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    51TBfg3y2pL._SS500.jpg320 kbps | 155 MB | LINKS

    The festival demonstrated the vitality of the contemporary blues scene in North Mississippi. Potts Camp is located off of Route 78, about halfway between Memphis and Tupelo.
    The festival celebrates the legacies of departed North Mississippi blues legends including R.L. Burnside, Junior Kimbrough, and Othar Turner. The festival features many of their children and grandchildren. These include Duwayne Burnside, and his band the Mississippi Mafia; the Burnside Exploration, featuring Garry Burnside; David Kimbrough; the Rising Star Fife and Drum Band, led by Othar Turner’s 17-year-old granddaughter Sharde Thomas.
    Other second generation acts returning to the event include Kenny Brown, R.L. Burnside’s longtime guitarist and adopted son and the Reverend John Wilkins, son of pre-WWII recording artist Robert Wilkins, whose song Prodigal Son was covered by the Rolling Stones. Also returning to the festival are Jimbo Mathus and Knockdown South, T-Model Ford, and Cary Hudson with Blue Mountain.
    Additions this year include the North Mississippi Allstars, whose leader Luther Dickinson grew up listening to R.L. Burnside and attending Othar Turner’s fife and drum picnics, Alvin Youngblood Hart, and Danny Lancaster.
    Potts Camp resident Kenny Brown, who has been playing Hill Country blues since he was a young boy with artists including Mississippi Joe Callicott and Johnny Woods, conceived the festival. The original idea for this thing was to get all the Hill Country acts we could together at one time here in North Mississippi, says Brown. know from first hand experience how popular the music is all over the world, but we previously didn’t have an opportunity to celebrate our shared heritage here on our home turf.

    01 Mississippi Bollweevil – Mississippi Bollweevil (5:11)
    02 Eric Deaton – Turn It Around (3:51)
    03 Robert Belfour – Smokestack Lightning (6:10)
    04 David Kimbrough – Meet Me In The City (3:27)
    05 Cedric Burnside – Come On In (4:30)
    06 Rev. Wilkins – Trouble (8:47)
    07 Duff Durrough – Traveling On (3:14)
    08 Duwayne Burnside – Skinny Woman (3:09)
    09 Blue Mountain – Jellyroll (6:15)
    10 T-Model Ford – Hip Shakin Woman (3:51)
    11 Kenny Brown – Jumper On The Line (9:10)
    12 Garry Burnside – Hoochie Coochie Man (3:48)
    13 Jimbo Mathus – Leash My Pony (3:28)
    14 The Rising Star Fife & Drum Band – Bounceball (2:23)

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  • 06/01/18--11:58: Finn – High Signs (2018)
  • 510IaPyQZUL._SS500.jpg320 kbps | 113 MB | LINKS

    A modern, introspective album covering a range of musical styles and influenced by many of the greats; George Harrison, JJ Cale, Eric Clapton, Mark Knopfler and Bob Dylan – all original compositions.

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    The Official UK Top 40 Singles Chart 01 June (2018)

    Artist: Various Performers
    Title: The Official UK Top 40 Singles Chart 01 June
    Label: BBC Radio 1, OfficialCharts
    Style: Synthpop, Neo Soul, Hip Hop, Dancehall, Trap, Afrobeat, Folk, Indie, Electropop
    Release Date: 01-06-2018
    Format: Top, Compilation
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Codec: MP3
    Tracks: 40 Tracks
    Time: 02:19:09 Min

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  • 06/01/18--12:11: Hausa (Nigeria)
  • hausa%2B1.JPG

    personally i prefer hausa music over  house music
    although: the first track is the rythm of the butcher. How would that sound like? Chop!

     Hausa 1 (Barenreiter)

    liever hausamuziek dan housemuziek
    hoewel: het eerste nummer is het ritme van de slager. Hoe zou dat klinken? Tjop!

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    The Gravel-Aires • National Avenue Жанр : Country/Roots/Americana Страна : Canada (Vancouver, BC) Год издания : 2018 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:54:21 Наличие сканов : нет Источник релиза : BabaSch 01.

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    Tony Lee • So Far From The Truth Жанр : Alt. Country Rock Страна : New Zealand (Waikato) Год издания : 2018 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:39:57 Наличие сканов : нет Источник релиза : BabaSch 01.

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    Professor Rhythm…Professor Rhythm’s 1991 recording Professor 3 is a vivid reflection of urban South Africa as apartheid was ending. Thami Mdluli’s production project had young and old dancing to a sound that sought to unite Blacks within Southern Africa. The late 1970’s and 80’s had been trying times for people of color. Thammi says, “During these times, we as a country were experiencing apartheid segregation, very much similar to the segregation in the States. We couldn’t express ourselves how we really felt; it was a matter of being creative with your lyrics. It really wasn’t like today where you could say what you wanted to say provided it was radio-ready. In our times, we had to really watch what we put out there, as we were in fear of being jailed or not having our music played at all if we…

    67 MB  320 ** FLAC

    …stepped onto the government’s toes. If you were a musician in these times, one had to be a master of words as politics was force-fed unto us. Our music gave hope to the hopeless.”

    Mdluli’s third instrumental album (which contains some background vocals, to be exact), portrays the moment when the dominant mbaqanga and American R&B-based bubblegum sounds being produced in Johannesburg and other urban centers were transforming into house and hip-hop-inspired kwaito. The pop of the 80’s and all that went with it—from the models of synths and drum machines to the lyrical style—gave way to a changing melodic emphasis and new, much slower tempi using a completely different rhythmic skeleton. Upbeat, chipper bubblegum, often with double-time breakdowns and upstroke syncopations, faded and the sounds began to more closely resemble those of contemporary Black America—where hip-hop was slowing down and the bass-lines and melodies were getting moodier, darker in general. At the same time house music had briefly reached mainstream acceptance in the States and that popularity continued to feed into awareness overseas. These two influences blended with the burgeoning house music scenes in Johannesburg and Pretoria as Professor Rhythm 3 was being produced in March 1991 (the same year apartheid ended). Mdluli explains, “We were Influenced by foreign bands and so people updated their sound.”

    According to Mdluli, the evolving sound was bolstered by widening availability of house and rap records from abroad while, most importantly, an increasing sense that apartheid might soon be finished was met with a new positivity vibe society. “1991, ’92, ’93… Mandela was released. People were upbeat, they were happy, the music was good.”

    Professor 3 came out on vinyl as the LP business was dying in South Africa and sold around 20,000 copies. It was mainly distributed on tape, which sold closer to 100,000. With the help of engineer Fab Rosso, the recording features backing vocalists from Mango Groove.

    This wasn’t Mdluli’s first success in music. He had been a known quantity in the industry for many years prior to making Professor Rhythm records, starting in the late 80’s. Early in his career he was part of the Hot Soul Singers, who recorded a handful of 7” singles and opened for the O’Jays during their tour of South Africa in 1981. On various shows where international names like Two Tons O’ Fun, Gene Chandler (“Duke of Earl”) and Clarence Carter, were performing in South Africa, Mdluli and his crew were the curtain raisers for the packed shows.

    The early career experience and burgeoning producing skills gleaned from his work with the Hot Soul Singers proved crucial. The group split and formed the new band called Sound Bust, working as a studio band for Ali Katt and Benjamin Ball’s disco-reggae album, Flash A Flashlight. Other group’s followed for Thami – including stints with the legendary CJB and Taboo, both of which provided the young musician with a real flair and taste for mbaqanga township pop music. By the mid-80’s, he was working behind-the-scenes on albums for CJB as well as the group Sox whose 1988 album Don’t Call Me sold more than 200,000 copies.

    In the late 80’s Mdluli moved from Eric Frisch Productions (where he had worked as a producer for a few years) to Tusk Records where he enjoyed a stunning rise in his career—a career which included a solo, township instrumental pop album of his own under the name Professor Rhythm. After making a half-dozen records as Professor Rhythm, Mdluli once again shifted his focus musically. By the mid-90’s he had veered off gospel music—and left playing in bands and started making his own solo recordings. His enormous success in the gospel realm in the years since is a remarkable story in its own right, but for now we are only dancing.

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    51bLsODX80L._SS500.jpg320 kbps | 110 MB | LINKS

    Record Store Day 2018 exclusive, limited and numbered

    Drums – Sly Dunbar
    Guitar – Dalton Browne*, Chinna Smith*
    Keyboards – Robbie Lyn
    Mixed By, Bass, Engineer, Music Director – Robbie Shakespeare

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    Golden Earing  - The Naked Truth(1992)

    ???????????: Golden Earing
    ??????: The Naked Truth
    ????: Hard Rock
    ???: 1992
    ??????:FLAC (tracks)
    ??????: 463Mb
    ?????????????: Deposite, Turbobit

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    Levi Parham & Them Tulsa Boys And Girls • It's All Good • Жанр : Alt. Country/Blues/Americana Страна : USA (McAlester, OK) Год издания : 2018 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 00:45:18 Наличие сканов : нет Источник релиза : BabaSch 01.

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    61pXyXi4VhL._SS500.jpg320 kbps |  83 MB | LINKS

    She’s back, the gloves are off and she is coming out swinging. Tami Neilson won’t be staying New Zealand’s secret for much longer. For the past decade, the Canadian-born, New Zealand-based singer/songwriter has been the queen of her adopted homeland’s country and roots music scenes. She has picked up a handful of Best Country Album awards at the New Zealand Music Awards and won the prestigious APRA Silver Scroll for excellence in songwriting. With her new album, SASSAFRASS!, Neilson takes a giant step forward. On this 11-track knock-out, she places a heavier emphasis on soul music without abandoning her country and rockabilly roots. Neilson conjures up a wonderfully retro style that sounds like it could be a lost gem from the late ’50s or early ’60s; however, beneath the classic veneer are frank, highly relevant lyrics. Sassafrass, a slang word for a sassy person who isn’t afraid to speak her mind, serves as a perfect title for this album. The songs, Neilson divulges, reflect her developing a low tolerance for bullsh*t after years of encountering sexism in her life. They were also influenced by her being a mother of two young boys as well as by the death of her father, who led the family’s band, the Neilsons, which was popular in Canada during the ’90s. Neilson characterizes her new album as a mouthy lovechild of the current social climate and my own experiences as a woman, mother and daughter.

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    DMC Essential Hits 158 (2018)

    Artist: Various Performers
    Title: DMC Essential Hits 158
    Label: DMC Records - DMCHITS158
    Style: House, Grime, Dance, Vocal, Electronic, RnB, Swing, Hip Hop, Latin
    Release Date: 15-05-2018
    Format: CDr, Compilation, Promo
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Codec: MP3
    Tracks: 24 Tracks
    Time: 01:18:00 Min
    Size: 183 MB

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    rip by Boris1

    k.d. lang and the reclines - Angel With A Lariat (1987)

    Performer: k.d. lang and the reclines
    Album: Angel With A Lariat
    Label: Sire Records
    Catalog #: 9 25441-2
    Style: Country Rock, Pop Rock
    Year: 1987
    Format: Flac (*image + .cue,log,scans)
    Bitrate: lossless
    Covers: in archive
    Amount of tracks: 10
    Size RAR: ~ 260 MB
    Upload: deposit, cloud.mail
    Recovery: 3%
    Password: sim-sim

    Kathryn Dawn Lang (2.11.1961), ????? ????????? ??? k.d. lang - ????????? pop ? country singer-songwriter. k.d. lang ?????????????? ????????? Juno Awards ? ???????????? Grammy Awards, ???????? ???? ?????????? ?? ???? ??????????? ????????????. ? 1988 ???? ??? ????????? ?? ???????? XV ?????? ??????????? ??? ? Calgary, ? ? 2010 k.d. lang ???? ?? ???????? XXI ?????? ??????????? ??? ? Vancouver. ??? ????????? ????? ?????? ? Roy Orbison, Tony Bennett, Elton John, Anne Murray, Ann Wilson (Heart).
    Angel with a Lariat - ??????, ?????????? ? 1987, ???????? ?????? ? ??????????? ?????? ? ??????, ???????? ?? ????????? ??????. ??????, ?????? ? ??????? ??????, ? ??????? ?????? ????????? ? ????? ? ?????????, ???????? ? ?? ???????? ?????? ? ??????? k.d. lang. ?? ?????????? ??, ??? ?? ????? ??????????, ????? ???????? ?? ?????????, ??? ??? ???????? ?? ???????. ????????? ??????.

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    VanMorrisonAstralWeeks.jpgFLAC | 392 MB | LINKS

    Remastered audio, each album also features previously unreleased versions of several album tracks.

    Astral Weeks failed to make the charts when it was released in the fall of 1968. But 47 years later, the album has achieved a near-mythic status across generations of listeners who have “ventured in the slipstream” and fallen under the music’s spell. “Any best-of list is unthinkable – and worthless – without it,” writes Cory Frye in the album’s liner notes.

    The four unreleased recordings that debut on this deluxe edition highlight the interplay between Morrison and the quartet that joined him in the studio – bassist Richard Davis, guitarist Jay Berliner, percussionist Warren Smith, Jr., and Modern Jazz Quartet drummer Connie Kay. These bonus tracks include the first take of “Beside You,” the full version of “Slim Slow Slider,” and a stripped back version of “Madame George” that emphasizes the vibraphone.

    1. Astral Weeks (2015 Remastered)
    2. Beside You (2015 Remastered)
    3. Sweet Thing (2015 Remastered)
    4. Cyprus Avenue (2015 Remastered Version)
    5. The Way Young Lovers Do (2015 Remastered)
    6. Madame George (2015 Remastered)
    7. Ballerina (2015 Remastered)
    8. Slim Slow Slider (2015 Remastered)

    9. Beside You (Take 1)
    10. Madame George (Take 4)
    11. Ballerina (Long Version)
    12. Slim Slow Slider (Long Version)

    Van Morrison — vocals, acoustic guitar
    John Payne — flute; soprano saxophone on “Slim Slow Slider”
    Jay Berliner — classical and steel-string acoustic guitars
    Richard Davis — double bass
    Warren Smith, Jr. — percussion, vibraphone
    Connie Kay — drums
    Larry Fallon — string arrangements and conductor; harpsichord on “Cy

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    African Scream Contest 2 (Analog Africa No. 26) Жанр : WORLD Носитель : WEB Год издания : 21 May 2018 Издатель (лейбл) : Analog Africa Номер по каталогу : AACD086 / AALP086 Аудиокодек : FLAC (*.

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    Richard Edwards - Verdugo (2018) FLAC
    Artist: Richard Edwards | Album: Verdugo | Released: 2018 | Genre: Alternative Rock

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    51fjHuTwObL._SS500.jpg320 kbps | 83 MB | LINKS

    Brigitte uses her sultry, powerful and emotive range to captivate an audience. She can go from a gentle purr to a sonic boom within seconds, while pouring her heart into every note. Her incredible versatility ranges from Classical to Blues, Funk, Rock, Jazz and Soul, each delivered with her unique and passionate style.

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    Bobby Harrison (ex Procol Harum) - Funkist (1975)
    Year: 1975 (CD 2000)
    Label: Angel Air Records (UK), SJPCD056
    Style: Rock, Funk
    Country: London, England
    Time: 34:52
    Format: Flac Tracks 16/44,1 kHz
    Size: 229 Mb
    ? ?????? ???????? ????? ????????? ? MP3 ?????? ???????.

    Bobby Harrison (born 12.30 am on 22 June 1939, East Ham Maternity Hospital, London) ???????? ??????????????? ??????? ?????? Procol Harum. ...

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    Craig Chaquico - Fire Red Moon (2012)

    ???????????: Craig Chaquico
    ??????: Fire Red Moon
    ??????: USA
    ????: Blues Rock
    ???: 2012
    ??????: FLAC (image+.cue)
    ??????: 325Mb
    ??????: ?? depositfiles ?

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    Not a Good Sign - Icebound (2018) FLAC
    Artist: Not a Good Sign | Album: Icebound | Released: 2018 | Genre: Rock

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