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Re: [CD] Madredeus - O Porto (1999)

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podem efectuar upload do álbum? obrigado.  :...

Re: [CD] João Leitão - "Do Quarto" (2013)

Kwabs - Love + War (2015) FLAC (image+.cue)

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Kwabs - Love + War (2015) FLAC (image+.cue)
Artist: Kwabs | Album: Love + War | Released: 2015 | Label: Atlantic Records | Catalog #: 0825646153213 | Genre: Electronic

Migos - Culture (2017) FLAC (tracks)

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Migos - Culture (2017) FLAC (tracks)
Artist: Migos | Album: Culture | Released: 2017 | Label: 300 Entertainment | Genre: Hip-Hop, Trap

Shaggy - Discography (1993-2008) FLAC

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Shaggy - Discography (1993-2008) FLAC
Artist: Shaggy | Album: Discography | Released: 1993-2008 | Genre: Reggae, Dubstep

VA - Pop Ambient 2017 (2016) FLAC (tracks)

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VA - Pop Ambient 2017 (2016) FLAC (tracks)
Artist: VA | Album: Pop Ambient 2017 | Released: 2016 | Label: Kompakt Germany | Catalog #: KOMPAKTCD 135D | Genre: Ambient

Alanis Morissette - The Collection (2005) APE (image + .cue)

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Alanis Morissette - The Collection (2005) APE (image + .cue)
Artist: Alanis Morissette | Album: BThe Collection | Released: 2005 | Genre: Alternative Rock

Jam & Spoon - Tripomatic Fairytales 3003 (2004) APE (image + .cue)

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Jam & Spoon - Tripomatic Fairytales 3003 (2004) APE (image + .cue)
Artist: Jam and Spoon | Album: Tripomatic Fairytales 3003 | Released: 2004 | Genre: Electronic

Charles Mingus - The Clown (1957) FLAC (image+.cue)

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Charles Mingus - The Clown (1957) FLAC (image+.cue)
Artist: Charles Mingus | Album: The Clown | Released: 1957 | Label: Atlantic | Catalog #: 40030 | Genre: Jazz

James Luther Dickinson – I’m Just Dead, I’m Not Gone [Lazarus Edition] (2017)

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320 kbps | 104 MB | UL | OB

I’m Just Dead, I’m Not Gone (Lazarus Edition) is Jim’s 5th album released on Memphis International Records. The “Lazarus Edition” is the second album culled from his Friday, June 2, 2006 concert on the stage of the New Daisy Theater on Beale Street. He is backed by the North Mississippi All Stars, sons Luther on guitar and vocals and Cody on bass and vocals along with de facto/honorary son Chris Chew on bass plus session jack-of-all-tracks Jimmy Davis on guitar and vocals. The “Lazarus Edition” includes unreleased tracks from that live recording and two historical live tracks featuring legendary Sun Records rhythm section band members including Roland Janes, Stan Kessler, Cowboy Jack Clement, Billy Lee Riley and J.M. Van Eaton.

I’m Just Dead, I’m Not Gone (Lazarus Edition) is a reflection of Dickinson’s lifelong affinity for songs that have style, substance and, are at the same time, truthful. Dickinson is very much alive on these incendiary tracks reaffirming the prescient contention that gives this remarkable set its title.

Birkin-Gainsbourg – Le symphonique (2017)

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320 kbps | 162 MB | UL | OB | TB

Gainsbourg’s songs given the symphonic treatment, beautifully arranged British actress, singer, fashion icon and Serge Gainsbourg’s muse Jane Birkin presents Birkin-Gainsbourg Le Symphonique Jane Birkin‘s first studio album since 2008, Le symphonique marks Jane’s return to the music world Gainsbourg’s beloved songs as you’ve never heard them, for the first time with a 90-piece symphonic orchestra. Arranged and orchestrated by renowned Japanese composer, pianist & Emmy Award nominee Nobuyuki Nakajima. Artistic direction by Gainsbourg’s historical A&R, ‘man in the shadows’ Philippe Lerichomme. Recorded in Warsaw with National Polish radio Orchestra.

Drew Holcomb & the Neighbors – Souvenir (2017)

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320 kbps | 102 MB | UL | OB

Drew Holcomb may not have the marquee name that brings the kind of anticipation that fame and renown guarantees. What he does possess is an undeniable ardor and passion. And the knack for melodies that immediately get under the skin. That’s never been more evident that on Souvenir, an album that could very well bring the man the commercial breakthrough he deserves.

Coming quickly on the heels of Holcomb and the Neighbors’ recent concert set Live at the Ryman, and before that, a string of fine studio albums, Souvenir is, in a word, a triumph, and, with the exception of the pleasantly jaunty “Mama’s Sunshine, Daddy’s Rain,” every song contains could be deemed an anthem. Each makes such an impression that it’s practically impossible to tout one above the rest.

Still, it wouldn’t be doing Holcomb justice to leave it at that. The remarkable wallop of “The Morning Song,” “California,” “Fight For Love” and “New Year” allows each track to resonate deeply. It’s a physical kick, one that inspires a pumped fist and a surge of adrenalin. These are the kind of songs that that would in stadium settings, and even the most aching ballad reverberates in such a way that allows the emotions to shine through.

Drew Holcomb and the Neighbors are one of those quintessential combos that take their inspiration from the heartland and turn into music for the rest of the country, if not the world. It’s early yet, but this one already feels like a lock for the Best of 2017. No matter what the rest of the year has in store, this will be one Souvenir worth treasuring.

Carminho - Alma (2012) FLAC

Becca Stevens – Regina (2017)

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320 kbps | 143 MB | UL | OB | TB

Drawing upon elements of pop, indie-rock, jazz, and traditional Appalachian folk, Stevens has been hailed for her unique ability to craft exquisite compositions both for her own band, and for artists who run the gamut of genre from the legendary David Crosby, to singer José James to classical pianist Timo Andres.

Re: [CD] Camané - Infinito Presente (2015)


Alash Ensemble - Buura (2011)

Re: [CD] Ana Moura - Moura (2015)

Mariachi Los Camperos de Nati Cano – Tradición, Arte y Pasión (2015)

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Mariachi%2BLos%2BCamperos%2Bde%2BNati%2B
José Natividad Cano (Nati Cano) fue el fundador de Mariachi Los Camperos y gran precursor de la música mexicana. Ganador, en 2009, del Grammy al Mejor Álbum de Música Regional Mexicana por Amor, Dolor y Lágrimas: Música Ranchera, la historia del grupo comenzó en 1967 cuando Don Nati abrió su restaurante La Fonda, donde Los Camperos actuaban regularmente. El restaurante le permitió a Cano mantener los niveles artísticos del mariachi y preservar su tradición.
Desde la década de los años 90, se dedicó a promover el mariachi a nivel educativo por medio de fundaciones y programas escolares. En Chicago, tuvo presencia tanto en conciertos como apoyando iniciativas con la finalidad de elevar el mariachi y que se le viera más que como una música para bodas, cantinas, serenatas y fiestas. Para él era y es un movimiento, un legado, y Patrimonio de la Humanidad como lo catalogó la Unesco en 2012.

Mariachi-los-camperos-de-nati-cano.jpg
El quinto álbum del grupo bajo el sello Smithsonian, Tradición, Arte y Pasión (2015), bebe del pozo de la expansiva "edad de oro" de la música mariachi en los años 40 y 50 para conjurar ingeniosamente un sonido tan fresco y contemporáneo como lo era entonces. Nuevo, aunque con edad, y explotando la amplia paleta sonora de la instrumentación del mariachi, el álbum refleja el enfoque musical de Cano: "Amor, dedicación, disciplina, orgullo y pasión." Además, el álbum rinde homenaje a la leyenda del mariachi y fundador del grupo Nati Cano, quien falleció en Octubre de 2014.

tracks list:
01. El súchil
02. Yo
03. Parranda larga
04. La petenera (popurrí) ("La petenera", "Tata Dios", "La Cecilia")
05. A los cuatro vientos
06. El framboyán
07. La morena
08. Nuestro gran amor
09. El silencio de la noche
10. El arreo
11. Sones de antaño



(Blues Rock, Alt-Country) Me and That Man - Songs Of Love And Death (Deluxe Edition) - 2017, MP3, 320 kbps

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Me and That Man / Songs Of Love And Death (Deluxe Edition) Жанр : Blues Rock, Alt-Country Label : Cooking Vinyl Год издания : 2017 Аудиокодек : MP3 Тип рипа : tracks Битрейт аудио : 320 kbps Продолжительность : 53:08 Треклист : 01.

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Another Perfect Crime – The Flood (2017)

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320 kbps | 126 MB | UL | OB | TB | BF | DF | KT

In the spirit of the Riot Grrrl, punk, and grunge movements, Another Perfect Crime pays tribute to each respective movement with their own explosive sound, a sound that fuels your protest march as perfectly as your road trip across the desert. You can hear decades of history, resistance, and fight in each track of the band’s newest album, The Flood. As diverse as the fanbase they serve, The Flood is equal part gravel and champagne, nail polish and blood [snake bite and sunshine, spit and high fives, rust and glitter, fists and lipliner] . Each drum beat is a thunderclap, every guitar riff is war cry, and each lyric is a piece of truth that leaves goosebumps in its wake. This is the sound of the Resistance. This is the sound of your own Revolution.

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