LA MANCHE (LAMANŠ) su odličan bend sa ovom jako retkom kasetom na ovom blogu posvećenomkasetama. Mogao bih da navedem sve što vidim na kaseti ali to prepuštam vama. Takodje i muziku prepuštam vama.
320 kbps | 691 MB | LINKS
The Los Lobos fan might reasonably ask what–besides length and a wonderful accompanying booklet–Más y Más has over 1993’s two-CD Just Another Band from East L.A.. The answer is longwinded: here are album tracks (anywhere from four to eight from each studio album), outtakes, demos, and live cuts, as well as selections from tribute albums, soundtracks, and side projects. Some highlights that weren’t on the earlier collection include a 1983 rockabilly sizzler, “We’re Gonna Rock,” the similarly charged “Rip It Up” (an ’87 outtake from La Bamba), Richard Thompson‘s “Down Where the Drunkards Roll” (from the ’94 tribute Beat the Retreat), a live take on the Beatles‘ “Tomorrow Never Knows” (from a ’93 television tribute), “Route 90” (from the pristine Lobos children’s collection, Papa’s Dream), and a ’97 live version of Marvin Gaye‘s “What’s Goin’ On” with Sheryl Crow guesting on vocals. This doesn’t even take into account the songs from six soundtracks and a personal fave, “Alone in a Crowd” (from I Only Wrote This Song for You: A Tribute to Johnny Thunders) and a fab take on Doug Sahm‘s “She’s About a Mover” from ’96. This and more pushes Más y Más out of the group of multi-CD boxes devoted to defunct artists and into the camp of justly deserved career overviews created while the subjects are still in full flight
320 kbps | 170 MB | LINKS
At 80 years old, NEA Jazz Master Charles Lloyd remains an intrepid musical pioneer, entering his ninth decade at a creative peak in what now stands as a mountainous and formidable career. With his newest band The Marvels—a guitar-driven group featuring Bill Frisell, Greg Leisz, Reuben Rogers, and Eric Harland—Lloyd released the 2016 album I Long To See You which NPR called “music that evokes an uncommon state of grace.” Now on Vanished Gardens, The Marvels add a new dimension by collaborating with revered singer-songwriter Lucinda Williams to pioneer a new genre of Americana Jazz that draws on the musicians many influences and experiences with reimagined versions of Williams favorites, new Lloyd originals, and covers of Jimi Hendrix, Thelonious Monk, and more.
Tracks:
1. Defiant (Charles Lloyd)
2. Dust featuring Lucinda Williams (Lucinda Williams)
3. Vanished Gardens (Charles Lloyd)
4. Ventura featuring Lucinda Williams (Lucinda Williams)
5. Ballad of The Sad Young Men (Tommy Wolf/Fran Landesman)
6. We’ve Come Too Far To Turn Around featuring Lucinda Williams (Lucinda Williams)
7. Blues for Langston and LaRue (Charles Lloyd)
8. Unsuffer Me featuring Lucinda Williams (Lucinda Williams)
9. Monk’s Mood (Thelonious Monk)
10. Angel featuring Lucinda Williams (Jimi Hendrix)
320 kbps | 86 MB | LINKS
Official Mr Bongo reissue of the ultra-rare album by ‘Super Elcados’. A fusion of heavyweight Nigerian funk, soul & disco, originally released by EMI Nigeria in 1976.The ‘Super Elcados’ (and ’Elcados’ on other recordings) recorded three albums in the mid and late-70’s, this is their first.
320 kbps | 86 MB | LINKS
Official Mr Bongo reissue of the ultra-rare album by ‘Super Elcados’. A fusion of heavyweight Nigerian funk, soul & disco, originally released by EMI Nigeria in 1976.The ‘Super Elcados’ (and ’Elcados’ on other recordings) recorded three albums in the mid and late-70’s, this is their first.
320 kbps | 80 MB | LINKS
Ignore the chiefly British spelling of the band’s name and publicity suggestions of a singer-songwriter “supergroup.” Better to jump into the music from Robert Ellis, Cory Chisel and Jonny Fritz on Western Movies. This debut pools the talents of three journeymen Americana musicians which should attract fans of each and perhaps allow them to play larger rooms on tour than they might individually. It worked when Sara Watkins, Sarah Jarosz and Aoife O’Donovan — all also with successful solo careers — joined in a comparable meeting of the minds as I’m With Her, so this isn’t a novel concept.
The breakdown seems to be that Chisel writes melodies, Fritz contributes lyrics and Ellis arranges the material as well as adding some bridges. All play guitar, Ellis handles keyboards too, with bass and drums by others. The opening “Nobody Makes it Out” introduces the trio of voices as each take turns, then harmonize, on a strummy pop tune about the frustration of being stuck in a one-horse town. A cool, almost ’60s Roy Orbison vibe propels “Happy in Hindsight,” another track concerned with not being able to make decisions to move your life forward, with the lyrics, “There ain’t no way out of here/ I’ve tried every door/ … Oh won’t someone come and get me out of here.” The sweet ballad “Western Movies” is about the protagonist loving the titular films, watching them with his young son while yearning for the simpler times they represent. It’s a modest concept enhanced by the album’s loveliest melody.
Musically, this combines bits of Matthew Sweet’s knack for hooks (especially on the soaring love song “When You’re Away”) with Jayhawks-styled rootsy flair of memorable choruses and Beatles-esque production touches. The jaunty piano and bouncing bass that drives “Chia Pet Goatee” is strongly reminiscent of McCartney’s “Martha My Dear.” The outfit doesn’t spend much time rocking out and when they try on the surfy “Get Me Out Of The South” the result feels forced. Much better are mid-tempo selections like “Lonely All My Life,” another Beatles-inspired moment that emphasizes the philosophical isolation running through many of these tunes.
Independently, most of these songs click with modest charms. But taken together, the album occasionally feels choppy and somewhat tentative like the debut that it is. There are enough highlights to recommend this, especially to fans of either member, and if they continue the partnership it’s only a matter of time until the undeniably talented Traveller gels into a more cohesive unit.
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FLAC | 1,39 GB | LINKS
The Who – The Singles (1984/2011) (UICY-94784/5, RE, RM, JAPAN) CD1 (14 / 44:06)
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01. The Who – I Can’t Explain (Original Mono Version)
02. The Who – Anyway, Anyhow, Anywhere (Original Mono Version)
03. The Who – My Generation (Original Mono Version)
04. The Who – Substitute (Original Mono Version)
05. The Who – I’m A Boy (Original Mono Version)
06. The Who – Happy Jack (Original Mono Version)
07. The Who – Pictures Of Lily (Alternate Mono Version from ‘Direct Hits’)
08. The Who – The Last Time (Original Mono Version)
09. The Who – I Can See For Miles (Original Mono Single Version)
10. The Who – Dogs (Original Mono Version)
11. The Who – Magic Bus (Alternate Mono Version from ‘The Singles – LP’)
12. The Who – Pinball Wizard (Original Version)
13. The Who – See Me, Feel Me (Edited Single Version of ‘We Are Not Gonna Take It’)
14. The Who – The Seeker (Original Version)
The Who – The Singles (1984/2011) (UICY-94784/5, RE, RM, JAPAN) CD2 (12 / 49:25)
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01. The Who – Summertime Blues (Original Live Version)
02. The Who – Won’t Get Fooled Again (Edited Single Version)
03. The Who – Let’s See Action (Original Version)
04. The Who – Join Together (Original Version)
05. The Who – Relay (Original Version)
06. The Who – Long Live Rock ( (Alternate Version from ‘The Ultimate Collection’)
07. The Who – 5:15 (Remixed Version from ‘Quadorophenia’ Soundtrack)
08. The Who – Squeeze Box (Original Version)
09. The Who – Who Are You (Edited Single Version)
10. The Who – You Better You Bet (Original Full-Lenght Version)
11. The Who – Don’t Let Go The Coat (Original Version)
12. The Who – Athena (Original Version)
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FLAC | 2,3 GB | LINKS
Tracks:
A1 Brain Tap Shuffle
A2 Come Back Baby
A3 Don’t Let Me In
A4 Old Regime
A5 Brooklyn
B1 Mock Turtle Song
B2 Soul Ram
B3 I Can’t Function
B4 Yellow Peril
B5 Let George Do It
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