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  • 07/03/17--22:03: Adele - 21 (2011) FLAC
  • Adele - 21 (2011) FLAC
    Artist: Adele | Album: 21 | Released: 2011 | Genre: Pop | Duration: 00:54:44

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    VA - White Mink : Black Cotton (2009) FLAC (image + .cue)
    Artist: VA | Album: White Mink : Black Cotton | Label: Freshly Squeezed Music | Catalog #: ZESTCD025 | Released: 2009 | Genre: Electronic, Jazz | Country: UK | Duration: 01:33:18

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    VA - White Mink : Black Cotton, Vol.2 (2010) FLAC (image + .cue)
    Artist: VA | Album: White Mink : Black Cotton, Volume 2 | Label: Freshly Squeezed Music | Catalog #: ZESTCD031 | Released: 2010 | Genre: Electronic, Jazz | Country: UK | Duration: 01:33:15

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    VA - White Mink : Black Cotton, Vol.3 (2013) FLAC (image + .cue)
    Artist: VA | Album: White Mink : Black Cotton, Volume 3 | Label: Freshly Squeezed Music | Catalog #: zestcd060 | Released: 2013 | Genre: Electronic, Jazz | Country: UK | Duration: 01:22:27

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    Toto Bissainthe avec Marie Claude Benoît et Mariann Mathéus - Chante Haïti Marie Clotilde "Toto" Bissainthe: 1934 Cap-Haïtien / Nord / Haiti - 04.06.1994 Pétion-Ville / Ouest / Haiti Жанр : Caribbean Folk Music | French Caribbean Music | Spiritual Jazz Издатель : Arion Music | France | 1977 (lp) / 1989 (cd) Сканов в содержимом раздачи нет Аудио : mp3 | tracks | 320 kbps 01.

    Тема на форуме

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    320 kbps | 328 MB | LINKS

    With five acclaimed top 10 albums, four ARIA Awards and countless sold out tours to his name, Josh Pyke has announced the release of his BEST OF, B-SIDES & RARITIES album on Friday 30 June, to be followed by a BEST OF national headline tour throughout July and August. The BEST OF will be accompanied by the release of Memories & Dust on vinyl for the first time.

    Having firmly established himself as one of Australia’s most respected and beloved artists, this Best Of arrives 10 years after the release of his first solo album, Memories & Dust. The two disc offering features handpicked singles spanning his five studio albums on one disc, plus a bonus disc made up of rare tracks and B-sides, along with two brand new songs.

    Disc #1 : Best Of

    1. Kids Don’t Sell Their Hopes So Fast
    2. Beg Your Pardon
    3. Middle Of The Hill
    4. Private Education
    5. Lines On Palms
    6. Memories & Dust
    7. Forever Song
    8. Fed And Watered
    9. The Lighthouse Song
    10. Make You Happy
    11. The Summer
    12. New Year’s Song
    13. No One Wants A Lover
    14. The World Is A Picture
    15. Particles
    16. Leeward Side
    17. The Beginning & The End Of Everything
    18. Bug Eyed Beauty
    19. There’s A Line
    20. Hollering Hearts
    21. Songlines

    Disc #2 : Rarities & B-sides

    1. Into The Wind
    2. Save Your Love
    3. Cosy Catastrophe
    4. 1,2,3
    5. Confessions For You
    6. The Doldrums
    7. Don’t Bury Me When I Die
    8. Music From Another Room
    9. Sleepers To Steel
    10. Coles Lane Crossing
    11. Clock On/ Clock Off
    12. Maths & Magic
    13. Best Man (At Your First Loves Wedding)
    14. Chemistry Sold
    15. Loaded Questions
    16. You’re The End My Friend
    17. Gasoline
    18. Backward Ghost Of Me
    19. Note To Self

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    320 kbps | 103 MB | LINKS

    Just before his star exploded as a result of his amazing lead vocal on the hit version of “I Am a Man of Constant Sorrow,” which appeared on the soundtrack to the Coen Brothers’ Great Depression farce O Brother, Where Art Thou?, Dan Tyminski recorded his brief but fantastic debut solo album, Carry Me Across the Mountain, while on sabbatical from Union Station. He gets the expected help from Union Station alumni past and present (Alison Krauss, Adam Steffey, Ron Block, and Barry Bales), and also gathers together some of his other favorite players and influences, who just happen to be prominent members of the bluegrass elite (Jerry Douglas, Tony Rice, etc.). It is Tyminski’s gorgeous, graceful, toasty lead vocals, though, that carry the day. As opposed to his full-time combo’s more irreverent, progressive take on the genre, Tyminski explores more traditional bluegrass territory (ballads, mountain songs, spirituals, instrumentals), but through mostly original material, closer to his previous unit, the Lonesome River Band. He chimes in with a trio of his own co-written tunes while offering spotlight contributions from Block (“Be Assured”) and former Union Station member Tim Stafford. And although each song is a highlight, the title track is perhaps the most exciting performance and lays the blueprint for Tyminski’s O Brother contribution. The crack band also whips through a couple old country (“I Dreamed of an Old Love Affair,” “Sunny Side of the Mountain”) and bluegrass (the Louvin Brothers’ “Tiny Broken Heart”) classics with exhilarating, down-homey results. The mood is both elegantly unembellished and joyous, a throwback but wholly pristine and fresh. It is a superb addition to the already strong discographies of both Union Station and the Lonesome River Band, and a lovely little first effort as leader for Tyminski.

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    FLAC | 470 MB | LINKS

    Twenty-one years ago, June Tabor and Oysterband got together to record what is now recognised as an English folk-rock classic. It wasn’t exclusively a folk album, though there were some traditional tracks, but rather an eclectic, powerful reworking of anything from Lou Reed to Shane McGowan. Now, at long last, comes the followup that so many of us have been asking for, and it’s no disappointment. The energy is still there, along with the desire to startle and experiment, but so is a new maturity and emotional depth, and even greater variety. The traditional songs include Bonnie Bunch of Roses, in which the stomping backing is never allowed to overshadow Tabor’s no-nonsense storytelling; then there’s a glorious melodeon and fiddle-backed treatment of Fountains Flowing, that song of parting and grief, and there’s delicate, unaccompanied vocal harmony singing on the Scottish lament (When I Was No But) Sweet Sixteen. The contemporary songs range from a fiddle-backed stomp through Dylan’s Seven Curses, through to a thoughtful, gutsy reworking of PJ Harvey’s That Was My Veil, and a pained, acoustic version of Joy Division’s Love Will Tear Us Apart, which features a powerful duet between Tabor and John Jones, who come together again for a very English treatment of the bittersweet Dark End of the Street. This was worth waiting for.

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    320 kbps | 111 MB | LINKS

    Americana has many different ingredients and Nathan James knows how to mix just the right amounts to create his own signature flavor. ‘What I Believe’ is a showcase of years of experience in self production and songwriting and it is his first album featuring 100% original material. From the opening track ‘You Got to Please Me’ with it’s Bill Withers inspired acoustic rhythm guitar and funky drums featuring tasteful layering of fuzz guitar and B3 organ to the acoustic soul meets spy movie sound track moodiness of ‘Down on the Road’ with classical string arrangements, there are many twists and turns for the listener to behold. ‘Tryin’ to Get Along With Myself’ is a songwriting standout with it’s telling of personal turmoil turned to hope with the start of new day. This song is true Americana with a mixture of gospel changes and country pedal steel inspired slide guitar.

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  • 07/03/17--23:34: no words.
  • front.jpg

    an album to lull the oneironaut on to greater voyages. drift drift away.

    ps yr thinking to yrself, how the fuck do i know what i'm getting with this album since this jerk just gets high & posts some vague description which probably doesn't even relate to the actual album but sounds nice in his head. good question. watch out for a novel here... i've been running this blog for five years now, have outlasted many of my peers (rip to my circle, yr sorely missed in the age of bland tidal advertisements shilling whatever the industry thinks you want to hear), & i think i have created a general aesthetic for this blog. although the music wildly varies from this album of traditional drumming of the nile which is gorgeous to french psyche rock to gamelan to narcocorridos to giallo jazz, i think the albums i choose from each genre are always great. i think we have come to an interesting time where the blog is dying out, & curation is now seen as a fool's errand since i can just open spotify & their algorithm will tell me what to listen to next. & while yes, the ease & convenience afforded by streaming services is nice, & the breadth of these sites is somewhat impressive, it acts to further isolate the listener inside the panopticon that is the modern technological hellscape. i will take this moment to praise all of my comrades who have kept it going (shoutout to my man flash), & to the ones who are missed (owl, ghostcap, mutant sounds, the list goes on & on). i would also encourage people to reach out to their heroes while they're still around & let them know that you appreciate them. while i'm at it, please get outside & enjoy the fresh air & gorgeous vistas that nature has provided for us for the last 12,000 years of our existence & we have been able to destroy in the last 150 years. & before you come at me with some fuckshit about "keep this just about music & not about politics," then maybe you haven't been here to spookcity before or not really fucked with me that way.i may edit this later to go on a longer scree about the industrial revolution fueled by the ever pervasive hydra of capitalism being the worst thing to happen to the earth (also yes, i know i'm typing this on a computer which is yes a byproduct but is also a tool to be used to disseminate the roadmap). the earth will be uninhabitable in less than a hundred years. welcome to the anthopocene indeed.

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    VA - Pickin' On Alan Jackson (2002)

    Artist: Various Artists
    Title Of Album: Pickin' On Alan Jackson
    Year Of Release: 2002
    Label (Catalog#): CMH Records [CD-8665]
    Genre: Bluegrass, Country
    Quality: FLAC (tracks +.cue,log,scans)
    Bitrate: Lossless
    Time: 30:40
    Full Size: 206 mb
    Upload: Turbobit / DepFile

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    zFLAC | 610 MB | LINKS

    Steven Tyler has filled out the specifics on his long-awaited debut album. We’re All Somebody From Somewhere will arrive on July 15, Tyler said earlier today during an appearance on the Ellen DeGeneres Show.

    The veteran Aerosmith frontman produced this 13-track country-flavored solo project with T Bone Burnett, Dan Huff, Marti Fredriksen and Jaren Johnston. The title track will be released in advance of the album on June 24, Tyler added.

    “I headed down to Nashville last spring to start working on this project, wrote some kick ass songs with some of Music City’s finest songwriters and now we get to share them with the world on July 15,” Tyler said. “Country music is the new rock ‘n’ roll. It’s not just about porches, dogs and kicking your boots up. It’s a whole lot more. It’s about being real.”

    Tyler released his first country single, titled “Love Is Your Name,” back in May 2015. That was followed this past January by “Red White and You,” which was also produced by Huff. The latter song, co-written by Tyler, circled back to the singer’s rock roots by referencing Tom Petty.

    Read More: Steven Tyler Announces First Solo Album, ‘We’re All Somebody From Somewhere’ |

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    Ofra Haza - Yemenite Songs (1985) FLAC

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    Η Greenleaf Music είναι η εταιρεία του σημαντικού τρομπετίστα Dave Douglas (συνεργάτης του Anthony Braxton, του John Zorn και δεκάδων άλλων, και με μεγάλη προσωπική δισκογραφία), υφίσταται από το 2005 κι έχει στον κατάλογό της περισσότερα από 50 CD. Για δύο από τα πλέον πρόσφατά της θα γράψουμε τώρα…
    RIVERSIDE: The New National Anthem [Greenleaf Music GRE-CD-1056, 2017]
    Όταν έχεις ένα σχήμα, όπως τους Riverside, μέλη των οποίων είναι ο Dave Douglas και ο Steve Swallow (που εδώ παίζει ηλεκτρικό μπάσο), τότε δεν έχεις να πεις πολλά, αφού έχεις ήδη πει τα πάντα. Όταν, μάλιστα, τούτοι οι δύο πλαισιώνονται από τ’ αδέλφια(;) Doxas (ελληνικής, προφανώς, καταγωγής), τον Chet κλαρινέτο, σαξόφωνα και τον Jimντραμς, τότε το πράγμα αποκτά και μιαν ακόμη πιο «μετρήσιμη» τροπή, καθώς οι εγγραφές των Riverside, ως κουαρτέτο πια, δεν μπορεί παρά να αντανακλούν την εμπειρία και την εκτελεστική δεινότητα των μελών του.
    Να πούμε από την αρχή πως ο τίτλος του άλμπουμ προέρχεται από μια σύνθεση τής Carla Bley, την “The new national anthem”, που είχε ακουστεί στο κλασικό LPτού Gary Burton (και της Carla Bley) “A Genuine Tong Funeral” το 1968. Υπάρχουν, δε, ακόμη δύο συνθέσεις της Bley εδώ. Η “King Korn” (γνωστή από το ρεπερτόριο και τη δισκογραφία του Paul Bley) και η “Enormous tots” (από το “Tropic Appetites” του 1974). Αυτές οι τρεις συνθέσεις είναι εκείνες, αν θέλετε, που δίνουν και το στίγμα στο άλμπουμ των Riverside, καθότι μας συνδέουν αμέσως με την καρδιά της avant-jazz και με τον τρόπο της, βασικά, ν’ ακούγεται την ίδια στιγμή λαϊκή και προχωρημένη. Από ’κει και κάτω το “The New National Anthem” περιλαμβάνει έξι συνθέσεις του Douglas και από μία των Swallow και Chet Doxas(οκτώ, δηλαδή, των μελών του γκρουπ), που ξεχωρίζουν για τον ανατρεπτικό χαρακτήρα τους – καθώς έχουμε συχνές αλλαγές μέτρου και ύφους, παιγνίδι ουσιαστικά με τα tempiκαι τις διαθέσεις που εκείνα επιβάλλουν, επαφή με τις «μουσικές» του κόσμου μέσα πάντα από μιαν αυθόρμητη διάσταση και ακόμη έναν συνολικό τρόπο προσέγγισης τού συνθετικού υλικού, που φέρνει στη μνήμη τον Ornette Coleman των sixties.
    Είναι ποικίλες οι αναφορές των Riverside, αλλά και καταφανής ο τρόπος να τις μετατρέπουν σε κάτι ολοκληρωτικά «δικό τους».
    RYAN KEBERLE & CATHARSIS: Find the Common, Shine a Light [Greenleaf Music GRE-CD-1055, 2017]
    Ο Ryan Keberle είναι τρομπονίστας καιοι Catharsis που συνασπίζονται γύρω απαυτόν αποτελούνται από την τραγουδίστρια/ κιθαρίστρια Camila Meza, τον τρομπετίστα Mike Rodriguez, τον μπασίστα Jorge Roeder και τον ντράμερ Eric Doob. Το άλμπουμ τους “Find the Common, Shine a Light” αποτελείται απόδικά τους tracks συν κάτι διασκευές από Beatles (“Fool on the hill”), Bob Dylan (“The times they are A-changin’”) και κάποιους Welcome Wagon (ένα καινούριο συγκρότημα, που, προσωπικώς δεντο γνωρίζω). Το άλμπουμ φιλοδοξεί να αποτελέσει μια μουσική -κοινωνικοπολιτική πρόταση για θέματα των καιρών – τοπικών (αμερικάνικων εννοώ) και πανανθρώπινων. Καλές οι φιλοδοξίες, δε λέω, αλλά το θέμα δεν είναι και τόσο απλό. Όχι επειδή κάποιος μπορεί να διαφωνεί με επιμέρους θέματα, αλλά γιατί ο συνδυασμός δεν είναι εύκολο να δώσει τα καλύτερα των αποτελεσμάτων. Η Mezaέχει καλή φωνή οπωσδήποτε, και η προσθήκη της στο σχήμα, μεταφέρει έναν αέρα νεοϋορκέζικου… jazz undergroundαπό τις αρχές του ’80, όμως συχνά τα κομμάτια στα οποία δεν υπάρχει τραγούδι (παρά μόνο βοκαλισμοί) είναι προτιμότερα. Πρώτο όλων, εδώ, το σχεδόν 7λεπτο “Ancient theory”, που είναι σύνθεση του Keberle κι έχει έναν «ορνετικό» αέρα (μαζί με ωραία σόλι και παρεμβάσεις από μπάσο, τρομπέτα και μελόντικα).

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    Joan Baez - 3 LP's Жанр : Country-Folk, singer/sonwriter Носитель : LP Год выпуска : 1973, 1975, 1977 Лейбл : A&M Records, Vanguard Страна-производитель : DE/US/US Аудио кодек : FLAC Тип рипа : tracks+.

    Тема на форуме

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    320 kbps | 260 MB | LINKS

    The second of the two shows was captured by Live Here Now, and is set for release as NOMC15 (New Order Music Complete 15) on April 14, 2017. Available as Deluxe Limited Edition packages, the album is released on Double CD, Triple Clear Vinyl (180g),all featuring the new iconic artwork by Warren Jackson.

    Disc 1 (01:00:41)
    1. Introduction: Das Rheingold – Vorspiel (03:20)
    2. Singularity (06:01)
    3. Ceremony (04:55)
    4. Crystal (06:53)
    5. 586 (05:22)
    6. Restless (04:39)
    7. Lonesome Tonight (04:08)
    8. Your Silent Face (06:22)
    9. Tutti Frutti (07:09)
    10. People On The High Line (05:51)
    11. Bizarre Love Triangle (06:01)

    Disc 2 (53:02)
    1. Waiting For The Sirens’ Call (07:20)
    2. Plastic (07:16)
    3. The Perfect Kiss (06:21)
    4. True Faith (06:39)
    5. Temptation (09:38)
    6. Atmosphere (04:12)
    7. Love Will Tear Us Apart (04:06)
    8. Blue Monday (07:30)

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    ХVII Национальный фестиваль белорусской песни и поэзии Молодечно-2017 / ХVII Нацыянальны фестываль беларускай песні і паэзіі Маладзечна-2017 Страна : Республика Беларусь Жанр : Pop / Folk Продолжительность : 01:34:45 + 01:35:50 + 01:42:30 Год выпуска : 2017 Релиз: Описание : Национальный фестиваль белорусской песни и поэзии "Молодечно" пройдет в этом году в семнадцатый раз.

    Тема на форуме

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  • 07/04/17--04:35: Monos Kabrones
  • Monos.jpg

    Monos Kabrones Est Un Groupe Né En 2008, à Formosa, En Argentina
    Ils Melents A Leurs Ska Punk Energetique, Des Airs De Cumbia, De Rock
    Et De Reggae Pour Des Concert Haut En Couleurs ...

    Monos Kabrones Es Una Banda Que Nace En 2008, En Formose, En Argentina
    Mezclan A Su Ska Punk Energetico, Aires De Cumbia, De Rock
    y De Reggae Para Dar Conciertos De Todas Colores ...

    Monos Kabrones Is A Band Who's Born In 2008, In Formosa, In Argentina
    They Mix Into His Energetic Ska Punk, Sounds From Cumbia, From Rock
    And From Reggae For give Gigs With Much Colours ....

    FB Officiel

    Ska Punk Para Primates 2010

    01 No Hay Paz
    02 Mas Que Se Yo
    03 Ella Especial
    04 Vomitando Tu Amor
    05 Volcer El Tiempo Atras
    06 Cuando Tiempo Mas
    07 Mr.Bros
    08 Voy A Salir A Fumar
    09 A Esto Llaman Libertad

    ¡Chikiporow! 2013

    01 ¡Chikiporow!
    02 La Piba Ska
    03 Tengo Una Idea
    04 Tekila
    05 Lo Que Hace Falta
    06 Barrios De Pie
    07 Sin Pensar De Mas
    08 Hablando De Ser Normal
    09 Roberta
    10 Vidas Robadas
    11 La Cumbia De Les Escondidos
    12 Birra y Distorsion

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    320 kbps | 101 MB | LINKS

    Produced by the Coral’s frontman James Skelly in James Skelly’s studio and released by James Skelly’s label, it might be a surprise to hear that Wirral group the Sundowners – who feature two of James Skelly’s family members – bear only a faint sonic resemblance to the work of a certain James Skelly. Some of his psychedelic inclinations do rise to the fore at times – Before the Storm’s driving guitar and spooky keys, for example – but mostly this lot trade in folkier, Fairport Convention, Smoke Fairies and Espers-inspired wistful romance, especially in their haunted harmonies. But all too often, stodgy riffs steer the music down a muddy path instead of guiding it towards some heavenly hippie sanctuary, with the result that the album feels slightly over-long. Nevertheless, for a certain sort of community – one that revels in analog instruments, pagan references, paisley-print shirts with massive lapels, big sideburns and even bigger fringes, or just the ghost of James Skelly – Cut the Master should still satisfy.

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    Simon McDonnell & Spring Barley - Simon McDonnell & Spring Barley (2017)

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