Yes - Yes (1969)

July 31, 2018, 7:12 am

≫ Next: The Doors (2006) Perception - 6 CDs Box Set

≪ Previous: This Is How We Do It! 3CD (2018)

Artist: Yes
Title Of Album: Yes
Year Of Release: 1969, 1989 [CD, Album]
Label: Atlantic [18P2-2881]
Genre: Prog Rock
Quality: FLAC (image, cue, log, scans)
Total Time: 00:41:00
Total Size: 290 Mb
Upload: Depositfiles, Turbobit
Discogs.com

"Yes" - ???????? ????????? ?????? ????-??????? ?????? "Yes", ?????????? ? ??????? ?????? 1969 ???? ? ???????? ? ???????? ???? ???? ?? ???? ?? ?????? Atlantic Records. ?????? "Yes" ????????? ????????????? ??????? ? ?????? ??????????????. ????? ?????? ????? ??????????? ??????? ??????? ?????? "Yes" ??????? ??????????? ?? ??????????? ???????, ???? ??? ?????? ?? ??? ??????????? ????????, ????????, ??-?? ??????????? ??????? ??????. ????????? ???????? ????????? ? ??????? ???????? ????? ??????????? ??? ??????. ????? ? ??????? ??????????? ? ????????????-???????? ?????, ??????? ??????? ?? ??????????? ????????????. ??????????? ????? ?? ????? ?????? ???????? ????????? ?????????? The Byrds ?I See You? ? ????? ?Survival?, ????????? ????? ????????????? ???????????? ?????????? ?????????? Yes ? ?????????????? ??????????.
???????? ?????? ?????????? ??????????? ????????????? ???????? ?? ??????????? ??????? Rolling Stone, ?????????? ??????????? ?????, ???? ? ?????????????.

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The Doors (2006) Perception - 6 CDs Box Set

July 31, 2018, 7:12 am

≫ Next: Masayoshi Fujita Book Of Life

≪ Previous: Yes - Yes (1969)

The Doors (2006) Perception - 6 CDs Box Set

Performer: The Doors
Location: USA
Albums: Perception Box Set
Label: 2006 Elektra Entertainment Group (Printed in USA)
Catalog: R2 334844
Barcode: 0 8122 79959 80
Genre/ Style: Classic Rock, Blues Rock, Psychedelic Rock, Acid Rock
Format: .flac level 8 (image + .cue + .log)
Covers: full artwork 600 dpi ".png" included
Amount of tracks: 90 tracks
Dynamic Range: 9 ? 9 ? 10 ? 11 ? 11 ? 11
Total size RAR: ~4.93 GB
Upload: MEDIAFIRE
Software/ Equipment: Exact Audio Copy V1.3/ Plextor Px-760A (Firmware: 1.07)
All Scans & Rip by Capivara JR (Photoshop Editing: Liberty Valance)

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Masayoshi Fujita Book Of Life

July 31, 2018, 7:53 am

≫ Next: Genesis – 1970-1975 [7CD Remastered Box Set, US Release] (2008)

≪ Previous: The Doors (2006) Perception - 6 CDs Box Set

Masayoshi Fujita
Book Of Life
(Erased Tapes, 2018)
more details

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Genesis – 1970-1975 [7CD Remastered Box Set, US Release] (2008)

July 31, 2018, 8:20 am

≫ Next: ABBA - Arrival [Remastered Deluxe Edition] (2006)

≪ Previous: Masayoshi Fujita Book Of Life

FLAC | 1,9 GB | LINKS

he last of the three matching box sets of Genesis’ back catalog, Genesis 1970-1975 offers expanded reissues of every Peter Gabriel era album outside of the earliest, From Genesis to Revelation, which has essentially been reduced to a footnote to their catalog (as much due to licensing reasons as musical). So, 1970-1975 offers remastered reissues of 1970’s Trespass, 1971’s Nursery Cryme, 1972’s Foxtrot, 1973’s Selling England by the Pound, and 1974’s double-album The Lamb Lies Down on Broadway, each presented as a double-disc set containing a remastered CD and DVD-Audio with 5.1 surround sound (in the U.K., these were released as hybrid SACDs instead of standard CDs). All the remastering is exceptional but what makes this set necessary for the devoted is the bonus material — the video added to the DVDs and the whole disc of stray tracks. This supplemental disc has the exceptional B-side “Twilight Alehouse,” the single-only “Happy the Man,” the demo of the terrific “Going Out to Get You,” and the BBC session that produced “Shepherd,” “Pacidy,” and “Let Us Now Make Love” — all tracks that showed up on the 1998 box set Genesis Archives, Vol. 1: 1967-1975, but the real treat is the first official release of the four songs that comprise Genesis Plays Jackson, the band’s soundtrack to a show by artist Michael Jackson. Add to this the video material — limited to interviews on Trespass and Nursery Cryme, but containing full performances on Foxtrot and Selling England, plus the original slide shows used for the stage show of Lamb — and this box turns into something extraordinary: a nearly complete portrait of a restlessly creative band at their peak, whose output only sounds more distinctive with each passing year.

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ABBA - Arrival [Remastered Deluxe Edition] (2006)

July 31, 2018, 9:02 am

≫ Next: The Byrds – 1970-07-28 – Boston MA

≪ Previous: Genesis – 1970-1975 [7CD Remastered Box Set, US Release] (2008)

Artist: ABBA
Title Of Album: Arrival
Year Of Release: 2006
Label (Catalog#): Polar [985 836-2]
Country: Sweden
Genre: Pop, Vocal, Euro Disco
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 58:57
Full Size: 459 mb
Upload: Turbobit

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The Byrds – 1970-07-28 – Boston MA

July 31, 2018, 9:19 am

≫ Next: Ghost Town Ramblers – Ghost Town Ramblers (2018)

≪ Previous: ABBA - Arrival [Remastered Deluxe Edition] (2006)

320 kbps | 147 MB | LINKS

Tracks:
01. Lover Of The Bayou
02. Old Blue
03. You Ain’t Going Nowhere
04. Well Come Back Home
05. My Back Pages
06. B.J. Blues
07. Baby What You Want Me To Do
08. He Was A Friend Of Mine
09. Willin’
10. Wheels On Fire
11. It’s Alright, Ma (I’m Only Bleeding)
12. Ballad Of Easy Rider
13. Jesus Is Just Alright
14. All The Things
15. Nashville West
16. Turn Turn Turn
17. Mr Tambourine Man
18. Eight Miles High

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Ghost Town Ramblers – Ghost Town Ramblers (2018)

July 31, 2018, 10:19 am

≫ Next: BEE GEES ?Discography on vinyl? (19 x LP + EP ? Albums + Solo ? 1967-2015)

≪ Previous: The Byrds – 1970-07-28 – Boston MA

61GPbFkJogL._SS500.jpg 320 kbps | 96 MB | LINKS

Tracks:

01. Stars Long Gone
02. Santa Fe
03. Honky Tonk Heart
04. 8 Ball
05. Rebel Gene
06. Tonight We Ride
07. Get It Right
08. Shot to Hell
09. On the Run
10. Down That Road
11. Little Too Good
12. Always and Forever

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BEE GEES ?Discography on vinyl? (19 x LP + EP ? Albums + Solo ? 1967-2015)

July 31, 2018, 10:51 am

≫ Next: Korn - Untitled (2007) [Vinyl]

≪ Previous: Ghost Town Ramblers – Ghost Town Ramblers (2018)

BEE GEES ?Discography on vinyl? (19 x LP + EP ? Albums + Solo ? 1967-2015)

Performer: BEE GEES
Album / collection: ?Discography on vinyl 1967-2015?
Label / country: ⒸⓅ 1967-2015 RSO | Polydor K.K. | Warner-Pioneer Corporation. Made in Europe, Japan.
Source: Rip by Dymokust, ????_?, bazar, bezbazara
Official DR value: 10?11?11?11?12?13?15?13?13?13?14?12?14?13?13?14?14
Catalog (Barcode): much
Genre / Style: Pop, Rock, Funk / Soul, Ballad, Disco, Pop Rock
Year (info): 1967-2015 (19 × Original Vinyl + 12"EP, 1st Press LP, Collection)
Format: WV (image + .cue)
Bitrate: 32bit/96kHz Stereo
Covers: in archive
Amount of tracks: 205
Total time: 13:27:11
Size RAR: ~ 23.60 Gb
Password / ?????? : 1965
Upload: DepositFiles.com, TurboBit.net
Recovery 3%

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Korn - Untitled (2007) [Vinyl]

July 31, 2018, 12:05 pm

≫ Next: Castle - Welcome to the Graveyard (2016)

≪ Previous: BEE GEES ?Discography on vinyl? (19 x LP + EP ? Albums + Solo ? 1967-2015)

Artist: Korn
Title Of Album: Untitled
Year Of Release: 2007
Label (Catalog#): Virgin [509995 05055 1 7]
Country: United States
Genre: Nu Metal, Heavy Metal, Industrial Metal, Alternative
Quality: FLAC (tracks,scans)
Bitrate: Lossless [24bit-192kHz]
Time: 48:47
Full Size: 2.50 gb
Upload: Turbobit

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Castle - Welcome to the Graveyard (2016)

July 31, 2018, 12:05 pm

≫ Next: Fuchs - Station Songs (2018)

≪ Previous: Korn - Untitled (2007) [Vinyl]

Castle - Welcome to the Graveyard (2016)

Artist: Castle
Title Of Album: Welcome to the Graveyard
Release Date: 2016
Location: USA
Label: Ván Records (VÁN199)
Genre: Heavy Metal, Doom Metal
Quality: FLAC (image+.cue+covers)
Length: 34:56 min
Tracks: 8
Total Size: 465 MB (+5%)

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Fuchs - Station Songs (2018)

July 31, 2018, 12:05 pm

≫ Next: Kristo Rodzevski – Bitter Almonds (2017)

≪ Previous: Castle - Welcome to the Graveyard (2016)

Artist: Fuchs
Title Of Album: Station Songs
Release Date: 2018
Location: Germany
Label: Tempus Fugit (TF VÖ 42)
Genre: Crossover Prog
Quality: FLAC (image+.cue+covers)
Length: 65:50 min
Tracks: 9
Total Size: 472 MB (+5%)

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Kristo Rodzevski – Bitter Almonds (2017)

July 31, 2018, 12:15 pm

≫ Next: Lynn Hilary - Take Me With You (2009)

≪ Previous: Fuchs - Station Songs (2018)

On his sophomore release, titled Bitter Almonds, singer and songwriter Krsto Rodzevski shows his full embrace of the ethereal and the noisy, of the melodic and the dissonant, and delivers a moody but kaleidoscopic release. In many ways, “Bitter Almonds” feels like an extension or a branch of the hypnotic calm on Rodzevski’s debut, Batania which was a melodic song cycle full of inner bliss, inner sadness, immersive melancholy and hidden joy. The first word that is likely to be used for describing both records is “folkish” but that would only mistakenly suggest that this is a relaxed comfort music. Sang mostly in English, the words find him tangled up in grief and full of contrasting emotions.
While Batania was decidedly more subdued, as it offered a gentle take on acoustic folk…

107 MB 320 ** FLAC

…with a minimal band support, Bitter Almonds feels like a more toned-down take on the type of instrumental experimentation that Rodzevski’s support band is known for. For this record, Rodzevski has again enlisted the talents of guitarist Mary Halvorson, saxophonist Chris Speed, drummer and producer of this record Tomas Fujiwara, bassist Michael Blanco. Their presence can be felt from the opening “Farewell Burlesque,” a gentle song that wraps itself in a blanket full of contrasting melodies, subdued dissonant guitar lines, and angular guitar hooks, and sometimes almost detached vocals and obscure lyrical references. There is a curious juxtaposition of the traditional and subtle straying from the well-trodden path.

The songs are more fragile, on the cusp of breaking, jammier, looser. Much like the previous outing, it’s all about subtleties. “The Soldier’s Eye” explores classical chamber music but it turns into a pleasant melodic piece where along with cellist Tomeka Reid he captures a kind of sprawling cinematic autumnal folksiness. On songs like “Unfinished Sweater” and “Ladybug” he sounds more playful and bouncy as these songs contain flourishes of sun-kissed 1970s singer-songwriters styled songs. With its shimmering folk-country guitars and soaring Tim Buckley-like harmonies, they feel more like one of Jayhawks’ folkish songs. They certainly break the meditative feel in the previous songs.

Lyric-wise, the songs here are about as earnest and evocative as anything he has ever written. Because of that, the whole of Bitter Almonds is often incredibly personal, and often the rawer the lyrics, the more fragile the music. “Dear Father” has that rustic beauty and autumnal colors of Nick Drake’s songs but without his subdued resignation and desperation. “Bowery” is an upbeat little rocker with Rodzevski’s vocals being processed to achieve an otherworldly effect. It’s a song arranged in several stages with the rock riffing and the theatrical parts where the band is creating a cinematic chamber feel with their improvising. This song feels like a more focused effort and a more definite statement than the rest. The album closes with “Mold” where the clouds encroach on the clear skies. There is a hypnotic feel to the graceful flourishes of the song’s melodies that feel like a filigree.

Bitter Almonds is an evocative collection of simple and elegant songs where it is evident that Rodzevski’s appeal lies in his solid songcraft. At his best, Rodzevski finds depth in simplicity. All of this feels like it was recorded in one go and on the verge of breaking up and crashing down. In other words, these songs sound like demos awaiting full treatment. This record could have benefitted from a tighter editing but given the personal nature probably no rough cuts could have been made without losing the music’s flow and its free nature. Even so, there are many moments to treasure on this record. Evidently, Rodzevski has evolved as an artist, and Bitter Almond is a worthy statement.

Personnel: Kristo Rodzevski: vocals, acoustic guitar; Mary Halvorson: electric guitar; Taylor Ho Bynum: cornet; Chris Speed: tenor saxophone; Tomeka Reid: cello; Michael Blanco: double bass; Tomas Fujiwara: drums

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Lynn Hilary - Take Me With You (2009)

July 31, 2018, 12:41 pm

≫ Next: Unanimated - Ancient God Of Evil (Japan Edition) (1995)

≪ Previous: Kristo Rodzevski – Bitter Almonds (2017)

Artist: Lynn Hilary
Title Of Album: Take Me With You
Release Date: 2009
Location: Ireland
Label: Manhattan Records
Genre: Folk, Celtic, New Age
Quality: FLAC (tracks+.cue)
Length: 44:00 min
Tracks: 12
Total Size: 265 MB (+5%)

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Unanimated - Ancient God Of Evil (Japan Edition) (1995)

July 31, 2018, 12:41 pm

≫ Next: Weezer - Make Believe (2005)

≪ Previous: Lynn Hilary - Take Me With You (2009)

Unanimated - Ancient God Of Evil (Japan Edition) (1995)

Artist: Unanimated
Title Of Album: Ancient God Of Evil (Japan Edition)
Release Date: 1995
Location: Sweden
Label: Toy's Factory (TFCK-88749)
Genre: Melodic Death Metal, Black Metal
Quality: FLAC (image+.cue+covers)
Length: 42:27 min
Tracks: 11
Total Size: 387 MB (+5%)

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Weezer - Make Believe (2005)

July 31, 2018, 12:41 pm

≫ Next: Willie Nile - Children Of Paradise (2018)

≪ Previous: Unanimated - Ancient God Of Evil (Japan Edition) (1995)

Artist: Weezer
Title Of Album: Make Believe
Release Date: 2005
Location: USA
Label: Geffen Records (0602498817179)
Genre: Alternative Rock, Indie Rock
Quality: APE (image+.cue+covers)
Length: 45:13 min
Tracks: 12
Total Size: 332 MB (+5%)

Make Believe is the fifth studio album by American rock band Weezer, released on May 10, 2005 by Geffen Records. The album was considered to be a return to some of the emotionally vulnerable lyrics of Weezer's previous releases, and due to the strength of the hit single "Beverly Hills", the album was a commercial success. In addition, "Beverly Hills" also gained Weezer's first Grammy nomination for Best Rock Song. Despite this, Make Believe received mixed reviews from critics and fans, although it has remained a consistent seller. The recording process of Make Believe began prior to the release of their previous album, Maladroit; however, it was prolonged compared to the recording of most of Weezer's previous albums, and lasted for almost three years. Rivers Cuomo's songwriting on Make Believe was described as "[a] return to musical, emotional bloodletting", although the lyrics were noticeably more simplified than before.

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Willie Nile - Children Of Paradise (2018)

July 31, 2018, 12:41 pm

≫ Next: Zmey Gorynich - Mother Russia (2018)

≪ Previous: Weezer - Make Believe (2005)

Willie Nile - Children Of Paradise (2018)

Artist: Willie Nile
Title Of Album: Children Of Paradise
Release Date: 2018
Location: USA
Label: River House Records (RHR9917-2)
Genre: Rock, Folk-Rock
Quality: FLAC (image+.cue+covers)
Length: 43:20 min
Tracks: 12
Total Size: 314 MB (+5%)

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Zmey Gorynich - Mother Russia (2018)

July 31, 2018, 12:41 pm

≫ Next: Ben Vaughn – Beautiful Thing (1987/2018)

≪ Previous: Willie Nile - Children Of Paradise (2018)

???????????: Zmey Gorynich
??????: Mother Russia
??? ???????: 2018
??????: ??????
?????: SoundAge Productions (SAPCD 384D)
????: Lubok-Core, Folk Metal, Deathcore
??????: FLAC (image+.cue+covers)
????? ????.: 51:56 ???
?-?? ??????: 14
?????? ??????: 468 MB (+5%)

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Ben Vaughn – Beautiful Thing (1987/2018)

July 31, 2018, 1:17 pm

≫ Next: Simon Daum - Of One Heart (2018)

≪ Previous: Zmey Gorynich - Mother Russia (2018)

51fIoM8gq0L._SS500.jpg 320 kbps | 92 MB | LINKS

When the first song on your album is called “Jerry Lewis in France,” you may have some trouble convincing folks that you’re not joking, but though Ben Vaughn has never had a problem with putting his sense of humor up front, it’s his craft as a songwriter and clear love of pop music in all its guises that makes his records work so well, and he rarely hit the target quite as true as he did on his second album, 1987’s Beautiful Thing. Vaughn and his combo certainly sound fine on these sessions, cutting a commanding groove on the uptempo R&B workout “Gimme, Gimme, Gimme,” offering up some bongolated folk-rock with “The North Wind Blew,” and making with a stein of potent frat rock on “She’s a Real Scream,” and Vaughn and his compatriots have a deep enough grasp of rock’s history to not clutter up the arrangements. The tunes on Beautiful Thing never hit harder than they have to or take up more space than necessary, and their modesty only adds to their effectiveness. And for a guy who is supposed to be a barrel of laughs, Vaughn knows more than a little about the serious side of love, as he demonstrates on the soulful closer “Apology Line,” the all-but-awestruck “Beautiful Thing,” and the lovelorn “Big House with a Yard.” No, Ben Vaughn isn’t joking — he just knows that sometimes life can be funny for all the right (and wrong) reasons, and he and his band share some valuable lessons and fine tunes on Beautiful Thing.

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