320 kbps | 377 MB | LINKS
A special box set of Queen’s landmark 1977 album News of the World is here, marking the 40th anniversary of the original release. The new package includes the original album on CD, plus two further CDs of recently unearthed out-takes and rarities from the band’s archives, one of which is a newly created ‘alternative’ version of the whole album – Raw Sessions.
CD 1: The Original Album (Bob Ludwig 2011 Master)
1. We Will Rock You (May) 2:01
2. We Are The Champions (Mercury) 2:59
3. Sheer Heart Attack (Taylor) 3:26
4. All Dead, All Dead (May) 3:10
5. Spread Your Wings (Deacon) 4:34
6. Fight From The Inside (Taylor) 3:03
7. Get Down, Make Love (Mercury) 3:51
8. Sleeping On The Sidewalk (May) 3:06
9. Who Needs You (Deacon) 3:05
10. It’s Late (May) 6.26
11. My Melancholy Blues (Mercury) 3:29
CD2: Raw Sessions
1. We Will Rock You (Alternative Version) 2:29
2. We Are The Champions (Alternative Version) 4:33
3. Sheer Heart Attack (Original Rough Mix) 4:17
4. All Dead, All Dead (Original Rough Mix) 3:08
5. Spread Your Wings (Alternative Take) 4:56
6. Fight From The Inside (Demo Vocal Version) 3:08
7. Get Down, Make Love (Early Take) 4:02
8. Sleeping On The Sidewalk (Live in the USA, 1977) 3:49
9. Who Needs You (Acoustic Take) 2:46
10. It’s Late (Alternative Version) 6:44
11. My Melancholy Blues (Original Rough Mix) 3:36
CD 3: Bonus Tracks
1. Feelings Feelings (Take 10, July 1977) 1:55
2. We Will Rock You (BBC Session) 1:36
3. We Will Rock You (Fast) (BBC Session) 2:52
4. Spread Your Wings (BBC Session) 5:33
5. It’s Late (BBC Session) 6:39
6. My Melancholy Blues (BBC Session) 3:13
7. We Will Rock You (Backing Track) 2:03
8. We Are The Champions (Backing Track) 2:59
9. Spread Your Wings (Instrumental) 4:23
10. Fight From The Inside (Instrumental) 3:02
11. Get Down, Make Love (Instrumental) 3:49
12. It’s Late (USA Radio Edit 1978) 3:52
13. Sheer Heart Attack (Live in Paris 1979) 3:35
14. We Will Rock You (Live in Tokyo 1982) 2:55
15. My Melancholy Blues (Live in Houston 1977) 3:48
16. Get Down, Make Love (Live in Montreal 1981) 4:35
17. Spread Your Wings (Live in Europe 1979) 5:20
18. We Will Rock You (Live at the MK Bowl 1982) 2:08
19. We Are The Champions (Live at the MK Bowl 1982) 3:32
320 kbps | 112 MB | LINKS
The Hightown Pirates’ formed by Simon Mason release their debut album Dry and High this month. The conception began through Mason’s friendship with Mick Head (Pale Fountains and Shack) in Liverpool and also a tour with the Libertines last year. This lead to Pete Doherty producing the artwork for the album. Indeed, one track is written about him Just for Today. Various musicians got on board and contributed to the “collective”.
Mason is known for his critically acclaimed rock n roll memoir Too High Too Far Too Soon recounting his debauched exploits at Glastonbury festival when he was a “chemist” to some of the biggest bands of the 90s. He was then “rescued” by Banksy from a stolen camper van. He’s certainly notorious. The album starts with the track Higher Ground which begins with a lovely flute sound before guitar and drums crash in. Mason’s vocals have an air of Roger Daltrey about them and the songs demonstrate a feeling of survival about it. It’s a robust song and a strong starter.
320 kbps | 113 MB | LINKS
Martin Newell’s The Cleaners From Venus is back with a very brand new high tech album in the wonderfully fuzzy lo-fi sound. With it all recorded on a classic 4 track or a mono reel to reel it will please lovers of dusty tapes, old records and dodgy radios. But above all it will pleasantly please all who have loved the sound of The Cleaners From Venus before. If you are one of them, you might know that The Cleaners From Venus don’t sound like laser brooms, intergalactic dustbins or super sonic vacuum cleaners; this project’s sound is as humane and earthy as possible.
With this album The Cleaners From Venus give a real treat to its fans, nicely draped in that loving sound that high fidelity studios die for to capture, but Martin Newell seems to know this specific sound as well as his very own back pocket. The project is known for its elaborate music videos as well as its own distinctive style of music and with this mega album named “Martin Newell’s Jumble Sale” it’s a full feast full of it! Music that is, as video clips for this specific album I did unfortunately not come across (yet!), but track wise it’s a full on extravaganza of that specific The Cleaners From Venus sound.
My favorite song on the album is Moonraking, it’s just the man and a piano, but how he sings is very pretty, like a intimate theatre show that has that emotional touch to make my own voice crackle and tears show up not from sadness, just from the song touching me. Not a case of being inappropriately touched, but something that happens when music made from a soul enters another soul; it’s that special bit of a human magical chemical reaction. Also ‘Hope’ really hit me specially, it has that moment that you hear the singing songwriting musician at its most naked, it’s sensitive, delivering music that feels better than Bowie (might he Rest In Peace) & really has that heart to heart connection going on.
320 kbps| 102 MB | LINKS
The Definitive Americana Album From Left Field Maverick.
Jim White used to be incredibly difficult to categorise; but with the advent of ‘Americana’ there isn’t a single word in the English language that sums up this left of centre Maverick better, as he encapsulates everything I associate with that all encompassing word.
Probably best know for his documentary film Searching For The Wrong-Eyed Jesus, Jim White is so much more; obviously a singer-songwriter but an artist, a writer and raconteur of the finest order too.
This is White’s 7th album under his own moniker but he also has numerous collaborations which are never less than interesting and always worth checking out.
So; why did this little silver disc make me shake with excitement when I slid it into the office CD Player?
Everything about opening track Drift Away sums up why I love Jim White, he has a soft and sensual voice and his lyrics are almost poetic in essence and he chooses instruments and melodies at will to suit the song he hears inside his head. Drift Away is almost Appalachian in mood; and moody it certainly is.
Yet Silver Threads when it comes along is positively jaunty by comparison and almost Country-Rock; no….that’s exactly what it is Country-Rock not too unlike the harmonies of Poco, if I’m not mistaken.
Playing Guitars on the other hand is a whimsical piece that would sound silly in lesser hands; but had me trying to decipher a hidden meaning (which isn’t there btw) because it’s by Jim White.
Just as your face is smiling from ear to ear, White throws a musical grenade into the mix by following it with Far Beyond The Spoken Word which is spellbinding but has to be heard to be believed.
Later we get Reason To Cry, a haunting and almost Gothic song that will send a shiver down your spine. With Jim White you never know what to expect from one song to the next; but the journey is never less than exciting and intriguing.
Picking a ‘Favourite track’ is virtually impossible with such a myriad of delights to choose from; but I’m going to toss a coin to decide between the Honky-Tonky duet Earnest T Bass at Last Finds the Woman of His Dreams and Prisoners Dilemma an almost cinematic opus, with a dark and serious and almost threatening chorus and melody.
Jim White albums aren’t for everyone; and they are never recorded with commercial success in mind, but White’s fans are many and loyal and they will love this latest release like a long lost child returning to the fold.
320 kbps | 103 MB | LINKS
During the 1970’s and up until 1986 Gerry Spehar was based in Colorado and had a thriving musical career. He played as a duo with his brother George in the 70’s and in the Spehar Brothers Band with both George and brother Tom. He then performed solo until meeting Bobby Allison whom he began writing and performing with in 1981. During all this, Spehar opened shows for the likes of Merle Haggard, Boz Scaggs and Townes Van Zandt. In 1986 Gerry made what he describes as the hardest decision of his life, turning his back on the music business to focus on providing a stable foundation for his family.
30 years later, Spehar returns to the music that he loves and the result is I Hold Gravity, a collection of 10 songs on which he collaborated with his other great love, wife Susan. The album chronicles their final cross-country drives, their mountain heritage, and an L.A. to Texas landscape filled with shrimpers, dynamiters and wildcatters, wrestlers, roughnecks, overambitious farmers, and Monsanto lawyers. Spehar spent the past year producing and finishing this album and taking care of Susan, who sadly passed away from cancer in September, just as they were finishing the recordings.
320 kbps | 110 MB | LINKS
The Greatest Gift, a collection of outtakes, remixes and demos from Carrie & Lowell.The Greatest Gift unveils new remixes by several longstanding collaborators: Roberto C. Lange (a.k.a. Helado Negro) remixes both “Death With Dignity” and “All Of Me Wants All Of You;” Thomas Bartlett (a.k.a. Doveman) remixes “Exploding Whale,” a song previously only available as a 7-inch single; and James McAlister (a.k.a. 900X) remixes “Fourth of July.” The album features Stevens’ own remix of “Drawn to the Blood” and includes alternate and/or demo versions of songs from the original album, including a fingerpicking version of “Drawn to the Blood,” and iPhone-recorded demo versions of “John My Beloved” and “Carrie & Lowell.” Finally, the mixtape features four previously unreleased new songs recorded at the same time as the Carrie & Lowell.
These include “Wallowa Lake Monster” as well as “The Hidden River of My Life,” “City of Roses” and “The Greatest Gift.” The new collection serves as a companion piece to the original album, alongside the Carrie & Lowell Live album released earlier this year.
320 kbps | 120 MB | LINKS
‘While flowing from the same, molten core of melody, songwriting craft and towering self-belief, Noel Gallagher’s High Flying Birds’ new album, Who Built The Moon? alters the legendary singer-songwriter’s course following a bracing, two-year creative collaboration with renowned producer, DJ and composer, David Holmes. Released on Fri 24 November 2017 on Sour Mash, the keenly anticipated follow-up to the platinum-selling, Chasing Yesterday (2015).
Bursting bubbles of perception, drilling dynamite into cracks between past and present and painting a daring portrait of the artist as a free man, Who Built The Moon? gathers vocalists and guest musicians from around the world to breathe life into 11-tracks finely poised between experimental and a jukebox of ageless influence. Meeting to work in Belfast and London, Gallagher and Holmes tuned into French psychedelic pop as much as classic electro, soul, rock, disco and dance on a cultured adventure into recorded sound.
If tracks blipping with ethereal, electronic experimentation and French spoken word start rumours of Gallagher’s restlessness, then instrumentals drifting with a latent, melancholic energy, inspired by European television soundtracks confirm them. Setting fire to familiarity, Gallagher wrote entirely in the studio for the first time, leaping into laboratory conditions and a cut and paste adventure with Holmes, turning his back, at least temporarily, on studied solitude and six strings. The studio door was left open for Paul Weller (organ on Holy Mountain) and Johnny Marr (guitar and harmonica on If Love Is The Law) to not only bear witness to, but make a mark on a pivotal moment in Gallagher’s ten studio album career.
The results are exhilarating. Setting the placid instrumentals and hypnotic, eastern-influenced grooves alongside gutsy balcony-shakers and widescreen, cinematic walls of sound, Who Built The Moon? is an album for the apocalypse, comforting queasy listeners with shades of the Noel Gallagher they rely on, while taking the adventurous dancing with him into the flames.
David Holmes, Producer of Who Built The Moon? says: “People are going to be surprised. I think people love Noel and they’re desperate for him to make a really big, bold, up-tempo beast of a record – a lot of Noel’s music is quite mid-tempo. This one is fun.”
| Artist: | Franco Et Le T.P O.K Jazz |
| Title of Album: | Mamou (Tu Vois?) [1984/1985/1986) |
| Genre: | Ethnic |
| Year of Release: | 1994 |
| Tracks: | 6 |
| Total Time: | 1 hour, 4 minutes and 30 seconds |
| Format: | MP3 |
| Bitrate: | 320 Kbps |
| Total Size: | 147.63 MB |
| # | Song Title | Artist | Time |
|---|---|---|---|
| 01 | Tu Vois? (Mamou) | Franco Et Le T.P O.K Jazz | 11:07 |
| 02 | Temps mort | Franco Et Le T.P O.K Jazz | 10:29 |
| 03 | Allta tshamala | Franco Et Le T.P O.K Jazz | 10:30 |
| 04 | Mehida | Franco Et Le T.P O.K Jazz | 10:36 |
| 05 | Massikini | Franco Et Le T.P O.K Jazz | 11:47 |
| 06 | Limbisa ngai | Franco Et Le T.P O.K Jazz | 10:01 |
The post Franco Et Le T.P O.K Jazz-Mamou (Tu Vois) (1984-1985-1986 appeared first on AlbumDL.
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