Artist: Eminem | Album: 8 Mile | Released: 2002 | Genre: Soundtrack, Rap
Artist: Eminem | Album: 8 Mile | Released: 2002 | Genre: Soundtrack, Rap
320 kbps | 113 MB | LINKS
Produced by Peter Buck (R.E.M.) and Scott McCaughey (The Minus 5) Burn Something Beautiful is Alejandro’s 12th solo studio album and most definitive album to date. The album was written, arranged and performed as a true collaboration with Peter and Scott in Portland, OR. The band is rounded out with guitarist Kurt Bloch (Fastbacks), Decembertists’ drummer John Moen, Los Lobos’ saxophonist Steve Berlin and singers Corin Tucker (Sleater-Kinney) and Kelly Hogan (Neko Case).
320 kbps | 383 MB | LINKS
A1 I’m Waiting For The Man
A2 Venus In Furs
A3 All Tomorrow’s Parties
A4 There She Goes Again
A5 Heroin
A6 Femme Fatale
B1 I Heard Her Call My Name
B2 White Light/White Heat
B3 Here She Comes Now
B4 Sister Ray
C1 Hey Mr. Rain
C2 Stephanie Says
C3 She’s My Best Friend
C4 Andy’s Chest
C5 Candy Says
C6 What Goes On
C7 Some Kinda Love
C8 Lisa Says
D1 Pale Blue Eyes
D2 The Murder Mystery
D3 We’re Gonna Have A Real Good Time Together
D4 Foggy Notion
D5 One Of These Days
320 kbps | 132 MB | LINKS
Each song on the album was recorded live at Atkinson’s BigTone Studio in Hayward, CA, with all the players in one room, playing vintage gear and recorded on vintage equipment, and this commitment to authenticity comes through on every track. From the uptown Chicago shuffle of “Tired Of Doing Nothing” to the aching slow blues of the closing “You Can Leave My House”, via the primeval funk of the title track and the echo-drenched slide of “Do-Right Man”, each song reeks of deep emotion and well as a true understanding and appreciation of the way music used to be made.
Packing 15 songs into 57 minutes, there is no room for filler or fat on Seven Day Blues. Indeed, whilst it is dangerously presumptive to make predictions in January, it is not foolhardy to suggest that Seven Day Blues is an early contender for one of the albums of the year.
320 kbps | 103 MB | LINKS
Tracks:
1 Double Trouble
2 Gimme Three Steps
3 Saturday Night Special
4 Got The Same Old Blues
5 Simple Man
6 Call Me The Breeze
7 T For Texas
8 Sweet Home Alabama
John Hollenbeck Large Ensemble
All Can Work
(New Amsterdam Records, 2018)
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Mônica Vasconcelos
The São Paulo Tapes
(Galileo Music Communication, 2017)
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320 kbps | 140 MB | LINKS
Tracklist:
1. Rave On (1:47)
2. Not Fade Away (2:22)
3. Everyday (2:06)
4. Peggy Sue (2:28)
5. That’ll Be The Day (2:14)
6. It Doesn’t Matter Anymore (2:04)
7. It’s So Easy (2:10)
8. Oh Boy! (2:06)
9. Heartbeat (2:07)
10. Learning The Game (2:01)
11. Crying Waiting Hoping (2:09)
12. Maybe Baby (2:00)
13. Blue Days Black Nights (2:02)
14. Ting A Ling (2:38)
15. Rock Me My Baby (1:48)
16. Well All Right (2:12)
17. Words Of Love (1:53)
18. Think It Over (1:44)
19. Peggy Sue Got Married (2:05)
20. True Love Ways (2:59)
21. Listen To Me (2:19)
22. Moondreams (2:38)
23. Modern Don Juan (2:37)
24. Raining In My Heart (2:45)
25. Love Me (2:03)
26. You Are My One Desire (2:19)
27. You’re So Square (Baby I Don’t Care) (1:34)
Bass Clef
(minimum wage) (zero hours) (infinite forest)
(Open Hand Real Flames, 2018)
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320 kbps | 102 MB | LINKS
The bloodless, broken relationship depicted in the forlorn and decidedly rustic “A Bed This Cold,” off bluegrass and gospel darling Kristy Cox’s new album Ricochet, is almost certainly a lost cause. Her partnership with Grammy-winning producer/songwriter Jerry Salley, on the other hand, has a brighter future.
Their past recordings have been showered with critical praise, and Cox and Salley have struck gold again with Ricochet, where contemporary production burnishes warm, traditional instrumentation and lives in wedded bliss with graceful harmonies and engaging country-pop songcraft. If the heat has gone out in “A Bed This Cold” —an affecting, unflinching dissection of eroded intimacy wrapped in thin, tattered acoustic folk and pained vocals that practically shiver—the deliriously sunny and upbeat “South to North Carolina” offers a fun summer road trip. A whirling dervish of countrified strings and irresistible escapism, it is just as lively and infectious as the jumping title track.
Dancing with Cox’s honeyed crooning throughout the rest of Ricochet, a meticulously woven mix of soft-textured dobro, fiddle, mandolin and banjo make the bittersweet incandescence of “Right Where You Left It” swoon and smoothly guide her carefree gait and empowered defiance in “Just Me Leaving.” Known for her hopeful, angelic sweetness, Cox sings with a growing maturity and beguiling sophistication on Ricochet that’s more in tune with worldly realities. Although the lighthearted “Blame It on God” and a more somber “I Still Pray” let everyone know that Cox still looks to the heavens for inspiration and strength.
—Peter Lindblad