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    Link download:http://brisktopia.com/42yE
    Bài được thực hiện bởi Hà Nguyễn, mọi chi tiết liên hệ qua email: hanguyen@hpmtech.vn

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    Bài được thực hiện bởi Hà Nguyễn, mọi chi tiết liên hệ qua email: hanguyen@hpmtech.vn

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    Link download:http://brisktopia.com/43Fn
    Bài được thực hiện bởi Hà Nguyễn, mọi chi tiết liên hệ qua email: hanguyen@hpmtech.vn

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    Pandit Hariprasad Chaurasia & Dr. M. Balamurali Krishna - Murali - Prasādam (Live at the Hong Kong Cultural Centre) Жанр : Indian Classical, Hindustani Носитель : CD Страна-производитель диска (релиза) : UK Год издания : 1995 Издатель (лейбл) : Sony Nad/Navras Records Номер по каталогу : NR0041 2 Аудиокодек : FLAC (*.

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    5127P3E62mL._SS500.jpg320 kbps | 145 MB | LINKS

    Tracklist:
    01 – Romantic Type
    02 – I Found Out
    03 – Don’t Know How to Say Goodbye
    04 – Caught in Your Trap
    05 – Can’t Control Myself
    06 – I’m Not Sorry
    07 – You Know I Love You
    08 – Stop and Go
    09 – You Better Not Look My Way
    10 – Take Her Back
    11 – Wait for Me
    12 – I’m Always Right
    13 – Let Go (Japanese Album Version)
    14 – Left Alone
    15 – Hello (My Old Friend)
    16 – You’re Just No Good for Me
    17 – Mislead
    18 – Dick’ead
    19 – A Kick in the Shins (Demo)
    20 – Wouldn’t Believe It
    21 – I’m Not the One
    22 – All I Know
    23 – I Need You


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    61LMgyF9XvL._SS500.jpg320 kbps | 167 MB | LINKS

    Leo “Bud” Welch Sr. was born in Sabougla, Mississippi in 1932. Bud picked up a guitar for the first time in 1945. Bud and a cousin would sneak and play the guitar while the actual owner of the guitar (Bud’s older cousin R.C. Welch) was away working. As he became confident in his ability to play guitar, Bud was caught red handed by the owner of the guitar, playing the forbidden to touch instrument. Bud’s older cousin was so impressed with his playing that he gave Bud free reign to continue playing the guitar. By 1947 at age 15, Bud could play well enough to perform publically and garnered the blessing of many elder guitar players. Bud was offered an audition by BB King but could not afford the trip to Memphis. Bud played the Blues continuously until 1975, at that time he converted to playing mostly Gospel, with the Sabougla Voices, which consisted of his sister and a sister-in-law. Bud also played with the Skuna Valley Male Chorus. Bud earned his living by carrying a chain saw up and down the hills and hollows of North Mississippi, logging for 35 years. Leo does not believe that Blues is the devil’s music but a way of expressing the highs and lows of one’s life through song. Bud had played his guitar for close family and friends for over 65 years and remained under the radar, undetected by the vast majority of Blues Aficionados, until April 19, 2013 after being secretly recorded performing at the 50th birthday of his now manger . Leo “Bud” Welch has taken the listening musical world by storm. Leo’s debut album “Sabougla Voices” was released January 7, 2014 just two months before his 82nd birthday and his sophomore album “I Don’t Prefer No Blues” was released on March 24, 2015 just two days after his 83rd birthday.


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    Владимир Девятов - Реченька-речушка Жанр : Поп-фолк, Народная песня Носитель : CD Страна-производитель диска (релиза) : Россия Год издания : 1999 Издатель (лейбл) : Студия "СОЮЗ" Номер по каталогу : SZCD 1144-99 Страна исполнителя (группы) : Россия Аудиокодек : FLAC (*.

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    Ruben Blades y Seis del Solar - Escenas Жанр : Salsa,Panamanean Salsa, Salsa Nuevayorkina, Носитель : LP Год выпуска : 1985 Лейбл : ELEKTRA EKT29 Страна-производитель : UK Аудио кодек : FLAC Тип рипа : tracks Формат записи : 24/48 Формат раздачи : 24/48 Продолжительность : 00:39:56 Треклист : Lado A-Cuentas del alma-tierra dura-la cancion del final del mundo-sorpresas Lado B-Caína-silencios-muevete Источник оцифровки : автором раздачи Код класса состояния MC : Ex Устройство воспроизведения : QuickplayLP Головка звукоснимателя : QuickplayLP Предварительный усилитель : QuickplayLP АЦП : Lexicon Alpha Программа-оцифровщик : Audacity [Ubuntu] Обработка : Без обработки ---------------------------------------------------------------------------------------------- Analyzed: Escenas / Artist: Ruben Blades y Seis del Solar ---------------------------------------------------------------------------------------------- DR Peak RMS Duration Title [codec] ---------------------------------------------------------------------------------------------- DR14 -0.

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    Yasuaki Shimizu - Dementos (1988)
    Label: Invitation Records
    Жанр: Electronic / World
    Год выпуска: 1988
    Формат: FLAC (tracks)
    Битрейт аудио: Lossless
    Продолжительность: 37:30
    Размер: 207 Mb

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    PolyrhythmicsThe great Polyrhythmics of Seattle are back & better than ever in 2017 with their epic album, Caldera. Rich with bold brass and hypnotic percussion, it showcases the instrumental 8-piece’s impossibly tight grooves and virtuoso musicianship as they tear through a singular blend of Funk, Soul, R&B, psychedelic rock, progressive Jazz, and Afrobeat.
    “Goldie’s Road” starts Caldera off with a trippy, Blacksploitation style feeling. They add in spacey synth & guitar effects, plus African percussion noises and muted horns in all the right places. The funky flute riding on top gives the tune a groovy elegance. “Spider Wolf” is a high-energy percussive jam. Its expressive brassiness helps the percussion power the song along, and the rest of the band creates a stirring blend that makes…

    139 MB  320 ** FLAC

    …the body want to move.

    “Marshmallow Man” moves the groove into a stimulating Funk eruption. The wah-wah wiggles hips as the horn and rhythm section burst forth for a final explosion of organ and brass jam down. “Cactus Blossom” blooms sweetly from the edge of Polyrhythmics’ Funk volcano. This mellow, soulful Funk song intrigues the listener, and then builds up a dramatic rhythm before letting you back down again.

    “Au Jus” is the longest tune on Caldera at more than 9 minutes. It’s an impressive ride through everything Polyrhythmics excel at. It’s jazzy, funky, soulful, and percussive. Starting off mellow & groovy, it starts to rock out, then finds that groove again. All the players get their chance to root down & get it on this one, as the tune oscillates between heavy & groovy. Then, “Au Jus” turns far-out & spacey. “Journey to Caldera” is a catchy, funky tune. The horn section finds a lively line and the organ get greasy.

    “Compound 49” is an especially funky, joyful groove. The name must signify some magic potion that just makes you feel good when you take it because that’s what this tune does. “Dragon Lotion” is a funky, happy, modern Afrobeat groove. The electric piano lines, and then the Latin percussion breakdown make this tune extra diverse and danceable. This song is the most purely Afrobeat sounding tune on Caldera.

    “Bowling Green” burns slow and intoxicates the listener with a profound bass line, impressive horn solos, and relentless rhythm. “Lord of the Fries” is a little dark, yet still super funky. Its rolling rhythm and potent percussion breakdown make this tune full of surprises, giving the horn section a platform to wail.

    “Vodka for My Goat” is a genre-bending Funk jam full of wah-wah, Afro-Latin percussion, and hair-raising horn stabs. Listen for Ben Bloom’s amazing guitar solo, followed by a killer conga & percussion jam. “Stargazer” ends the album with downtempo, Afrobeat trance. Overall, Caldera is one of my favorite records of 2017 because of its genre-bending jams, and refusal to conform to easy classification.

    Personnel: Ben Bloom: Guitars; Grant Schroff: Drums; Nathan Spicer: Keys; Lalo Bello: Percussion; Jason Gray: Bass; Scott Morning: Trumpet; Elijah Clark: Trombone; Art Brown: Sax and Flute


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    61nZzAHAu2L._SS500.jpg320 kbps | 102 MB | LINKS

    THE HILLBILLY PENGUINS are destined to be the next REAL Stadium Rock Band !!! this is chick friendly kick ass rock n roll, no drum computers no auto tune Just great rock music the way it was meant to be . played by musicians who can back it up live , THE INDIAN CHANT SONG has got HIT written all over it !!! These are all Well written songs (seven origiginals) played by guitar virtuoso Chris Perry and raw feel good drumming by brother Craig Perry check out THE ELEPHANT for a blues rock anthem we threw in some cover songs (sometimes ya gotta say what the fuck let the good times roll.) inspired by Van Halen, Guns n Roses ,ACDC, SRV, ZZ TOP, Hendrix, Journey, skynryd ext…. we have flight , yes we are cleared for take off , drink a cold beer fire one up and go on a rock n roll trip to paradise city forget your troubles and get a fix with the HillBilly Penguins


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    Πέθανε ο Σπύρος Φέγγος στα 61 του. Ζούσε και δημιουργούσε ως εικαστικός στην Καλαμάτα, αλλά από τα τέλη του ’70 και για δεκαετίες, ο Φέγγος υπήρξε ένας από τους πιο αναγνωρισμένους γραφιάδες και μεταφραστές στη χώρα, με αντικείμενο τη σύγχρονη jazz-αυτοσχεδιαστική μουσική και την πρωτοπορία. Κείμενά του εμφανίζονται από πολύ παλαιά, στο περιοδικό συν και πλην π.χ., που τύπωνε ο Σάκης Παπαδημητρίου, στις αρχές του ’80 στη Θεσσαλονίκη. Τούτα αφορούσαν σε μεταφράσεις (Hannah Charlton, Achim Forst κ.ά.), άρθρα (για τον AACMκ.λπ.) και κριτικές εκδηλώσεων, ενώ δεν πρέπει να ξεχνάμε και τη μετάφρασή του σ’ ένα μνημειώδες βιβλίο της εποχής, το Φρανκ Κόφσκυ / Ο Μαύρος Εθνικισμός και η Επανάσταση στη Μουσική [Σειρά Αυτοσχεδιασμός, Θεσσαλονίκη 1981]. Πολύ αργότερα, το 2001, θα τυπωνόταν και το φοβερό βιβλίο τού Charles Ives Δοκίμια πριν τη Σονάτα [Άκρον, Καλαμάτα], πάλι σε δική του μετάφραση.
    a789.jpg
    Πηγή: Θάρρος news.gr
    Θυμάμαι τον Σπύρο Φέγγο και σ’ έναν άλλο περιοδικό της εποχής, που έβγαινε κι εκείνο στη Θεσσαλονίκη περί το 1984 (από το Μιχάλη Τρεμόπουλο), την Προοπτική. Κι εκεί αρθρογραφία και συνεντεύξεις γύρω από την improv-jazz (Φλώρος Φλωρίδης, Daunik Lazro κ.ά.). Είχε περάσει και από τον Ήχο ο Φέγγος, ενώ και με την εμφάνιση τού Jazz & Tζαζ, μετά το 1993 πια, ο Σπύρος ήταν πάντα εκεί, με πάντα ιδιαίτερα και αξιόλογα κείμενα. Τότε τον γνώρισα και προσωπικά, αφού όποτε ανέβαινε στην Αθήνα (από την Καλαμάτα) ερχόταν από το γραφείο και τα λέγαμε. Σεμνό παιδί και οξυδερκής συζητητής, ο Φέγγος ήταν ανοιχτός σε θέματα που αφορούσαν στην κοινωνία και την κουλτούρα, τα οποία εξέταζε μ’ ένα σπινθηροβόλο πνεύμα. Ήμασταν και άλλου τύπου συνάδελφοι με το Σπύρο –αμφότεροι μηχανικοί εννοώ– και θυμάμαι να συζητάμε και για τις δυσκολίες της άλλης μας δουλειάς, σε μιαν εποχή όπου, κανονικά, δεν θα έπρεπε να υπάρχουν δυσκολίες…
    Στο περιοδικό (το Jazz & Τζαζ εννοώ) ο Σπύρος είχε δώσει διάφορα κείμενα – και χρειάζεται ένα γερό ξεφύλλισμα για να εντοπιστούν και να καταγραφούν όλα. Θυμάμαι τα άρθρα του για τον Peter Kowald και τον John Cage για παράδειγμα. O Σπύρος υπήρξε ο σημαντικότερος μελετητής τού μεγάλου αμερικανού συνθέτη στην Ελλάδα κι ένα βιβλίο του, για τον Cage, είναι αυτό που πάντα θα λείπει από τη βιβλιογραφία μας, ενώ χαραγμένο στη μνήμη μου θα μείνει ένα περίεργο κείμενό του σχετικό με τον Miles Davis, που το έψαξα, τώρα και το βρήκα, από ένα τεύχος είκοσι ετών παλαιό – το #58, από τον Ιανουάριο του 1998. Διαβάζοντάς το θα αντιληφθείτε αυτό που έγραψα παραπάνω, για το σπινθηροβόλο πνεύμα του Σπύρου, το χιούμορ του, τις γνώσεις του… ΑΙΩΝΙΑ ΤΟΥ Η ΜΝΗΜΗ
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    Οι Robert Culp και Bill Cosby στο σήριαλ "I Spy" (1965-1968)
    Διάβασα την αυτοβιογραφία του Miles Davis στη Γερμανία, λίγο μόνο καιρό μετά την κυκλοφορία της στην Αμερική και πριν ακόμη κυκλοφορήσει στην Ευρώπη. Το βιβλίο μού το είχε δανείσει ένας φίλος, που το είχε φέρει από τη Νέα Υόρκη και αυτό μπορώ να το αποδείξω, γιατί δεν του το έχω επιστρέψει ακόμη.
    Στη Γερμανία είχα πάει ως συνοδός της αδελφής μου, που έκανε θεραπεία σε ένα ιατρικό κέντρο στο Gelsenkirchen. Τα καθήκοντά μου απέκλειαν τις εξερευνήσεις, είχα όμως πολύ καιρό στη διάθεσή μου και τίποτε άλλο να κάνω από το να περιμένω τους γιατρούς, τις εξετάσεις και την πορεία της θεραπείας, και να κάθομαι στο ξενοδοχείο να κάνω παρέα στην Όλγα. Διάβαζα και έπινα καφέδες και έβλεπα τηλεόραση.
    Το ξενοδοχείο μας μάς προσέφερε διάφορα συνδρομητικά κανάλια κι εκείνα, με τη σειρά τους, διάφορα παμπάλαια αμερικάνικα σήριαλ. Το πιο ενδιαφέρον (αχ!) ήταν το I Spy(I spy with my little eye…), μεγάλη επιτυχία κάπου στα τέλη της δεκαετίας του ’60. 
    Πρωταγωνιστής ήταν ο Robert Culp, λευκός, ωραίος και σέξυ. Ο μαύρος και λιγότερο ωραίος συμπρωταγωνιστής του ήταν ο Bill Cosby, νεότερος, πιο αδύνατος και λιγότερο διάσημος απ’ όσο σήμερα. Η ύπαρξη δύο πρωταγωνιστών, ενός λευκού και ενός μαύρου, που συνεργάζονται, ήταν σίγουρα η ιδέα κάποιου hipπαραγωγού, για την αρμονική συνύπαρξη των φυλών, τόνιζε όμως περισσότερο τη φυλετική ανισότητα.
    Ο Culpήταν πάντοτε ένα βήμα μπροστά. Σ’ αυτόν ανήκαν οι περισσότερες ιδέες, οι περισσότερες πρωτοβουλίες και οι πιο γρήγορες γροθιές. Ο Bill Cosby δεν ήταν καρικατούρα μαύρου, αλλά σαφώς ήταν κάτι λιγότερο από το λευκό. Η πιο κραυγαλέα διαφορά, σε σημείο μάλιστα που καταντούσε κωμικό, ήταν ότι ο Culp έβγαζε τουλάχιστον μια γκόμενα ανά επεισόδιο, ενώ ο Bill Cosbyτίποτε – ποτέ απολύτως τίποτε!
    a679.jpg
    Η Cicely Tyson στο "Sorcerer" (1967)
    Διαβάζοντας τις ίδιες μέρες την αυτοβιογραφία του Miles, απροσδόκητα βρήκα κάτι σχετικό. Αναφέρει μια συνάντησή του με τον Bill Cosby εκείνη την εποχή στο αεροδρόμιο, στο Σικάγο, και πως, περιμένοντας τις πτήσεις τους, ο τελευταίος του παραπονέθηκε ακριβώς γι’ αυτό το πράγμα και του είπε για το πόσο αγωνιζόταν να πείσει τους παραγωγούς να του επιτρέψουν να φιλήσει τουλάχιστον μια γυναίκα, πριν τελειώσει το σήριαλ. Ο Miles κατέληγε ότι δεν πίστευε ότι του έγινε ποτέ η χάρη.
    Πλην όμως δεν είχε δίκιο και μπορώ να το διαβεβαιώσω.
    Πριν φύγω από τη Γερμανία είδα με τα ίδια μου τα μάτια τον Bill Cosby, στο I Spy, με γυναίκα! Ήταν μαύρη, πολύ όμορφη, κομψή και υπερήφανη. Ήταν η Cicely Tyson, δύο(!) φορές τέως κυρία Davis.

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    Wells FargoSet against the backdrop of a turbulent civil war, Rhodesian combo Wells Fargo emerged at the vanguard of their country’s mid-’70s heavy rock scene. In retrospect, the irony of the band’s name is not lost on founder/drummer Ebba Chitambo, who first saw it printed on the side of a stagecoach in an American cowboy comic book. Attracted to the Western outlaw image, he was at the time unaware that his funky guitar rock outfit would be sharing their name with a major American financial institution. Along with his like-minded bandmates, guitarists George Phiri and Handsome Mabhiza, and bassist Never Mpofu, Chitambo took inspiration from guitar-based English and American acts like Deep Purple, Jethro Tull, and especially Jimi Hendrix. Melding South African sensibilities…

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    …with hard rock influence Wells Fargo quickly became a leading light of the country’s burgeoning heavy rock movement thanks in particular to their politically charged signature song “Watch Out.” The covertly coded independence anthem quickly became a live favorite and, as the single snuck through Rhodesian radio sensors, a national rallying cry for the emerging counterculture. During their ’70s rock reign, Wells Fargo were signed to Afro Soul, a South African label run by liberal white Rhodesians sympathetic to the band’s plight. While a long-player never materialized, the band released a smattering of singles throughout the decade and they’re collected here for the first time. Wells Fargo and other acts of the heavy rock movement generally treated records as promotion for their concerts, and what appears on disc is truly a document of a tight live combo preserved in the amber of their moment in time. There are no overdubs and what few guitar effects (wah, echo) there are were obviously part of the band’s live gig as they barrel through highlights like “Love of My Life,” “The Crowd,” and the funky “Love Is the In Thing.”

    Curiously, all but one track are sung in English, marking the dichotomy between white rock’s influence and the nation’s battle to end white rule. When independence was finally won in 1980 and Rhodesia became modern-day Zimbabwe, Wells Fargo shifted their musical focus to more traditional African themes, but Chitambo always saw them as a rock band first, and the 11 tracks featured here are a direct document of this unique period in time. — AMG


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  • 01/03/18--04:57: Dubwise Selections (2017)
  • Dubwise Selections (2017)
    Mp3 CBR 320 kbps | Reggae, Dancehall | 1:11:51 | 1CD | 169 Mb

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    Z320 kbps | 178 MB | LINKS

    Tracklist:

    01. Fannie Mae (feat. Coco Montoya) (9:38)
    02. Put the Shoe on the Other Foot (feat. Coco Montoya) (11:02)
    03. Let Me Love You Baby (feat. Tommy Castro) (4:56)
    04. Jenny-Jenny / Good Golly Miss Molly (feat. Tommy Castro) (5:19)
    05. Homesick for My Baby (feat. Nick Moss) (11:39)
    06. Everyday I Have the Blues (feat. Johnny Bassett) (8:51)
    07. Excello Boogie (feat. Jason Ricci) (8:08)
    08. I Got a Mind to Give up Living (feat. Joe Louis Walker) (7:06)
    09. Born in Chicago (feat. Joe Louis Walker) (5:16)


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    z320 kbps | 105 MB | LINKS

    Building a Beginning, is his sixth album and follow-up to 2013’s wild-eyed self-titled effort. Whereas his last album was a full-body immersion into strident electro and pop sounds, Building a Beginning is Lidell purifying himself in the waters of smooth, earthy psychedelic soul think the subtle low end of Marvin Gaye’s What’s Going On, the swirling loveliness of Temptations’ Cloud Nine, and the beatific radiance of Steve Wonder, all imbued with Lidell’s distinctive songwriting touch and impossibly gorgeous vocals. Features Pat Sansone (Wilco) and Daru Jones (Jack White).


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    John Denver - The Rocky Mountain Collection [2CD Remastered] (1996)

    Artist: John Denver
    Title Of Album: The Rocky Mountain Collection
    Year Of Release: 1996
    Label (Catalog#): RCA [07863 66837-2]
    Country: United States
    Genre: Folk Pop/Rock, Soft Rock, Singer/Songwriter
    Quality: FLAC (tracks,cue,log,d.booklet)
    Bitrate: Lossless
    Time: 2:25:23
    Full Size: 806 mb
    Upload: Turbobit / DipFile

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    John Denver - The Essential John Denver [2CD] (2007)

    Artist: John Denver
    Title Of Album: The Essential John Denver
    Year Of Release: 2007
    Label (Catalog#): RCA [886973153]
    Country: United States
    Genre: Folk Pop/Rock, Soft Rock, Singer/Songwriter
    Quality: FLAC (tracks,cue,log,scans)
    Bitrate: Lossless
    Time: 2:16:41
    Full Size: 799 mb
    Upload: Turbobit / DipFile

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    igytj7.jpg160 kbps | 149 MB | LINKS


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    buffalo-tom-quiet-and-peace.jpg160 kbps | 105 MB | LINKS

    Following a 25th anniversary reissue of Let Me Come Over and shows across the UK and US, Buffalo Tom have announced their first album in 6 years, Quiet and Peace. The album will be released March 2nd 2018 via Scrawny/Schoolkids Records.The album was mixed by John Agnello (Kurt Vile, Sonic Youth, The Hold Steady) and produced by fellow Boston alt-rock legend David Minehan, renowned ex-leader of the Neighborhoods.

    “For this record, I wanted to show Chris and Tom Dave’s Woolly Mammoth Studios in Waltham, MA,” says Janovitz. “Dave is a local legend – founding the beloved Neighborhoods when he was a teenager and going on to play in the Replacements and Paul Westerberg’s solo band – he is a tremendously kind and gifted guy.” Janovitz continues,”Woolly reminds me so much of what I loved about really relaxed, vibey studios like the early iterations of Fort Apache in Boston, and places like Dreamland Studio up in Woodstock. Those rooms were responsible for three of our first four records, as well as dozens of other projects. You rarely felt like you were in a pro recording studio watching the clock. And Woolly Mammoth, like the Fort, is filled with an enviable, much-Instagrammed collection of vintage guitars, amps, and other gear.”


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