Waltari - Monk-Punk (1991)

January 17, 2019, 11:59 pm

≫ Next: Debbie Harry & Blondie - Once More Into The Bleach (1988)

≪ Previous: Prince - Live 4 Love [2CD Set] (2005)

$

0

0

???????????: Waltari
??????: Finland
??????: Monk-Punk

????????! ? ??? ??? ???? ??? ????????? ???????? ??????.

????: Funk Metal, Avant-garde
??? ??????: 1991
????????: (CD-Rip) Tug (TUG 077)
??????: 1014 kbps FLAC (image. cue. log. full scans)
??????: 378.88 Mb
?????????????: Turbobit/Gigapeta

---

Debbie Harry & Blondie - Once More Into The Bleach (1988)

January 17, 2019, 11:59 pm

≫ Next: Serge Gainsbourg – Ronsard 58 (All Tracks Remastered) (2019)

≪ Previous: Waltari - Monk-Punk (1991)

$

0

0

Artist: Debbie Harry & Blondie
Title Of Album: Once More Into The Bleach
Year Of Release: 1988
Label (Catalog#): Chrysalis [VK 41658]
Country: United States
Genre: Rock, Pop, New Wave, Disco
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 1:12:19
Full Size: 465 mb
Upload: Turbobit

Serge Gainsbourg – Ronsard 58 (All Tracks Remastered) (2019)

January 18, 2019, 12:02 am

≫ Next: The Bar-Kays - The Best Of The Bar-Kays (1992) [Remastered]

≪ Previous: Debbie Harry & Blondie - Once More Into The Bleach (1988)

$

0

0

320 kbps | 112 MB | LINKS

Tracks:
1 Black Trombone
2 Ronsard 58
3 Intoxicated Man
4 Du jazz dans le ravin
5 Requiem pour un twister
6 Les Goémons
7 Le claqeur de doigts
8 La nuit d’octobre
9 Mambo miam miam
10 L’anthracite
11 Indifférente
12 La fille au rasoir
13 Chez les yé-yé
14 Elaeudanla téitéia
15 Maxim’s
16 Negative blues
17 La chanson de Prévert
18 Les oubliettes
19 Le poinçonneur des lilas
20 L’eau à la bouche

The Bar-Kays - The Best Of The Bar-Kays (1992) [Remastered]

January 18, 2019, 2:23 am

≫ Next: DISTORTION TAMERS ένα ελληνικό γκρουπ, που… ροκάρει κλασικά και αμερικανικά

≪ Previous: Serge Gainsbourg – Ronsard 58 (All Tracks Remastered) (2019)

$

0

0

Artist: The Bar-Kays
Title Of Album: The Best Of The Bar-Kays
Year Of Release: 1992
Label (Catalog#): Stax/ZYX Music [SCD24 8542-2]
Country: United States
Genre: Soul, Funk, Disco, R&B
Quality: FLAC (tracks +.cue,log,scans)
Bitrate: Lossless
Time: 43:37
Full Size: 276 mb
Upload: Turbobit

DISTORTION TAMERS ένα ελληνικό γκρουπ, που… ροκάρει κλασικά και αμερικανικά

January 18, 2019, 2:37 am

≫ Next: The Bar-Kays - The Best Of Bar-Kays Vol. 2 (1996)

≪ Previous: The Bar-Kays - The Best Of The Bar-Kays (1992) [Remastered]

$

0

0

Για τους Distortion Tamers και για τον τραγουδοποιό Kosta A.-Monk (Κωστής Αναγνωστόπουλος) έχουμε γράψει κι άλλες φορές στο παρελθόν. Τώρα θα το ξανακάνουμε με αφορμή το LP “Jasmines & Blades” (2018), που τυπώνεται από την Ikaros Recordsσε τριακόσια αντίτυπα. Distortion Tamersσ’ αυτό το άλμπουμ είναι ο Kosta A.-Monk κιθάρες, τραγούδι, ο NickKetzμπάσο (από Rockin’ Bones κ.ά.) και ο Silver ντραμς (που δεν είναι άλλος από τον Χριστόφορο Τριανταφυλλόπουλο, πριν στους Purple Overdose, No Man’s Land κ.ά.). Στο άλμπουμ βοηθάει επίσης ο Alex K. (The Last Drive κ.ά.) σε ακουστική κιθάρα (σ’ ένα τραγούδι) και σε φωνητικά (σε πέντε). Το “Jasmines & Blades” περιλαμβάνει οκτώ tracks, έξι πρωτότυπα και δύο versions (μία στο “People who died” της Jim Carroll Band και μία στο “40 miles of bad road” των Dead Moon).

Τα βασικά στοιχεία τού rock των Distortion Tamers στρέφονται γύρω από την αμερικανική… μυθολογική εκδοχή του (του rock εννοώ). Και τούτο συμβαίνει και ως προς τον ήχο και σε σχέση με τους στίχους, που είναι εκείνοι του… αλήτικου (με τη σωστή έννοια) rock – ενός rock στηριγμένου στις σκληρές κιθάρες και στα… καταραμένα λόγια. Και ναι, είναι (και) οι στίχοι εκείνοι που κάνουν στο “Jasmines & Blades” τη διαφορά, στίχοι που σχετίζονται με τους ποικίλους καθημερινούς απόβλητους, όπως και με τη δύναμη που εμπεριέχει η έννοια του δρόμου, όταν βρίσκεσαι πάνω σε ρόδες, άλλοτε δε και με τη χαρά και τη διασκέδαση κ.λπ.… ποικίλα θέματα, τέλος πάντων, εντός των οποίων χωρά και ο έρωτας φυσικά, αλλά και μια ποιητική μεταφυσική, πάντα συμβατή με τη σχετική ροκ μυθολογία. Όλα αυτά γίνονται ένα με τις μουσικές και κάπως έτσι προκύπτουν τραγούδια-δυναμίτες, σαν... την “Rock& roll city” (που είναι η Θεσσαλονίκη) στη δεύτερη πλευρά ή σαν το “The calling of the jackal” στην πρώτη.

Οι μουσικές των Distortion Tamers (του Αναγνωστόπουλου) έχουν και αυτές, φυσικά, τα «σωστά» χαρακτηριστικά, που είναι γενικώς σκληρά, με την απλότητα και την αμεσότητα στα παιξίματα να σε κερδίζουν (ως ακροατή) εύκολα. Φυσικά, οι δύο διασκευές (από Jim Carrollκαι Dead Moonξαναλέω) δείχνουν προς τα πού κυλάει το πράγμα, αν κι εγώ, με την τραγουδοποιία του Kosta A.-Monk, έφερα στη μνήμη μου, τηρουμένων όσων αναλογιών θέλετε, έναν… σκοτεινό καλλιτέχνη από το παρελθόν, τον Simon Stokes(είτε με τους Nighthawksείτε με τους Black Whip Thrill).

Ωραίο άλμπουμ, για… παλιούς, καλούς rockers!

Επαφή: www.ikarosrecords.gr

The Bar-Kays - The Best Of Bar-Kays Vol. 2 (1996)

January 18, 2019, 2:59 am

≫ Next: Bar-Kays - The Best of Bar-Kays (1993)

≪ Previous: DISTORTION TAMERS ένα ελληνικό γκρουπ, που… ροκάρει κλασικά και αμερικανικά

$

0

0

Artist: The Bar-Kays
Title Of Album: The Best Of Bar-Kays Vol. 2
Year Of Release: 1996
Label (Catalog#): Mercury [314 532 407-2]
Country: United States
Genre: Soul, Funk, Disco
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 1:19:02
Full Size: 460 mb
Upload: Turbobit

Bar-Kays - The Best of Bar-Kays (1993)

January 18, 2019, 2:59 am

≫ Next: Switchfoot – Native Tongue (2019)

≪ Previous: The Bar-Kays - The Best Of Bar-Kays Vol. 2 (1996)

$

0

0

Artist: Bar-Kays
Title Of Album: The Best of Bar-Kays
Year Of Release: 1993
Label (Catalog#): Mercury [314 514 823-2]
Country: United States
Genre: Soul, Funk, Disco
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 1:16:00
Full Size: 443 mb
Upload: Turbobit

Switchfoot – Native Tongue (2019)

January 18, 2019, 3:03 am

≫ Next: Cody Johnson – Ain’t Nothin’ to It (2019)

≪ Previous: Bar-Kays - The Best of Bar-Kays (1993)

$

0

0

320 kbps | 123 MB | LINKS

Tracklist:

01. Let It Happen
02. Native Tongue
03. All I Need
04. Voices
05. Dig New Streams
06. Joy Invincible
07. Prodigal Soul
08. The Hardest Art [feat. Kaela Sinclair]
09. Wonderful Feeling
10. Take My Fire
11. The Strength To Let Go
12. Oxygen
13. We’Re Gonna Be Alright
14. You’Re The One I Want

---

Cody Johnson – Ain’t Nothin’ to It (2019)

January 18, 2019, 3:03 am

≫ Next: Ayreon - Into The Electric Castle (1998) (2CD)

≪ Previous: Switchfoot – Native Tongue (2019)

$

0

0

320 kbps | 123 MB | LINKS

After writing the bulk of his previous material, he put out word in Nashville that he was open to songs from other sources, and the results were astonishing. A-list writers – including Chris Stapleton, Radney Foster and Brothers Osborne guitarist John Osborne – came to the table with songs that suited Johnson’s life and disposition. Music fans who are just now coming to the table will get a quick understanding of Johnson, from the rowdy troublemaker in the swampy “Doubt Me Now” to the devoted family man in the title track to the self-penned ex-bull rider in “Dear Rodeo” to the devoted Christian in “His Name Is Jesus.

“Johnson wears his musical influences on his sleeve – referencing George Strait in “When Cowboys Were King, ” Alan Jackson and Tim McGraw in “Y’all People” and Johnny Cash, Jackson Browne and Bruce Springsteen in “Monday Morning Merle.” Two choice covers further meld his personality with his musical taste. “Husbands and Wives, ” a song that recognizes the day-to-day difficulties of holding a marriage together, is Johnson’s way of tipping a hat to one of country’s ultimate songwriters, the late Roger Miller. And “Long Haired Country Boy” has The Cody Johnson Band playing up his rebel side with a song established by The Charlie Daniels Band (yes, that’s the CJB covering the CDB). But Johnson’s version is filtered through the grizzly tone of Lynyrd Skynyrd, Hank Williams Jr. And Brantley Gilbert.

Ayreon - Into The Electric Castle (1998) (2CD)

January 18, 2019, 3:34 am

≫ Next: The Bar-Kays - 20th Century Masters: The Millennium Collection - The Best ofBar-Kays [Remastered] (2005)

≪ Previous: Cody Johnson – Ain’t Nothin’ to It (2019)

$

0

0

???????????: Ayreon
??????: Netherlands
??????: Into The Electric Castle

????????! ? ??? ??? ???? ??? ????????? ???????? ??????.

????: Progressive Rock, Space Metal
??? ??????: 1998
????????: (CD-Rip) Transmission (TM-014)
??????: 965+917 kbps FLAC (image.cue. log. Full scans)
??????: 790.14 Mb
?????????????: Turbobit/Hitfile/Gigapeta[/hide]

The Bar-Kays - 20th Century Masters: The Millennium Collection - The Best ofBar-Kays [Remastered] (2005)

January 18, 2019, 3:34 am

≫ Next: Blind Willie McTell – Last Session (2019)

≪ Previous: Ayreon - Into The Electric Castle (1998) (2CD)

$

0

0

Artist: The Bar-Kays
Title Of Album: 20th Century Masters: The Millennium Collection - The Best ofBar-Kays
Year Of Release: 2005
Label: Mercury/Chronicles/UMe [B0004345-02]
Genre: Funk, Soul, R&B, Disco
Total Time: 57:34 min
Format: FLAC (tracks +.cue, log-file)
Quality: Lossless
Total Size: 362 mb
Upload: Turbobit

Blind Willie McTell – Last Session (2019)

January 18, 2019, 4:02 am

≫ Next: Debbie Harry & Blondie – Once More Into The Bleach (1988)

≪ Previous: The Bar-Kays - 20th Century Masters: The Millennium Collection - The Best ofBar-Kays [Remastered] (2005)

$

0

0

320 kbps | 85 MB | LINKS

Blind Willie Mctell is as upbeat as ever even though he was seriously ill. He provided an insight into how hard,cruel and dangerous life had been for blacks in America at that time.His anecdotes and explanations of the songs provide real insight.He ended up with his last recorded song ever being a sentimental song from vaudeville 1916 Old Pal of Mine which would bring tears flowing from the hardest. This album is a great compliment to his LIbrary of Congress 1940 session and helps us understand the life and times of Blind Willie McTell.

Tracklist:

01. Baby, It Must Be Love
02. The Dyin’ Crapshooter’s Blues
03. Don’t Forget It
04. Kill It Kid
05. That Will Never Happen No More
06. Goodbye Blues
07. Salty Dog
08. Early Life
09. Beedle Um Bum
10. A Married Man’s A Fool
11. A To Z Blues
12. Wabash Cannonball
13. Pal Of Mine
14. Kill It Kid
15. Broke Down Engine Blues

Debbie Harry & Blondie – Once More Into The Bleach (1988)

January 18, 2019, 4:02 am

≫ Next: Alexander O'Neal - Hearsay - All Mixed Up (1988) [Japanese Remastered 2014]

≪ Previous: Blind Willie McTell – Last Session (2019)

$

0

0

320 kbps | 163 MB | LINKS

Once More into the Bleach is a remix album released in December 1988 by the band Blondie and Debbie Harry. The 13-track compilation contains remixes of Blondie songs and material from Debbie Harry’s solo career.

The title of the album is a pun on a line from Henry V, a history play by William Shakespeare, “once more unto the breach”, with a nod to hair bleach.

The album was issued as a double vinyl, double cassette album, and on CD. On the US edition of the album track five “Rapture” (Bonus Beats) is replaced with the original version of “Atomic” from the album Eat to the Beat.

Once More into the Bleach spun off two single releases: “Denis”, a remix by Dancin’ Danny D which is the first official Blondie remix single (also known as “Denis ’88”) and “Call Me”, a remix by Ben Liebrand. The singles reached #50 and #61 in the UK respectively. The Shep Pettibone remix of “Heart of Glass” had a limited release as a single in several territories.

Tracks:

1 Denis 5:20
2 Heart Of Glass 6:52
3 Call Me 7:00
4 Rapture 6:58
5 Rapture (Bonus Beats) 2:24
6 The Tide Is High 5:35
7 The Jam Was Moving 3:28
8 In Love With Love 7:12
9 Rush Rush 4:45
10 French Kissin’ In The USA 5:10
11 Feel The Spin 6:50
12 Backfired 6:03
13 Sunday Girl (French Version) 3:11

Personnel
Richard Gottehrer – producer (“Denis”)
Mike Chapman – producer (“Heart of Glass”, “Rapture”, “The Tide Is High” and “Sunday Girl”)
Giorgio Moroder – producer (“Call Me” and “Rush Rush”)
Bernard Edwards – producer (“The Jam Was Moving” and “Backfired”)
Nile Rodgers – producer (“The Jam Was Moving” and “Backfired”)
Seth Justman – producer (“In Love with Love” and “French Kissin’ in the USA”)
John Benitez – producer (“Feel the Spin”)

Alexander O'Neal - Hearsay - All Mixed Up (1988) [Japanese Remastered 2014]

January 18, 2019, 4:10 am

≫ Next: VA - Shaolin Soul - Episode 1-4 (2001-2018)

≪ Previous: Debbie Harry & Blondie – Once More Into The Bleach (1988)

$

0

0

Artist: Alexander O'Neal
Title Of Album: Hearsay - All Mixed Up
Year Of Release: 1988/2014
Label (Catalog#): Tabu [CDSOL-523]
Country: United States
Genre: Electro, Soul, R&B, Funk, Disco
Quality: FLAC (tracks +.cue,log)
Bitrate: Lossless
Time: 1:17:29
Full Size: 578 mb
Upload: Turbobit

VA - Shaolin Soul - Episode 1-4 (2001-2018)

January 18, 2019, 4:45 am

≫ Next: The Flesh Eaters – I Used To Be Pretty (2019)

≪ Previous: Alexander O'Neal - Hearsay - All Mixed Up (1988) [Japanese Remastered 2014]

$

0

0

Artist: Various Artists
Title Of Album: Shaolin Soul - Episode 1-4
Year Of Release: 2001-2018
Label: Because Music
Genre: Soul, Funk, R&B, Disco, Pop
Quality: FLAC (tracks,cue,log)
Bitrate: Lossless
Time: 4:55:01
Full Size: 1.78 gb
Upload: Turbobit

---

The Flesh Eaters – I Used To Be Pretty (2019)

January 18, 2019, 5:03 am

≫ Next: Rhytmes et Voix du Congo avac le Grand Marcus dans Cri d’Alarme, Moundjala Ngoto Safari Ambiance SA 103, Emmanuel Bouetoumoussa EB 8202

≪ Previous: VA - Shaolin Soul - Episode 1-4 (2001-2018)

$

0

0

320 kbps | 127 MB | LINKS

Founded 40-odd years ago by sole permanent member Chris Desjardins (known as Chris D.), the Flesh Eaters came from the same late-’70s L.A. scene that yielded bands including X, the Blasters and Los Lobos—all of whom lent members to the Flesh Eaters’ touchstone 1981 album A Minute to Pray, a Second to Die. As luck would have it, that’s the roster that reconvened for the first time since then to back Desjardins on I Used to Be Pretty, the Flesh Eaters’ first new album in 15 years. Dave Alvin and Bill Bateman of the Blasters; John Doe and DJ Bonebrake of X; and Steve Berlin from Los Lobos form a powerful combo, surging along with Chris D. in what amounts to a master class in taut punk-rockology, with an antagonistic streak.

Chris D. makes the most of his all-star lineup, revisiting songs from throughout the Flesh Eaters catalog and laying down what in most cases are definitive new versions. “Miss Muerte” dresses up the lo-fi guitar churning of the 2004 original with a marimba introduction that gives way to a shattering guitar riff played in tandem with saxophone raunch. The vocals that sound far more apocalyptic, thanks to dire backing parts from Julie Christensen, Desjardins’ ex-wife and partner in the band Divine Horsemen. “House Amid the Thickets” takes on an unsettlingly sultry vibe by replacing the trash-can drums and smoothing out the herky-jerky riff of the 1999 version. “The Youngest Profession” becomes more terrifying as a deliberate, reverb-y snare-drum pattern anchors huge serrated guitar that ebbs and flows around moaning sax and Chris D. intoning the lyrics like a madman ranting on a street corner in the dead of night. “My Life to Live” is the centerpiece here, a blast of defiance from 1981 that doesn’t need much reconfiguring. Mostly, this incarnation of the band simply tightens up the searing guitar riff and plays with the benefit, and spark, of decades of experience.

Though the versions of the songs on I Used to Be Pretty sound fantastic, it can be tricky messing around with the alchemy of previously recorded music. There was a certain charm to the ramshackle, handmade feel of these tunes as they appeared on the original albums. That said, these gussied-up, more professional arrangements show Chris D.’s songs in the best possible light. Their power, their attitude and their sheer trashy abandon have never been more evident, which means Desjardins in a way is finally getting his due.

Rhytmes et Voix du Congo avac le Grand Marcus dans Cri d’Alarme, Moundjala Ngoto Safari Ambiance SA 103, Emmanuel Bouetoumoussa EB 8202

January 18, 2019, 5:41 am

≫ Next: Odetta – Odetta Sings The Blues (2019)

≪ Previous: The Flesh Eaters – I Used To Be Pretty (2019)

$

0

0

It was in october 2015 that we already had Keba Na Ye, an album
from 1982 by his hand. Today a follow up on that one, an album we
don’t find on Discogs or Google. We also can’t seem to find a year
of release on this record. Next to Marcus Mvouka we find Emmanuel
Bouetoumoussa who plays guitar, both solo and rhythmic, bass, drums
and percussions and tumbas. Marcus Mvouka does vocals including
backing and also first and second trumpet. Quite an achievement for
two guys. Get it and spread it if you can, enjoy listening..

Het was in oktober 2015 dat we reeds één van zijn platen hadden,
het betrof Keba Na Ye uit 1982 van zijn hand.
Vandaag dus de lang verwachte opvolger. Over dit album kon ik niets
vinden op Discogs en ook niet op Google. Tevens is geen jaar van uitgave
bekend. Naast Marcus Mvouka vinden we Emmanuel Bouetoumoussa op
solo, ritme en bas gitaar, en ook op drums, percussie en tumbas. Marcus
Mvouka zingt, ook de achtergrond vokalen en speelt eerste en tweede
trompet. Een tamelijk knap staaltje voor twee man. Luister en
geef hem weer door als je kunt..

tracks ;

01 – Cri d’alarme
02 – Fanny j’adore
03 – Moundjala ngoto
04 – Carte d’invitation

Odetta – Odetta Sings The Blues (2019)

January 18, 2019, 6:03 am

≫ Next: C. C. Catch - Catch The Catch (Japan Edition) (1986)

≪ Previous: Rhytmes et Voix du Congo avac le Grand Marcus dans Cri d’Alarme, Moundjala Ngoto Safari Ambiance SA 103, Emmanuel Bouetoumoussa EB 8202

$

0

0

320 kbps | 132 MB | LINKS

One of the strongest voices in the folk revival and the civil rights movement, Odetta was born on New Year’s Eve 1930 in Birmingham, AL. By the time she was six years old, she had moved with her younger sister and mother to Los Angeles. She showed a keen interest in music from the time she was a child, and when she was about ten years old, somewhere between church and school, her singing voice was discovered. Odetta’s mother began saving money to pay for voice lessons for her, but was advised to wait until her daughter was 13 years old and well into puberty. Thanks to her mother, Odetta began voice lessons when she was 13. She received a classical training, which was interrupted when her mother could no longer afford to pay for the lessons. The puppeteer Harry Burnette interceded and paid for Odetta to continue her voice training.

Tracks:
01. Santy Anno
02. If I Had A Ribbon Bow
03. Muleskinner Blues
04. Another Man Done Gone
05. Shame And Scandal
06. Jack O’diamonds
07. ‘buked And Scorned
08. Easy Rider
09. Joshua
10. Hound Dog
11. Glory, Glory
12. Alabama Bound
13. Been In The Pen
14. Deep Blue Sea
15. God’s Gonna Cut You Down
16. Spiritual Trilogy (Oh Freedom)
17. He’s Got The Whole World In His Hand
18. Take His Hammer
19. Deep River
20. Chilly Winds

C. C. Catch - Catch The Catch (Japan Edition) (1986)

January 18, 2019, 7:08 am

≫ Next: Rivale - Mystic Rain (2009)

≪ Previous: Odetta – Odetta Sings The Blues (2019)

$

0

0

Artist: C. C. Catch
Title Of Album: Catch The Catch (Japan Edition)
Release Date: 1986
Location: Germany
Label: Hansa / Victor (VDP-1167)
Genre: EuroDisco, Synth-pop
Quality: FLAC (image+.cue+covers)
Length: 41:03 min
Tracks: 8
Total Size: 309 MB (+5%)

Catch the Catch is the debut album by pop singer C. C. Catch, released on April 28, 1986. The album consists of euro disco and synthpop songs. It includes the major Top 10 European pop hits "I Can Lose My Heart Tonight", "'Cause You Are Young" and "Strangers By Night".

Rivale - Mystic Rain (2009)

January 18, 2019, 7:08 am

≫ Next: Arena - Double Vision (2018)

≪ Previous: C. C. Catch - Catch The Catch (Japan Edition) (1986)

$

0

0

Artist: Tiziana Rivale
Title Of Album: Mystic Rain
Release Date: 2009
Location: Italy
Label: Interbeat Records (INT 01-09)
Genre: Italo-Disco
Quality: FLAC (image+.cue+covers)
Length: 53:38 min
Tracks: 12
Total Size: 483 MB (+5%)