320 kbps|187 MB| UL | OB | TB | DF | KF
Twelve years after Thomas Ruf first had his brainwave, the Blues Caravan tour remains a grand tradition for the legendary Ruf Records label, showcasing three artists on the brink of the big-time. In 2016, crowds across the States and Europe were wowed by the Blue Sisters: an international bill taking in Finland’s rising star Ina Forsman, American R&B royalty Tasha Taylor and Canada’s celebrated singer-songwriter Layla Zoe. Now, with the release of Blues Caravan 2016, recorded February 22nd at the Hirsch club in Nürnberg, Germany, all the thrills of that tour come flooding back.
Tracklist:
1. Chain Of Fools (5:04)
2. Hanging Loose (4:16)
3. Devil May Dance Tonight (5:11)
4. Bubbly Kisses (6:27)
5. No Room For Love (5:36)
6. What Difference Does It Make (4:48)
7. Weatherman (3:38)
8. Who’s Making Love (4:56)
9. Work Horse (5:01)
10. Don’t Wanna Hurt Nobody (6:08)
11. Never Met A Man Like You (8:15)
12. Honky Tonk Woman (3:30)
13. Tell Mama (2:34)
14. In The Basement (3:45)
15. Come Together (4:12)
16. Rock Me Baby (5:27)
320 kbps | 102 MB | UL | OB | TB | DF | KF
One of Dorset’s finest exports is six-piece Folk powerhouse Black Water County who formed on St Patrick’s Day out of a love of The Pogues, Dropkick Murphyís, Flogging Molly and Guinness. They have since worked incredibly hard on fine tuning their considerable musicianship and impressively memorable stage shows. To date, they have released two fine EP’s and in February they are set to release their debut album “Taking Chances”.
The front cover says it all. There’s a vintage American car with a frame drum perched on the roof and a long-necked saz (a Middle Eastern lute) propped against the boot, against a registration plate marked “Do Not Obey”. The vehicle is the proud possession of Murat Ertel, a key figure in the Turkish psychedelic rock movement and co-founder of BaBa ZuLa. Their latest album was recorded before last month’s attempted coup and the subsequent political upheavals, and it’s a reminder of how western influences shook up Turkish music.
The title track mixes cool, sturdy vocals from Melike Sahin against a blues-rock riff from Ertel on the electric saz, urged on by bass and percussion. Elsewhere, there are chanting songs that edge towards Turkish rap, more traditional-sounding,…
…semi-acoustic songs, and an urgent finale, Direniş Destanı (“The Legend of Resistance”). A rousing, defiant set from the cultural crossroads of Istanbul. — guardian
CD 1:
01. Electric Gypsy (Re-Recorded)
02. Sex Action (Re-Recorded)
03. One More Reason (Re-Recorded)
04. Rip N’ Tear (Re-Recorded)
05. Never Enough (Re-Recorded)
06. The Ballad of Jayne (Re-Recorded)
07. Malaria (Re-Recorded)
08. Slap in the Face (Re-Recorded)
09. Sleazy Come Easy Go (Re-Recorded)
10. Kiss My Love Goodbye (Live 1999)
11. Ritual
12. You Better Not Love Me
13. Cry Little Sister
14. The Girl with the Dragon Tattoo (Save Me)
15. Over the Edge
CD 2:
01. Soho
02. Nothing to Lose (Demo 1987)
03. Bitch Is Back (Demo 1987)
04. Down in the City (Demo 1987)
05. Electric Gypsy (Demo 1987)
06. Instrumental
07. Guilty
08. Hollywood Tease (Demo 1987)
09. Sex Action (Demo 1987)
10. Midnight Alibi
11. One More Reason (Demo 1987)
12. One Way Ticket (Demo 1987)
13. Shoot for Thrills (Demo 1987)
14. Winter’s Fool
15. Alice in the Wasteland
16. Don’t Love Me
17. When Dreams Don’t Follow Through
18. It’s Not True
19. Something Heavy
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London-based duo Ben Moorhouse and Leo Duncan, AKA Ten Fé, are fresh-faced enough to pull off beards and long hair without looking as if they’ve been sleeping in an alley, but musically they’re indebted to much earlier generations. Madchester and Springsteen have left their mark on Hit the Light, to the point that it’s hard to identify what Ten Fé themselves bring to the party. Perhaps it’s the deftness with which they blend it all together. Each member sings lead on his own compositions, but Ten Fé are strongest when dreamily harmonising – as on the Malibu-sunset glow of Elodie – or seamlessly joining celebratory 90s bagginess and 80s rock majesty in anthem-to-be Twist Your Arm. In the most heartening sense, it speaks to the current lack of boundaries between genres, and if there are intriguing hints of drama (“I have to twist your arm to hold your arm”), that’s just another reason to listen.
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