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    The Rolling Stones - L.A. Friday - Live 1975 [2CD Remastered] (2012/2014)

    Artist: The Rolling Stones
    Title Of Album: L.A. Friday - Live 1975
    Year Of Release: 2012/2014
    Label: Eagle Vision [EAGDV038]
    Country: UK
    Genre: Blues Rock, Rock & Roll, Pop Rock, Classic Rock
    Total Time: 2:26:51
    Format: WAV (image+.cue,log,scans)
    Total Size: 1.47 gb
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    VA - The Very Best of New Woman [2CD] (2004)

    Artist: Various Artists
    Title Of Album: The Very Best of New Woman
    Year Of Release: 2004
    Label (Catalog#): EMI/Virgin [7243 5 76841 2 5/VTDCD 599]
    Genre: Vocal, Pop, Soul, Folk, Rock
    Quality: FLAC (tracks,cue,log)
    Bitrate: Lossless
    Time: 2:31:47
    Full Size: 1.01 gb
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    143osg8.jpg320 kbps | 141 MB | LINKS

    In a recording career dating back 40 years, the LP Tom Jones & Jools Holland may be the best album Tom Jones has ever made. From the beginning, the singer has displayed his versatility, ably handling everything from the loopy ‘60s pop of “What’s New, Pussycat?” to a ‘70s and ‘80s stint as a country singer before becoming the willing mouthpiece of dance-rock mavens like Art of Noise in the ‘90s and beyond. That adaptability has seen him through ups and downs, from concert halls to lounges in Las Vegas and back. But Jools Holland, the rambunctious barrelhouse/boogie-woogie piano player who has found renown as a TV host in Great Britain (Later with Jools Holland) seems to have located Jones’ true center as a performer by accompanying him on this collection of old jump blues, R&B, rockabilly, and blues (with a few originals thrown in). Jones’ voice is given a strong echo, the better to enable his version of the sound of Big Joe Williams and Big Joe Turner, among others. His talent has always been sounding comfortable no matter what he was singing, but Jones really sounds like he’s having fun here, making like Jerry Lee Lewis on “It’ll Be Me” and “End of the Road,” for instance, or like Larry Williams on “Slow Down.” He is the most joyous of bluesmen addressing “Good Morning Blues” (to which Holland appends Count Basie’s “One O’Clock Jump” ) and “St. James Infirmary,” and he and Holland revive Huey “Piano” Smith on “Roberta.” In his reincarnations of the ‘90s and ‘00s, Jones has been trying to sound as current as possible. Holland’s insight was to see that the 64-year-old singer was ready to investigate the roots of his soulful voice, and the pianist earns his co-billing by leading some rocking ensembles through arrangements that support the singer in his triumphant reclamation of his earliest influences.


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    Ali Hassan KubanAli Hassan Kuban became the world’s most renowned Nubian musician on the strength of this 1988 release, now newly reissued by German’s Piranha label. From Nubia to Cairo is essentially a hits compilation consisting of tracks recorded in Cairo’s legendary Delta Sound studio sometime after 1978 and released on massively bootlegged cassettes that sold millions of copies.
    Born in the village of Gotha in 1929, Kuban imported Nubian folk traditions into Cairo’s urban environs. He began adding Western instruments — horns, guitars, keyboards — to his band in the ’50s, discovered James Brown in the ’60s, and styled himself a “Nubian soul” singer thereafter. Old, old, old pentatonic melodies get off on a sinuous good foot on tracks that made Kuban…

    126 MB  320 ** FLAC

    …the toast of the Cairo wedding circuit, where he wrangled multiple bands containing dozens of musicians.

    There’s no denying Kuban’s pop savvy. From Nubia to Cairo kicks off with the laid-back, stop-time groove “Sukar, Sukar, Sukar”—i.e., “sugar, sugar sugar.” The horn chart splits the difference between military bands and J.B.’s Famous Flames, while the lyrics echo the Archies. “Om Schar Asmar Medaffar” contains the sort of stately Nubian march Sun Ra extrapolated in his personal Egyptian mythology. Other highlights include “Hanwil Tanza”‘s sublime serpentine melody and the brassy snap of “Amira.”

    Sadly, Egypt’s repressive treatment of the Nubian ethnic minority has done no favors for Kuban’s musical legacy. He continued to play weddings, toured internationally, and released three more albums until his death in 2001. From Nubia to Cairo remains his recorded apex, as well as one of the more potent links to ancient Nubian culture.


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    VA - La Bande-son 2018 (2018)

    Artist: Various Artists
    Title Of Album: La Bande-son 2018
    Year Of Release: 2018
    Label (Catalog#): Les Inrockuptibles [CD LI 296]
    Genre: Synth-pop, Alternative, Psychedelic Pop/Rock, Chanson
    Quality: FLAC (tracks,cue,log,scans)
    Bitrate: Lossless
    Time: 64:28
    Full Size: 398 mb
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    VA - La Bande-son De L'été 2018 (2018)

    Artist: Various Artists
    Title Of Album: La Bande-son De L'été 2018
    Year Of Release: 2018
    Label (Catalog#): Les Inrockuptibles [CD LI 289]
    Genre: Indie Rock, Synth-pop, Pop Rock, Electro, Chanson
    Quality: FLAC (tracks,cue,log)
    Bitrate: Lossless
    Time: 1:13:56
    Full Size: 413 mb
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    VA - La Bande-son De L'été 2018 Volume 2 (2018)

    Artist: Various Artists
    Title Of Album: La Bande-son De L'été 2018 Volume 2
    Year Of Release: 2018
    Label (Catalog#): Les Inrockuptibles [CD LI 291]
    Genre: Soul, Synth-pop, Alternative, Pop Rock
    Quality: FLAC (tracks,cue,log)
    Bitrate: Lossless
    Time: 1:13:54
    Full Size: 388 mb
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    VA - La Bande-son De L'automne 2018 Volume 2 (2018)

    Artist: Various Artists
    Title Of Album: La Bande-son De L'automne 2018 Volume 2
    Year Of Release: 2018
    Label (Catalog#): Les Inrockuptibles [CD LI 295]
    Genre: Chanson, Alternative, Post-Punk, Indie Pop/Rock, Electro
    Quality: FLAC (tracks,cue,log)
    Bitrate: Lossless
    Time: 1:13:57
    Full Size: 431 mb
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    Artist: Various Artists Title Of Album: La Bande-son 2018 Year Of Release: 2018 Label (Catalog#): Les Inrockuptibles [CD LI 296] Country: International Genre: Synth-pop, Alternative, Psychedelic Pop/Rock, Chanson Quality: FLAC (*tracks,cue,log,scans) Bitrate: Lossless Time: 64:28 Full Size: 398 mb

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    Artist: Various Artists Title Of Album: La Bande-son De L'ete 2018 Year Of Release: 2018 Label (Catalog#): Les Inrockuptibles [CD LI 289] Country: International Genre: Indie Rock, Synth-pop, Pop Rock, Electro, Chanson Quality: FLAC (*tracks,cue,log) Bitrate: Lossless Time: 1:13:56 Full Size: 413 mb

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    Artist: Various Artists Title Of Album: La Bande-son De L'ete 2018 Volume 2 Year Of Release: 2018 Label (Catalog#): Les Inrockuptibles [CD LI 291] Country: International Genre: Soul, Synth-pop, Alternative, Pop Rock Quality: FLAC (*tracks,cue,log) Bitrate: Lossless Time: 1:13:54 Full Size: 388 mb

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    Artist: Various Artists Title Of Album: La Bande-son De L'automne 2018 Volume 2 Year Of Release: 2018 Label (Catalog#): Les Inrockuptibles [CD LI 295] Country: International Genre: Chanson, Alternative, Post-Punk, Indie Pop/Rock, Electro Quality: FLAC (*tracks,cue,log) Bitrate: Lossless Time: 1:13:57 Full Size: 431 mb

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    Catrin%2BFinch%2B%2526%2BSeckou%2BKeita%
    Aquí tenemos, por fin, el tan esperado nuevo álbum de este notable dúo formado por la gran arpista galesa Catrin Finch y el griot y virtuoso de la kora Seckou Keita. Han encontrado lugares mágicos en los que encontrarse explorando la convergencia musical entre Gales y Senegal y, cinco años después de Clychau Dibon, SOAR celebra, de nuevo, esta conexión.
    Osprey (el águila pescadora) es una magnífica ave que pasa el invierno en África occidental, y migra cada año a Gales traspasando fronteras artificiales en un épico viaje de resistencia. Y ha comenzado a reproducirse en el País de Gales por primera vez desde principios del siglo XVII. La primera águila pescadora nacida en esta tierra en los últimos años, que viajó a África y regresó para reproducirse en el Reino Unido, fue bautizada como "Clarach". "Saben dónde encontrarán paz y felicidad", "He estado en el mismo viaje, pero de una manera diferente", dice Keita.
    Inspirado en su historia, SOAR explora temas de migración y viaje, emocional y físico, descubriendo y celebrando los paralelos y las diferencias cuturales entre el arpa galesa y la kora africana.

    Catrin%2BFinch%2B%2526%2BSeckou%2BKeita%
    Precisamente "Clarach" da nombre a la pista de inicio del disco, una pieza tranquila y suavemente flotante que se convierte en un dúo en alza. A partir de aquí, tanto Finch como Keita comienzan a mostrar su excelencia. "Bach to Baïsso" incluye un extracto de las "Goldberg Variationem", nunca antes interpretada en la kora, junto con una antigua melodía senegambiana. "1677" es una pieza meditativa y atmosférica inspirada en los recuerdos del la infame estación esclava de Goree en África, mientras que "Cofiwch Dryweryn" es otro lamento, por otro valle galés que se inundó para crear un embalse. Es un disco exquisito. Incluso las notas del libreto, por Andy Morgan, resultan fascinantes, escritas desde el punto de vista de Clarach el águila.
    En definitiva, la creación de Catrin Finch y Seckou keita vuelve a ser un testimonio mágico, hipnótico y etéreo, que perdurará durante años como uno de los encuentros que han producido más y bueno por y para la integración de las culturas.

    Página web oficial: Catrin Finch & Seckou Keita

    tracks list:
    01. Clarach
    02. Téranga-Bah
    03. Yama Ba
    04. Bach to Baïso
    05. 1677
    06. Listen to the Grass Grow
    07. Hinna-Djulo
    08. Cofiwch Dryweryn






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  • 12/26/18--03:22: Aqueous - Color Wheel (2018)
  • Aqueous - Color Wheel (2018)

    Artist: Aqueous
    Title Of Album: Color Wheel
    Year Of Release: 2018
    Label: Self Released
    Country: United States
    Genre: Progressive Rock, Alternative Rock
    Quality: FLAC (tracks,cue,log,scans)
    Bitrate: Lossless
    Time: 61:40
    Full Size: 418 mb
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    Professor Longhair - Rock 'N' Roll Gumbo (1974) [Reissue 2006]

    Artist: Professor Longhair
    Title Of Album: Rock 'N' Roll Gumbo
    Year Of Release: 1974/2006
    Label (Catalog#): Maison De Blues [SSC 3049]
    Country: United States
    Genre: New Orleans Blues, Rhythm & Blues, Soul/Funk Blues
    Quality: FLAC (tracks,cue,log)
    Bitrate: Lossless
    Time: 47:11
    Full Size: 290 mb
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    VA - Soul Devotion The Very Best Of Heart & Soul [2CD] (1994)

    Artist: Various Artists
    Title Of Album: Soul Devotion: The Very Best Of Heart & Soul
    Year Of Release: 1994
    Label (Catalog#): PolyGram TV [516 624-2]
    Genre: Soul, Funk, Rhythm & Blues, Pop, Disco
    Quality: FLAC (tracks,cue,log)
    Bitrate: Lossless
    Time: 2:18:48
    Full Size: 878 mb
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    R-8305901-1459018454-4676.jpeg.jpg320 kbps | 104 MB | LINKS

    Recorded in 1974, this album almost never saw the light of day. Fortunately, the master tapes were found and the album was released posthumously. Professor Longhair was a giant in the New Orleans music community, but had not recorded in over ten years when he was convinced to start playing again. From the opening riffs, one can understand the stature of Professor Longhair as a great pianist — he demonstrates that he is equally at home playing rhumba boogie, blues songs, and calypso. He plays New Orleans standards (many penned by himself), but what makes this recording a classic is the chance to hear him play with guitarist Clarence “Gatemouth” Brown. The interplay of these music veterans is mesmerizing. The piano playing is breathtaking, and has a percussive quality unlike any other player before or since. It is hard to believe that Professor Longhair languished in obscurity for so many years after hearing the jubilance of “Mardi Gras in New Orleans,” a song that will have you tapping your feet and hands as if you were in the parade. This album is essential for fans of New Orleans music and those aspiring to be rock & roll pianists.


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    51NMy1b0zjL._SS500.jpg320 kbps | 93 MB | LINKS

    Tracklist:

    01. Got to Choose
    02. Parasite
    03. Goin’ Blind
    04. Hotter Than Hell
    05. Let Me Go, Rock ‘N’ Roll
    06. All the Way
    07. Watchin’ You
    08. Mainline
    09. Comin’ Home
    10. Strange Ways


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    VA - Capitol Records: 1942-1992 Fiftieth Anniversary [8CD Limited Edition Box Set] (1992)

    Artist: Various Artists
    Title Of Album: Capitol Records: 1942-1992 Fiftieth Anniversary
    Year Of Release: 1992
    Label (Catalog#): Capitol Records [DPRO-79242 (79241)]
    Genre: Pop, Soul, Rhythm & Blues, Disco, Country, Rock
    Quality: FLAC (tracks,cue)
    Bitrate: Lossless
    Time: 9:18:00
    Full Size: 2.83 gb
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    2lj2tef.jpgFLAC | 639 MB | LINKS

    This Harley hog of a reissue takes the original soundtrack and adds an entire disc of similarly emblematic anthems of the era to form the ultimate period piece! Includes Don’t Bogart Me Fraternity of Man; The Ballad of Easy Rider Roger McGuinn; Pushin’ Too Hard Seeds; If You Want to Be a Bird Holy Modal Rounders; Time Has Come Today Chambers Brothers; If 6 Were 9 Jimi Hendrix, and more.

    After 1968’s political assassinations and street riots, the once vaunted idealism the 60’s went south for good in 1969. The artistic metaphors for the unraveling of The Age of Aquarius encompassed variously Gimme Shelter, the documentary of The Stones’ disastrous Altamont free concert, and Dennis Hopper’s idealism-gone-sour road picture, Easy Rider. It’s rock score was an instant counter-culture classic, a collection anchored by Steppenwolf’s road anthem chestnut “Born to Be Wild” and its cautionary “The Pusher,” a song that underscored the film’s frank portrayal of drug use (one that’s given a more lighthearted hearing on Fraternity of Man’s “Don’t Bogart Me”). Other standouts include the Holy Modal Rounders’ loopy “If You Want To Be A Bird” and Byrds’ leader Roger McGuinn’s “Ballad of Easy Rider” and faithful cover of Dylan’s “It’s Alright , Ma (I’m Only Bleeding).” Licensing concerns kept the soundtrack from compact disc until 2000, but this deluxe, slip-cased double-disc set not only expands on that edition’s shortcoming (returning The Band’s version of “The Weight” to its rightful place), but adds an additional 18 emblematic tracks “inspired” by the film and its turbulent times. While some of these are either a bit too obvious (The Seeds’ “Pushin’ Too Hard”) or themeatically inappropriate (The Who’s “I Can See For Miles”), gems like Thunderclap Newman’s haunting “Something In the Air” make it more inviting. –Jerry McCulley

    CD 1 – The Original Soundtrack Album
    1. Steppenwolf – The Pusher (05:48)
    2. Steppenwolf – Born To Be Wild (03:29)
    3. Smith – The Weight (04:29)
    4. The Byrds – Wasn’t Born To Follow (02:03)
    5. The Holy Modal Rounders – If You Want To Be A Bird (02:35)
    6. The Fraternity Of Man – Don’t Bogart Me (03:02)
    7. The Jimi Hendrix Experience – If Six Was Nine (05:32)
    8. The Electric Prunes – Kyrie Eleison (04:02)
    9. Roger McGuinn – It’s Alright Ma (I’m Only Bleeding) (03:03)
    10. Roger McGuinn – Ballad Of Easy Rider (02:13)

    CD2 – Something In The Air, 1967 To 1969
    1967
    1 –The Seeds – Pushin’ Too Hard 2:36
    2 –Electric Prunes – I Had Too Much To Dream Last Night 2:59
    3 –Blues Magoos – We Ain’t Got Nothin’ Yet 2:17
    4 –Eric Burdon & The Animals – San Franciscan Nights 3:22
    5 –Jefferson Airplane – White Rabbit 2:31
    6 –The Who – I Can See For Miles 4:07
    7 –Procol Harum – A Whiter Shade Of Pale 4:04
    8 –The Young Rascals – Groovin’ 2:28
    9 –Richie Havens – High Flyin’ Bird 3:36
    1968
    10 –The Band – The Weight 4:34
    11 –The Byrds – You Ain’t Going Nowhere 2:35
    12 –The Chambers Brothers – The Time Has Come Today 4:57
    13 –Joe Cocker – With A Little Help From My Friends 5:12
    14 –Blue Cheer – Summertime Blues 3:47
    15 –The Moody Blues – Nights In White Satin 4:26
    1969
    16 –Sir Douglas Quintet – Mendocino 2:44
    17 –The Youngbloods – Get Together 4:37
    18 –The Flying Burrito Brothers – My Uncle 2:37
    19 –Thunderclap Newman – Something In The Air 3:55


older | 1 | .... | 2410 | 2411 | (Page 2412) | 2413 | 2414 | .... | 2464 | newer