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    61Xs3GxjtGL.jpg320 kbps | 117 MB | LINKS

    This is an unusual, beautiful and dark album curated by — and at times performed by — the Danish musician Agnes Obel. It’s part of a series of artist-curated albums called Late Night Tales. Nils Frahm, The Flaming Lips, Jon Hopkins and others have put their own records together for the series in the past. For her Late Night Tale, Agnes Obel has chosen music from a wide variety of artists — from the soul of Nina Simone to the wit and wisdom of The Kinks’ Ray Davies, the lush strings of Henry Mancini, the quirkiness of Can and the ethereal Bulgarian State Radio & Television Female Choir. Somehow she has managed to stitch it altogether.
    Agnes Obel says that she “collected all the songs together with my partner, Alex Brüel Flagstad and we just spent time listening to records,trying to see what would fit together. Some of the music I’ve included here is on mixtapes we made when we were just friends as teenagers. Each one of the tracks produces stories in my head.”

    Included with these older tracks are three new, original songs from Agnes, including a collaboration with the Danish poet Inger Christensen’s work, “Poem on Death.”

    Tracks:

    1. Henry Mancini – The Evil Theme
    2. Roger Webb – Moonbird
    3. Eden Ahbez – Eden’s Island
    4. Lee Hazelwood – The Nights
    5. Nora Dean – Ay Ay Ay Ay – Angle-Lala
    6. Yello – Great Mission
    7. Quarteto Em Cy with Tamba Trio – Aleluia
    8. Lena Platonos – Bloody Shadows From A Distance
    9. Ray Davies – I Go To Sleep
    10. Alfred Schnittke – Piano Quintet, V
    11. Agnes Obel – Stretch Your Eyes – Ambient Acapella
    12. The Bulgarian State Radio & Television Female Choir Pilentze Pee – Pilentze Sings
    13. Agnes Obel – Glemmer Du
    14. Agnes Obel – Bee Dance
    15. Sibylle Baier – The End
    16. Michelle Gurevich – Party Girl
    17. CAN – Oscura Primavera
    18. David Lang – I Lie
    19. Nina Simone – Images – Live In New York 1964
    20. Agnes Obel – Poem About Death


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    Ska Trojan & Reggae Classics (2018)

    Artist: Various Artists
    Title: Ska Trojan & Reggae Classics
    Label: Sanctuary Records Group Ltd., a BMG Company
    Style: Soul, Blues, Gospel, Lovers Rock, Caribbean Traditions, Roots Reggae, Ska, Rocksteady
    Release Date: 25-05-2018
    Format: CD, Compilation
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Codec: MP3
    Tracks: 60 Tracks
    Time: 02:59:38 Min
    Size: 427 MB

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  • 06/20/18--19:44: DMC Cool Grooves 35 (2018)
  • DMC Cool Grooves 35 (2018)

    Artist: Various Artists
    Title: DMC Cool Grooves 35
    Label: DMC Records
    Style: House, Dance, Reggaeton, Latin, Vocal, Tropical, Electro, Hip Hop, Dancehall
    Release Date: 08-03-208
    Format: CDr, Compilation
    Quality: 320 Kbps/Joint Stereo/44100Hz
    Codec: MP3
    Tracks: 23 Tracks
    Time: 01:19:21 Min
    Size: 189 MB

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    CMT Music Awards 2018 feed Жанр : Country, Pop Show Продолжительность : 01:45:12 Год выпуска : 2018 Качество : HDTV Разрешение видео/развертка : 1080i Контейнер : TS Видео кодек : H.

    Тема на форуме



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    Vintage recordings from Central and East Africa; new desert blues from Bombino and Imarhan; the Ethiopian tinge in jazz; some hot dancehall and soca for this hot weather

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    Титло (Tiтло) - Затишье и Лес Жанр : Dark Wave, Electric Folk Год выпуска диска : 2008 Производитель диска : Россия Аудио кодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 2 альбома Трэклист : 01-Белый день 02-Стопечаль 03-Облака 04-Дорога 05-Осенняя 06-Рябинушка 07-Зима 08-Мужичий ветер 09-По весне 10-Ветряк 41:13 01-Гусли 02-Вдоль по осени 03-Матушка Рожь 04-Душа 05-Не расплескать 06-Зима 07-Ручьи 08-Не забыли поля 09-Развесна 10-Лес 49:15 Доп.

    Тема на форуме



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    Riot Ten - Missing You (feat. blvkkhvrt.) (2017) [Single] FLAC
    Artist: Riot Ten | Album: Missing You (feat. blvkkhvrt.) | Released: 2017 | Genre: Electronic

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    Wuki - Let Me Go (feat. PRXZM) (2017) [Single] FLAC
    Artist: Wuki | Album: Let Me Go (feat. PRXZM) | Released: 2017 | Genre: Electronic

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    Amebix - Slovenia 1986 (No Gods No Masters) (2018) FLAC
    Artist: Amebix | Album: Slovenia 1986 (No Gods No Masters) | Released: 2018 | Genre: Rock, Punk

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    Captain Black Beard - Struck by Lightning (2018) FLAC
    Artist: Captain Black Beard | Album: Struck by Lightning | Released: 2018 | Genre: Hard Rock

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    Apple and Stone - Legendary (2018) FLAC
    Artist: Apple and Stone | Album: Legendary | Released: 2018 | Genre: Electronic

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    Dead End Space - The Resistance (2018) FLAC
    Artist: Dead End Space | Album: The Resistance | Released: 2018 | Genre: Rock

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    Enigma - The Cross Of Changes (2018) (Limited Edition, Vinyl) FLAC
    Artist: Enigma | Album: The Cross Of Changes (Limited Edition, Vinyl) | Released: 2018 | Genre: Electronic

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    6170-JvwDcL._SS500.jpg320 kbps | 81 MB | LINKS

    Tracklist:

    1. Figure It Out (03:38)
    2. Headfirst (03:43)
    3. Catie Rae (02:12)
    4. Positively Negative (03:48)
    5. Westside (03:29)
    6. Hold You Here (03:35)
    7. Come Back Down (03:29)
    8. College Kids (03:18)
    9. Never Believe (03:53)
    10. No Need For Novocaine (03:42)


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    Chelsea Grin - See You Soon (2018) [Single] FLAC
    Artist: Chelsea Grin | Album: See You Soon | Released: 2018 | Genre: Rock

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    Cassow - Ex-Bitch (feat. Vory) (2018) [Single] FLAC
    Artist: Cassow | Album: Ex-Bitch (feat. Vory) | Released: 2018 | Genre: Hip-Hop, Rap

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    Calvin Harris - One Kiss (with Dua Lipa) (Valentino Khan Remix) (2018) [Single] FLAC
    Artist: Calvin Harris | Album: One Kiss (with Dua Lipa) (Valentino Khan Remix) | Released: 2018 | Genre: Electronic

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    Marty Ehrlich
    Trio Exaltation
    (Clean Feed, 2018)
    more details


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    Harry Belafonte - Jump Up Calypso (1961/2016) [HDtracks]
    Harry Belafonte - Jump Up Calypso (1961/2016) [HDtracks]

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    AMMAR 808The first few seconds of AMMAR 808’s Maghreb United are filled by a looped sample of a crackling, distorted voice that sounds like a dispatch from an emergency alert system. Eventually, it’s subsumed by the fast-paced cadence of the drums, the deep, thumping bass, and Sofiane Saidi’s strong but calm vocals. Album opener “Degdega” seems to be designed to make your heart beat faster, translating the feeling of unease into sound. It’s a fitting introduction to a record full of intense energy — hard to define, but immediately palpable thanks to electronic mastermind Sofyann Ben Youssef’s expertly concocted beats.
    Maghreb United sounds urgent because it is meant to be. Ben Youssef uses a TR-808 to reimagine the many traditional rhythms and instruments…

    88 MB  320 ** FLAC

    …of the Maghreb—an area that spans most of Northern Africa, from Mauritania to Libya—through a sci-fi lens in order to warn the region’s dwellers about an impending bleak future, and to spur them into action. By putting instruments like the gasba flute, the zokra bagpipe, and the guembri guitar through the filters of the iconic 808 and bending these sounds into surprising and often unrecognizable forms, Ben Youssef joins the ranks of artists shedding a light on North African futurism by taking a critical and nuanced look at past traditions and remaking them into something that can serve as a window to the region’s unique heritage for the citizens of a distant future.

    Maghreb United is a wild, intriguing listen; Ben Youssef uses harsh electronic beats as a canvas to constantly criss-cross styles and sounds that don’t typically occupy the same space. Desert blues rhythms coexist with hard rave beats, Algerian raï, targ music from the Bargou valley in Tunisia, and Moroccan gnawa, creating a sound that’s as raucous as it is alluring and illuminating. The standout track “Layli” is a testament as to how all these influences work together. Beginning with a distorted guitar riff, it quickly evolves into an upbeat banger, with hand percussion and distant chiptune blips accompanying renowned Moroccan guembri player and singer Mehdi Nassouli’s game of call and response with the backing choir. After a dizzying break, the track turns into a gabber-influenced banger with an undeniably youthful energy. These juxtapositions between toughness and playfulness run throughout the record with a track like “Ichki Lel Bey” featuring chiptune breaks, and another like “Boganga and Sandia” featuring a beautiful guembri melody looped and layered on top of a resounding bass. Using North African futurism as an outstanding tool, Ben Youssef digs into the Maghreb’s past and present to show the harmony within the differences, and the surprising ways the region can launch traditional Maghrebi culture into the future.


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