Artist: LUMP | Album: LUMP | Released: 2018 | Genre: Alternative Rock
Artist: LUMP | Album: LUMP | Released: 2018 | Genre: Alternative Rock
Artist: LUMP | Album: LUMP | Released: 2018 | Genre: Alternative Rock
LUMP - LUMP (2018) FLAC
Artist: LUMP | Album: LUMP | Released: 2018 | Genre: Alternative Rock
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Josie Dunne - To Be The Little Fish (2018) (24bit Hi-Res) FLAC
Artist: Josie Dunne | Album: To Be The Little Fish | Released: 2018 | Genre: Pop
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Quando Rondo - Life B4 Fame (2018) (24bit Hi-Res) FLAC
Artist: Quando Rondo | Album: Life B4 Fame | Released: 2018 | Genre: Hip-Hop
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Sly & The Family Stone – Original Album Classics [5CD Boxset] (2010)
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-3994892-1351790923-1978.jpeg.jpg)
320 kbps | 873 MB | LINKS
1967 A Whole New Thing
01 Underdog
02 If This Room Could Talk
03 Run Run Run
04 Turn Me Loose
05 Let Me Hear It From You
06 Advice
07 I Cannot Make It
08 Trip To Your Heart
09 I Hate To Love Her
10 Bad Risk
11 That Kind Of Person
12 Dog
Bonus Tracks:
13 Underdog (Single Version)
14 Let Me Hear It From You (Single Version)
15 Only One Way Out Of This Mess
16 What Would I Do
17 You Better Help Yourself (Instrumental)
1968 Dance To The Music
01 Dance To The Music
02 Higher
03 I Ain’t Got Nobody (For Real)
04 Dance To The Medley: Music Is Alive / Dance In / Music Lover
05 Ride The Rhythm
06 Color Me True
07 Are You Ready
08 Don’t Burn Baby
09 Never Will I Fall In Love Again
Bonus Tracks:
10 Dance To The Music (Single Version)
11 Higher (Single Version)
12 Soul Clappin’
13 We Love All
14 I Can’t Turn You Loose
15 Never Do Your Woman Wrong (Instrumental)
1968 Life
01 Dynamite
02 Chicken
03 Plastic Jim
04 Fun
05 Into My Own Thing
06 Harmony
07 Life
08 Love City
09 I’m An Animal
10 M’Lady
11 Jane Is A Groupee
Bonus Tracks:
12 Dynamite! (Single Version)
13 Seven More Days
14 Pressure
15 Sorrow (Instrumental)
1969 Stand!
01 Stand!
02 Don’t Call Me Nigger Whitey
03 I Want To Take You Higher
04 Somebody’s Watching You
05 Sing A Simple Song
06 Everyday People
07 Sex Machine
08 You Can Make It If You Try
Bonus Tracks:
09 Stand! (Single Version)
10 I Want To Take You Higher (Single Version)
11 You Can Make It If You Try (Single Version)
12 Soul Clappin’ II
13 My Brain (Zig-Zag) (Instrumental)
1971 There’s A Riot Goin’ On
01 Luv N’ Haight
02 Just Like A Baby
03 Poet
04 Family Affair
05 Africa Talks To You (The Asphalt Jungle)
06 There’s A Riot Goin’ On
07 Brave And Strong
08 (You Caught Me) Smilin’
09 Time
10 Spaced Cowboy
11 Runnin’ Away
12 Thank You For Talkin’ To Me, Africa
Bonus Tracks:
13 Runnin’ Away (Single Version)
14 My Gorilla Is My Butler (Instrumental)
15 Do You Know What (Instrumental)
16 That’s Pretty Clean (Instrumental)
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Buttering Trio - Threesome (2016)
Label: Raw Tapes
Жанр: Jazz, Funk, Soul, World
Год выпуска: 2016
Формат: FLAC (tracks)
Битрейт аудио: Lossless
Продолжительность: 36:33
Размер: 233 MB
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Stray - Time Machine: Anthology 1970-1977 (2003) [2CD Compilation]
![Stray - Time Machine: Anthology 1970-1977 (2003) [2CD Compilation]](http://lossless-galaxy.ru/uploads/posts/2018-06/1528099013_front.jpg "Stray - Time Machine: Anthology 1970-1977 (2003) [2CD Compilation]")
???????????: Stray
??????: Time Machine
??? ??????: 2003
????: Rock / Hard Rock
??????: FLAC (image+.cue, log, scans)
????????: Lossless
??????: 1.13 Gb
??: gigapeta/katfile/uploadboy/depositfiles
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Eva Cassidy – 5LP Collection [Limited Edition Box] (2014)
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-6385982-1417961298-7228.jpeg.jpg)
320 kbps | 727 MB | LINKS
Eva Cassidy (1998) – Songbird
Eva Cassidy (2000) – Time After Time
Eva Cassidy (2002) – Imagine [
Eva Cassidy (2003) – American Tune
Eva Cassidy (2008) – Somewhere
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MARC RIBOT / CERAMIC DOG ένα από τα καλύτερα άλμπουμ που έχω ακούσει μέσα στο 2018
«Ζούμε στο Μπρούκλιν. Κάθε μέρα η Ομοσπονδιακή Υπηρεσία Μεταναστών και Τελωνείων (γνωστή και ως ΙCE ή και ως La Migra) στέλνει ενόπλους εγκληματίες στις γειτονιές μας, με πολιτικά αυτοκίνητα (όχι επισημασμένα), προκειμένου να χωρίσει βίαια παιδιά από γονείς (πολλοί από τους οποίους είναι αμερικανοί πολίτες), σπρώχνοντας τους φίλους μας, τους γείτονές μας και τους συναδέλφους μας στις φυλακές, για όσο καιρό ο ICE θεωρεί κατάλληλο. Όσο τα πράγματα θα κυλάνε με αυτό τον τρόπο, εμείς, σαν μουσικοί, δεν πρόκειται ν’ αφήσουμε το μικρόφωνο από τα χέρια μας, ενισχύοντας μέσω αυτού τις φωνές της οργής στην κοινότητά μας. La Migraγαμιέσαι!».
![ajazz%2Benja%2B3.jpg]()
Κάτι τέτοια διαβάζουμε και ακούμε στο πιο τελευταίο άλμπουμ τού σπουδαίου Marc Ribot, που έχει τίτλο “YRU Still Here?” [enja yellowbird / ENJA RECORDS/ Werner Aldinger/ ΑΝ Music, 2018] και υπογράφεται από το συγκρότημά του, τους Ceramic Dog (βασικά πρόκειται για το τρίτο άλμπουμ του συγκεκριμένου σχήματος).
Ποιοι αποτελούν τους Ceramic Dog; Ο Marc Ribot σε κιθάρες, requinto (μικρή κιθάρα), φαρφίζα, μπάσο, κόρνο, vocoder, φωνή, ο Shahzad Ismaily σε μπάσο, moog, κρουστά, φωνητικά και ο Ches Smith σε ντραμς, κρουστά, ηλεκτρονικά, φωνητικά.
Τι είναι το “YRU Still Here?” δεν μπορείς εύκολα να το πεις. Οπωσδήποτε από στιχουργικής πλευράς είναι ένα σκληρό άλμπουμ, που λέει αλήθειες για τη ζωή στη Νέα Υόρκη, όχι εκείνη τη γυαλισμένη, που πουλιέται στους παγκόσμιους τουρίστες, αλλά την άλλη των αποσαθρωμένων συνοικιών, οι κάτοικοι των οποίων (βασικά μειονότητες) ζουν αποκλεισμένοι από κάθε δυνατότητα ή ευκαιρία, έχοντας να αντιμετωπίσουν κατά πρώτον τη συστημική βία. Αυτήν καυτηριάζει το “YRU Still Here?” και πάνω στην ενδυνάμωση των εν λόγω κοινωνικών περιθωρίων βασίζεται η (στιχουργική) ύπαρξή του.
Μουσικά, τώρα, το όλον πράγμα είναι εντυπωσιακό. Ο Marc Ribot και οι φίλοι του (εκτός από τους Ismaily και Smith στην ηχογράφηση συμμετέχουν εφτά άτομα ακόμη σε τρομπόνι, κόνγκα, σαξόφωνο, σιτάρ, φλάουτο, φωνητικά) στήνουν ένα ανεπανάληπτο σκηνικό με στοιχεία παρμένα από μεγάλες στιγμές της μαύρης μουσικής (The Last Poets, Gil Scott-Heron, Oscar Brown Jr. κ.ά.), ανακατεύοντας με στοιχεία jazz, funk, punk, r&b ακόμη και progressive rock! Το αποτέλεσμα είναι ένα εκρηκτικό χαρμάνι, που σμπαραλιάζει τα πάντα στο πέρασμά του. Αρκεί ν’ ακούσει κάποιος το 8λεπτο “Shut that kid up” ή το 5λεπτο “Orthodoxy” για να διαπιστώσει του λόγου το αληθές, αλλά και για να συμπεράνει, ενδεχομένως, και κάτι ακόμη. Πως το σημερινό hip-hop δεν πιάνει δεκάρα (από μουσικής πλευράς 100%, αλλά και στιχουργικά ακόμη – αν μιλάμε για το συγκεκριμένο CD) μπροστά σ’ αυτή την απίστευτη παραγωγή, που θα πρέπει να καταχωριστεί από τώρα μεταξύ των «αριστουργημάτων» της δεκαετίας.
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Flotsam and Jetsam - Doomsday For The Deceiver (1986) [2018]
![Flotsam and Jetsam - Doomsday For The Deceiver (1986) [2018]](http://lossless-galaxy.ru/uploads/posts/2018-06/thumbs/1528100527_00.jpg "Flotsam and Jetsam - Doomsday For The Deceiver (1986) [2018]")
???????????: Flotsam and Jetsam
??????: USA
??????: Doomsday For The Deceiver
????: Thrash Metal | Power Metal
????????: Metal Blade Records [3984-14077-0]
???: 1986 [2018]
??????: FLAC (*image + .cue,log, covers)
??????: 620Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)
??????: USA
??????: Doomsday For The Deceiver
????: Thrash Metal | Power Metal
????????: Metal Blade Records [3984-14077-0]
???: 1986 [2018]
??????: FLAC (*image + .cue,log, covers)
??????: 620Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)
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Idiotsavant - Feindsender (1984) [Vinyl]
![Idiotsavant - Feindsender (1984) [Vinyl]](http://lossless-galaxy.ru/uploads/posts/2018-06/thumbs/1528105826_folder.jpg "Idiotsavant - Feindsender (1984) [Vinyl]")
Artist: Idiotsavant
Title Of Album: Feindsender
Year Of Release: 1984
Label (Catalog#): Eksakt Records [Eksakt 009]
Genre: New Wave, Dub, Synth-pop, Electronic, Rock
Quality: FLAC (tracks)
Bitrate: Lossless [24bit-192kHz]
Time: 25:41
Full Size: 919 mb
Upload: Turbobit / HitFile
Title Of Album: Feindsender
Year Of Release: 1984
Label (Catalog#): Eksakt Records [Eksakt 009]
Genre: New Wave, Dub, Synth-pop, Electronic, Rock
Quality: FLAC (tracks)
Bitrate: Lossless [24bit-192kHz]
Time: 25:41
Full Size: 919 mb
Upload: Turbobit / HitFile
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Loel Stein Jr – Delusions Of Grandeur (2018)
320 kbps | 102 MB | LINKS
An eclectic mix of Blues & Funk Jams designed to free your mind and soul.
Tracklist:
01. Preacher (6:17)
02. Mind Of Mine (4:38)
03. Never Needed Someone (5:11)
04. Heartbreaker (6:13)
05. Still Running (2:41)
06. Brighter Days (4:32)
07. Don’t Blink (3:39)
08. Not Gonna Slip (4:21)
09. POTUS (4:05)
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Salad – The Lost Album, Vol. 1 (2018)
320 kbps | 110 MB | LINKS
It may have been snobbery due to Marijne van der Vlugt’s previous career as an MTV VJ, but the critics weren’t always so kind to Salad back in the 90s. Those who liked them, however – whether from a journalistic perspective or merely a fan – genuinely loved them. Between 1993-97, the band released a string of enjoyable EPs and two albums, but it was in the live setting where the band really shone, as anyone who saw them on a couple of Carter USM tours in 1994-95 will attest.
Between 1995 and 1998, Salad recorded various new songs, some of which were intended to become part of a third album. Sadly a lack of record company interest meant the songs sat on the shelf and the band split. Twenty years on, Marijne amd guitarist Paul Kennedy reunited as a stripped down, semi-acoustic duo Salad Undressed. A renewed interest in the band followed and allowed a dive into the vaults of unreleased material. The first collection of previously unheard tracks, appropriately titled ‘The Lost Album, Vol. 1’, gives an excellent idea of how a third Salad album might have turned out.
Looking at the half dozen studio recordings first, there’s so much here to love. The opening number, ‘Big Monkey Girl’ plunges the listener straight into the darker aspects of ‘Drink Me’, with Kennedy cranking a hard repetitive riff, under which Pete Brown locks into a very early 90s alt-rock bassline. The bulk of the track sticks rigidly to this groove but never gets tiresome, especially since Marijne’s light vocal always pushes forth a great melody. The mid section, however, moves very fleetingly towards something even more aggressive with Pete grinding his bass while Marijne adds an atonal keyboard solo. A fantastic opener and no mistake, but as Salad slide smoothly into track two, the somewhat poppier ‘Cut And Cover’, this collection of songs asserts a gut feeling that it’s far beyond just being a rag-bag selection of leftovers. During this tune, Brown reinforces his melodic bass abilities, Paul throws out echoing guitar sounds that seem as if they could be culled from a spy soundtrack while a breathy vocal adds an almost retro pop quality to an otherwise very 90s sound. By the time a lop-sided piano solo sets out to disarm, the quirks within this arrangement seem keen to overshadow a fine tune, but with Rob Wakeman’s locked-in drum shuffle holding it all together, it’s a very enjoyable piece that could have easily found a place on an ‘Ice Cream’ era b-side.
A slow jangle informs ‘Debonaire’, but a sultry vocal wins out, especially on a spacious chorus that allows room enough for a bendy bassline. The cold and detached style reaches back to the earliest Salad EP recordings – complete with Melodica solo – but definitely shows an improvement in the lyrical department, while the instantly recognisable indie rock thrust of ‘Underwater’ sounds like a Salad tune you’ve always known. A fantastic track, indeed: the band are tight, and the spiky, fuzzy arrangement is of the tried and tested variety, but that won’t stop it becoming an instant favourite…especially if you’re a fan of the gravelly edged vocals (as per ‘Come Back Tomorrow’ from the ‘Diminished Clothes’ EP).
Combining a distorted guitar with tinkling keys, the semi-atonal ‘Billy’ is a superbly jarring and angular workout. At times ugly, this could be a great tribute to post-punk legends Wire, although it’s unlikely that the ever obtuse Colin Newman would ever sing about “chicken in the freezer”, but musically it’s full of grind and punch. The choice of naturalistic dual vocal between Paul and Marijne only seems to add to the chaos; this one’s definitely a bit of a love/hate affair. A musical oddity by comparison to many other Salad tunes, ‘Els’ is a woozy waltz driven by a fat bassline and semi-haunting vocal. It takes a few plays to really get the measure of the much more subtle approach, but it’s one of those tunes that shows how Salad have always been capable of power without noise. Multi-layered guitars flesh out the arrangement, jangling like a hybrid of Wire and The Wedding present (albeit softly), but Marijne absolutely steals the show with a lilting vocal that rises and falls with the arrangement. Given how this track pulls in the listener and holds them in a way that a few of the more frivolous tunes mightn’t, it’s a pity it comes to such an abrupt end; at just over two minutes, it arrives, weaves a spell and leaves without a word.
Moving on to the selection of 4 track demos, despite the relative lack of gloss, the song ideas and arrangements are all very promising. Even with a slightly muddy sound, ‘Wonderful Face’ is classic, classic Salad with Kennedy chugging a few Pixies-esque discords as Marijne settles into a vocal that’s three parts sultry and one part cheeky, complete with a wonderfully trill “woo-hoo-woo”, almost as if used as a place holder until the rest of the lyric can be found. Stylistically, it’s very old Salad indeed, in the way it would have found a perfect place as part of the ‘On A Leash’ EP had it existed back then. The militaristic beat combined with a few psychedelics occasionally makes ‘OK Again’ sound a little like Jefferson Airplane’s ‘White Rabbit’ in places – a mood which suits van der Vlugt so well – while resorting to crashing indie rock in others. It would have been good to hear a fully finished version of this track, but the recording as it stands, if nothing else, allows a greater insight into Wakeman’s drumming style; the live in the studio sound really accentuates his snare and the way he works off of the hi hat for maximum impact.
Via the quasi-sixties vibes of ‘Paper Cup’ we’re allowed more of Marijne’s hazy, vertiginous vocal style to come through than ever, complimented well by a reverbed guitar, resulting in a belter that occasionally feels more like a Lush tune than a Salad oldie. At least, that is, until a slightly punchier chorus rises…and while it might never be the most memorable Salad number overall, the individual elements show promise, especially Brown’s solid basslines lurking beneath the heavy jangle. ‘Wave’, meanwhile, sounds more like a demo due to a thin guitar and drum sounds coupled with a lack of warmth. Looking past that, the way the bottom end grinding drops in and out against a second jazzier guitar suggests the arrangement itself is great, so it’s a pity the world has to make do with a demo, while ‘Poor Peach’s combination of clanky rhythms and sweet vocal very much sets things off on an interesting tangent from the outset. Much like ‘Paper Cup’ there are hints of psychedelic interests battling with the more typical indie rock stance. A programmed drum loop makes this stand out among the other fuller sounding tracks, but being almost carried entirely by a dreampop-ish vocal, it makes for great listening. Much warmer, ‘Lift’ is a good showcase for Brown’s bass, before a very retro keyboard suggests this sparse arrangement could be transported back through another sixties filter. It isn’t to be, though; instead, garage rock guitars and a shoutier vocal ends up sounding like Salad jamming on something written by Robert Pollard/Guided By Voices…an influenced so obviously reinforced by the demo recording.
‘And This Night’, another highlight, uses the 4 track demo recording to layer vocals over a melodic bassline. What emerges is fine indie rock crossing into a dreampop sphere. Those who prefer Salad to rock out might find this a little twee, but it’s a reminder of how good Marijne’s voice can be, especially given room to stretch out. To finish, the upbeat jangler ‘Amsterdam’ is instantly recognisable as being a Salad recording once Marijne starts to sing, but parts of the arrangement are spikier than the norm. Maybe it’s the demo recording bringing out its more primal qualities, but Kennedy’s guitar work is savage, as if he’s channelling his own ‘What Do You Say About That?’ through a Damned workout. By the time the track reaches its climax – and, indeed, the end of this selection of rarities – the collision of brash guitar and organ represents something closer to the band’s live sound. Among the brasher elements, of course, Marijne’s vocal shifts between a natural belt and soaring harmonious sugariness on the chorus, so it’s got just enough of both sides of the band’s sound to please…and it certainly leaves a lasting impression.
In all honesty, it’s a travesty that tracks like ‘Underwater’ and ‘Big Monkey Girl’ weren’t allowed to run free in the wild as relative newborns in 1998, as they’re as good as anything Salad ever recorded. In fact, ‘The Lost Album, Vol. 1’ is more interesting than the bulk of the third albums from both Sleeper (1997’s ‘Pleased To Meet You’) and Echobelly (1997’s ‘Lustra’), proving that sometimes life just isn’t fair. For long time Salad fans, this compilation of material is a dream. Maybe for others, the energy and rawness captured in places will give a great insight as to why the band held an important place on the fringes of Britpop.
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VA Greatest Reggae Lovers Rock (2018).VS.MP3
![[Image: i5WpO5zl.jpg]](http://i.imgur.com/i5WpO5zl.jpg)
VA Greatest Reggae Lovers Rock (2018).VS.MP3
MP3 320 kbps | Reggae, Pop | 2:22:59 | 1CD | 326 Mb
M201801493
1. Falling In Love - Beres Hammond 04:01
2. Too Experienced - Barrington Levy 03:13
3. I Do Love You - Janet Kay 03:22
4. Hopelessly In Love - Carol Thompson 03:51
5. Paradise - Jean Adebambo 05:20
6. In Loving You - Junior English 04:07
7. Dim The Light - Winston Reedy 04:29
8. Ooh Boy - Sandra Reid 04:58
9. Take Care of Yourself - Junior English 05:46
10. Natural High - Claudia Fontaine 03:11
11. With You Boy - Révélation 06:13
12. Living For The Love Of You - John Holt 04:51
13. Girl I've Got a Date - Alton Ellis 03:22
14. Cool Operator - Delroy Wilson 03:25
15. Strong Love - Vivian Jones 04:21
16. Never Say Never - Mikey Spice 03:53
17. Searching - China Black 03:29
18. Baby Can I Hold You Tonight - Foxy Brown 03:29
19. Rub A Dub Style - Peter Hunnigale 03:53
20. The Greatest Reggae Lovers Rock - Continuous Mix 63:33
![[Image: bF23oKCl.png]](http://i.imgur.com/bF23oKCl.png)
Comprimido con WINRAR
[Solo los usuarios registrados pueden ver los enlaces | Only registered and activated users can see links Cliquea aquí para registrarte | Click here to register]
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VA Rough Guide To World Music (2018).VS.MP3
![[Image: bBu1fpml.jpg]](http://i.imgur.com/bBu1fpml.jpg)
VA Rough Guide To World Music (2018).VS.MP3
Mp3 320 kbps | Folk, Blues, Jazz, Pop, Latin | 1:11:18 | 1CD | 171 Mb
M201801497
1. Sunno - Rafiki Jazz 03:35
2. Ivo Se Šeće - Kries 04:20
3. A Je - Monoswezi 04:32
4. Thirty Years - Shanren 03:14
5. Meeting by Waikiki - Debashish Bhattacharya 03:47
6. Vildhonung - Nordic Raga 04:52
7. The Darkness Between the Leaves - Alba Griot 06:00
8. Allaxokairia - Kristi Stassinopoulou, Stathis Kalyviotis 04:35
9. Sodfa - Ramzi Aburedwan 05:14
10. Ill Allah - Rocqawali 04:10
11. Kalavati - Guillaume Barraud Quartet 04:48
12. Kćeri Moja & Kızım Seni Ali Vereyim Mi - She'koyokh 04:32
13. Matinfa - Etran Finatawa 05:54
14. Guragigna - Krar Collective 06:07
15. Evo Srcu - Söndörgő 05:29
Comprimido con WINRAR
[Solo los usuarios registrados pueden ver los enlaces | Only registered and activated users can see links Cliquea aquí para registrarte | Click here to register]
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VA Greatest Reggae Lovers Rock (2018).VS.MP3
VA Greatest Reggae Lovers Rock (2018).VS.MP3
MP3 320 kbps | Reggae, Pop | 2:22:59 | 1CD | 326 Mb
M201801493
1. Falling In Love - Beres Hammond 04:01
2. Too Experienced - Barrington Levy 03:13
3. I Do Love You - Janet Kay 03:22
4. Hopelessly In Love - Carol Thompson 03:51
5. Paradise - Jean Adebambo 05:20
6. In Loving You - Junior English 04:07
7. Dim The Light - Winston Reedy 04:29
8. Ooh Boy - Sandra Reid 04:58
9. Take Care of Yourself - Junior English 05:46
10. Natural High - Claudia Fontaine 03:11
11. With You Boy - Révélation 06:13
12. Living For The Love Of You - John Holt 04:51
13. Girl I've Got a Date - Alton Ellis 03:22
14. Cool Operator - Delroy Wilson 03:25
15. Strong Love - Vivian Jones 04:21
16. Never Say Never - Mikey Spice 03:53
17. Searching - China Black 03:29
18. Baby Can I Hold You Tonight - Foxy Brown 03:29
19. Rub A Dub Style - Peter Hunnigale 03:53
20. The Greatest Reggae Lovers Rock - Continuous Mix 63:33
Comprimido con WINRAR
[Solo los usuarios registrados pueden ver los enlaces | Only registered and activated users can see links Cliquea aquí para registrarte | Click here to register]
↧
VA Rough Guide To World Music (2018).VS.MP3
VA Rough Guide To World Music (2018).VS.MP3
Mp3 320 kbps | Folk, Blues, Jazz, Pop, Latin | 1:11:18 | 1CD | 171 Mb
M201801497
1. Sunno - Rafiki Jazz 03:35
2. Ivo Se Šeće - Kries 04:20
3. A Je - Monoswezi 04:32
4. Thirty Years - Shanren 03:14
5. Meeting by Waikiki - Debashish Bhattacharya 03:47
6. Vildhonung - Nordic Raga 04:52
7. The Darkness Between the Leaves - Alba Griot 06:00
8. Allaxokairia - Kristi Stassinopoulou, Stathis Kalyviotis 04:35
9. Sodfa - Ramzi Aburedwan 05:14
10. Ill Allah - Rocqawali 04:10
11. Kalavati - Guillaume Barraud Quartet 04:48
12. Kćeri Moja & Kızım Seni Ali Vereyim Mi - She'koyokh 04:32
13. Matinfa - Etran Finatawa 05:54
14. Guragigna - Krar Collective 06:07
15. Evo Srcu - Söndörgő 05:29
Comprimido con WINRAR
[Solo los usuarios registrados pueden ver los enlaces | Only registered and activated users can see links Cliquea aquí para registrarte | Click here to register]
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Michael Nesmith – Pretty Much Your Standard Ranch Stash [Expanded Edition] (1973/2018)
320 kbps | 81 MB | LINKS
Tracks:
01. Continuing
02. Some of Shelly’s Blues
03. Release
04. Winonah
05. Born to Love You
06. Medley: The Back Porch and a Fruit Jar Full of Iced Tea
07. Prairie Lullaby
08. Marie’s Theme (Alternate Version)
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Iron And Wine & Ben Bridwell – Sing Into My Mouth (2015)
320 kbps | 106 MB | LINKS
Recorded last summer at Echo Mountain Studios in Asheville, N.C., Beam and Bridwell alternate singing lead on these 12 cover songs. The title of Sing Into My Mouth comes from a lyric from Talking Heads’ “This Must Be the Place (Naive Melody),” the opening track of the LP.
The production, of course, is stellar on Sing Into My Mouth. Each singer’s vocals ring clearly. And most surprisingly, a pedal steel guitar wavers throughout the record, adding a twangy ache to Bonnie Raitt’s “Any Day Woman” and El Perro del Mar’s “God Knows (You Gotta Give to Get).” And Beam’s interpretation of Sade’s “Bullet Proof Soul” is as original and captivating as his version of The Postal Service’s “Such Great Heights.” Other notable covers include Them Two’s “Am I a Good Man?” (which Band of Horses has performed live regularly ) and Pete Seeger’s “Coyote, My Little Brother.”
As A-list indie-folk bands in the 21st century, both Iron & Wine and Band of Horses are most defined by their vocalists. But Beam and Bridwell only share lead vocal duties on a few songs like “This Must Be the Place (Naive Melody)” and strong harmonies on songs like the Marshall Tucker Band’s “Ab’s Song.” So when each singer takes the vocal spotlight alone, it diminishes the effect of the overall collaborative effort. Regardless, the love and care for each of these songs is readily apparent for Beam and Bridwell. While Sing Into My Mouth won’t likely make essential discography lists for either artists, this collaboration is an absolutely enjoyable and exciting listen full of new discoveries for fans of either band.
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Adawa King Admiral dele Abiodun and his Top Hitters Band Adawa Sounds Super 3, vol. 6 Olumo 1975
Raadsel; Wat rijmt er op twaalf ? Haha, helemaal niets. Dit is nummer
twaalf als we het hebben over de platen van Dele Abiodun hier aan de
Global Groove. Zijn muziek vindt al jaren enthousiaste luisteraars bij
ons en ik weet zeker dat ook deze plaat niet teleur zal stellen. Vind je
ook niet dat de King Admiral er super funky uitziet ? Lang leve juju.
Deze plaat verkeert in top conditie..
This must be the twelfth album we have by Dele Abiodun. It is from 1975
and sounds just wonderful. His music always finds a lot of enthusiastic
listeners here and I’m sure this elpee will do as well. The King Admiral
looks super funky don’t you agree, long live juju music.
This record is in perfect condition..
tracks ;
01 – Odomode ni won
—–Enia lo kesin loro
—–A to nsoge
—–Odale
—–Nwon npariwo
02 – Enia mi wo oju
—–A ki ridi okun
—–Adan to so ri ko
—–Yinka esho
—–Alhaji yinusa
—–Alhaji hammed
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Carol Kidd - The Very Best of Carol Kidd 1995 (2005)
Artist: Carol Kidd
Title Of Album: The Very Best of Carol Kidd
Year Of Release: 1995/2005
Label (Catalog#): Linn Records [AKD 259]
Country: Scotland
Genre: Vocal Jazz
Quality: WAV (image+.cue,log,scans)
Time: 2:13:56
Full Size: 1.43 gb
Upload: Turbobit / HitFile
Title Of Album: The Very Best of Carol Kidd
Year Of Release: 1995/2005
Label (Catalog#): Linn Records [AKD 259]
Country: Scotland
Genre: Vocal Jazz
Quality: WAV (image+.cue,log,scans)
Time: 2:13:56
Full Size: 1.43 gb
Upload: Turbobit / HitFile
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