysseus’ return. Thanks to the crystalline sound of O’Malley’s organ, Webster and Roughan’s saccharine guitars, and the tight interplay between Griffin’s bass and Paris’ quick crashing drumbeat, Look Blue Go Purple’s condemnation is by far the poppiest, catchiest track on the EP. But their layered vocal harmonies seem to be the murmurs of sirens from a world beyond.
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