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Robbie Fulks & Linda Gail Lewis – Wild! Wild! Wild! (2018)

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51YwzCEp8KL._SS500.jpg320 kbps | 102 MB | LINKS

Wild! Wild! Wild!, the new collaboration between Grammy-nominated singer-songwriter Robbie Fulks and rock-and-roll royalty Linda Gail Lewis, gleefully lives up to its title. It’s Americana music that’s as butt-shakin’ as Beale Street, deep-rooted as the Grand Ole Opry, and hip as a trip to The Strip. Subversive as it is reverential, the album jumps the genre tracks of nitty-gritty rock-and-roll, country-and-western, rockabilly, jump swing, and gospel, landing in a strange slice of spacetime—call it 1954—when all these were One (and Linda was 7).

Robbie Fulks, the record’s producer, is “one of the most observant and wry songwriters of the past two decades” (Rolling Stone). Ground-zero Louisiana-born rocker Linda Gail Lewis is the younger sister and frequent performing partner of Jerry Lee Lewis, whose piano innovations she carries forward. Her present-at-the-creation cred buoys the record while Robbie—who sings, plays, leads the band, writes most of the songs, and arranges the others—provides an anchoring sensibility, one that savors old sounds but sidesteps nostalgia. Their two talents have fashioned a record that’s urgent, honest, and fun. Remember fun?

“Round Too Long,” “Boogie-Woogie Country Girl,” and the title track all crackle with the unmistakable Lewis pumping piano; here is a fresh blast of the rowdy religious fire that devastated polite America 60 years ago, delivered with genetic precision and power. “It Came From the South”—co-written by NRBQ’s classic-era guitarist Al Anderson and played by its current one, Scott Ligon—recounts the origin story of rock-and-roll with pithy phrases and a neat beat. “Memphis Never Falls From Style” grooves with three of Chicago’s finest jazz elders, notably Eric Schneider, who cut his teeth in the road bands of Count Basie and Earl Hines, and whose sensational clarinet solo is one of the album’s highlights. “On The Jericho Road,” a gospel not-quite-standard that Linda and Jerry Lee sang together as children, is a Sunday song that skips along with Saturday-night joie de vivre. “Hardluck, Louisiana” recounts Linda’s childhood and is the most elegiac and reflectively intense performance—both vocal and piano—of her career.

Robbie sings lead on “Foolmaker,” which is saturated with Stax soul. It benefits mightily from two Chicago singers, Joan Collaso and Yvonne Gage, whom he learned of not through their decades of high-visibility work with people like Stevie Wonder, Aretha Franklin, and Madonna, but by sitting home idly watching Empire. Two more Robbie originals, “That’s Why They Call It Temptation” and “I Just Lived A Country Song,” are the kind of weapons-grade country now found only in the shadows of Music Row. The classic “Your Red Wagon” is presented as a B3-fueled dash through a Naugahyde supper club. “Who Cares,” the Don Gibson hit, poses the question, “What can’t the great Merle Haggard sideman and Telecaster master Redd Volkaert do on a 1959 Gibson L5?” The answer: Stop playing. (The fadeout was strictly necessary.)

The crisp, unmanipulated sound of Wild! Wild! Wild! owes a lot to Alex Hall, who engineered (for instance, setting up mics and moving baffles as the group worked through arrangement issues) as well as drummed (…then hitting “record,” running across two rooms, and counting off). Alex is known for his similarly sharpening influence on records by J.D. McPherson, The Flat Five, Pokey LaFarge, and The Cactus Blossoms.

Linda Gail Lewis’s recording career spans almost 50 years, loosely bookended by the present record and 1969’s Together, her duet album with Jerry Lee—with her acclaimed summit with Van Morrison, 2000’s You Win Again, in the middle. Robbie has made 13 solo records since 1996. His last one, 2016’s Upland Stories, demonstrated expanding ambitions and strengths, and was honored with two Grammy nominations, one for Folk Album and another for American Roots Song (“Alabama At Night”).


Axe - Axe (1979)

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Axe - Axe (1979)


Artist: Axe
Title Of Album: Axe
Year Of Release: 1979 (1995)
Label (Catalog#): Alfa Records (ALCB-808)
Country: USA
Genre: hard rock
Quality: FLAC (*image + .cue,log,scans)
Bitrate: Lossless
Time: 35:40
Full Size: 215,0 MB

VA - Die Slow Van Toen Vol. 6 (2018)

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VA - Die Slow Van Toen Vol. 6 (2018)

Artist: Various Artists
Title Of Album: Die Slow Van Toen Vol. 6
Year Of Release: 2018
Label (Catalog#): Universal Music [538.161-5]
Genre: Pop, Rhythm & Blues, Rock, Jazz
Quality: FLAC (tracks,cue,log)
Bitrate: Lossless
Time: 2:08:31
Full Size: 828 mb
Upload: Turbobit

Steve Winwood - Nine Lives (2008)

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Steve Winwood - Nine Lives (2008)
Artist: Steve Winwood
Title Of Album: Nine Lives
Release Date: 2008
Location: England
Label: Columbia / Wincraft Music (88697222502)
Genre: Pop-Rock, Classic Rock
Quality: FLAC (image+.cue+covers)
Length: 57:16 min
Tracks: 9
Total Size: 364 MB (+5%)

Nine Lives is Steve Winwood's ninth solo studio album, released on April 29, 2008. It is also his last to date. The album's first single, "Dirty City" featuring guitarist Eric Clapton, held the number-one added single spot for three weeks in a row and peaked at the overall number-two spot on AAA Radio. The album debuted at number 12 on the U.S. Billboard 200 chart, selling about 26,000 copies in its first week.

Odetta Hartman – Old Rockhounds Never Die (2018)

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a4027255447_16.jpg320 kbps | 70 MB | LINKS

There are few truly unique voices in the music landscape, but it sure seems like Odetta Hartman is one of them. She’s just announced her sophomore album, Old Rockhounds Never Die (out August 10 via Northern Spy and Memphis Industries), and it’s heralded by “Misery,” a banjo-led murder ballad that features gunshots as an instrumental element, and stylistically lies somewhere between Old West folk and the dark electronica of Fever Ray.

Jimi Tenor and Tony Allen – OTO Live Party (2018)

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14725ac6-efdd-42e9-a76c-0ed1c70a6b7e.jpg320 kbps | 127 MB | LINKS

The Moog Sound Lab’s first trip out for a live session at Cafe Oto’s project & cafe rooms. Jimi Tenor, finnish futurist, shako & Warp Records confederate, jazzed, funked, far-ra’d out. Tony Allen original drummer to Fela Kuti, Godfather of the Afro-Beat. These two titans of the beat strange -fed & watered through the mighty Moog Sound Lab via a prototype future sound systems drum trigger unit built & operated by UK moog minder engineer Mr Finlay Shakespeare. New sound universes emerge, collide. Explosions & implosions make sonic debris. Cosmic dancers prepare to be run ragged by a feral ‘tronic funk that brings to mind early ‘D.A.F? [Deutsch Amerikanische Freundschaft].

Tracks:

01 Paris
02 Afro Disco Beat
03 Selfish Gene
04 Asiko
05 New World
06 OTO Jam

The Magpie Salute – High Water I (2018)

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61I7w7ZvJoL._SS500.jpg320 kbps | 110 MB | LINKS

After the Black Crowes Robinson brothers major band splitting fallout, guitarist Rich Robinson pursued a lower key couple of solo offerings while brother Chris’ delved straight into his surging psychedelic southern rock Chris Robinson Brotherhood. But, in 2016 Rich assembled a ten-piece outfit, Magpie Salute, for a string of shows at Woodstock followed by four shows at New York’s Gramercy in 2017. The response was so good they went out on a world tour along with their whetting the appetite live debut consisting of Black Crowes numbers and covers. Now trimmed to a six piece, but still consisting of two fellow former Crowes – guitarist Marc Ford and bassist Sven Pipien – they release their first album of all new material in the shape of High Water I.

What transpires are a flow of immediate waves, the first is the Rich Robinson and Marc Ford guitar interplay which hits like a refreshing cool sea breeze in the middle of the hottest, energy sapping heatwave. Hearing rock rousing stompers ‘Mary the gypsy’, ‘Send me an Omen’, the swaggering ‘For the wind’, and ‘Can you see’, all filled with classic Crowes classy rock and groove power are extremely welcoming. Remember, this is the nearest we’re going to get to hearing the classic Black Crowes sound, and these songs don’t disappoint.

Kinetic - Songs of Lake Volta (2018)


Circles Around The Sun – Let It Wander (2018)

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51wx49Hq1VL._SS500.jpg320 kbps | 174 MB | LINKS

Circles Around The Sun explore new horizons on the band’s upcoming album, Let It Wander. It’s the first new music from the quartet since their acclaimed 2015 debut, Interludes For The Dead.

Guitarist Neal Casal, keyboardist Adam MacDougall (his bandmate in the Chris Robinson Brotherhood), bassist Dan Horne and drummer Mark Levy recorded seven instrumentals for LET IT WANDER earlier this year at Castaway 7 Studios in California.

Originally, Circles Around the Sun (CATS) was only supposed to record some Grateful Dead-influenced instrumentals to be played during the set breaks at the Dead’s “Fare Thee Well” concerts. But the response was so positive, and the band was having so much fun making music together, that they all agreed to keep it going.

LET IT WANDER signals a new beginning for the band as they move beyond their original musical mandate of evoking the spirit of the Dead and fully embrace their own personality. “More than anything, what you hear on this album is a band growing into its own sound,” Casal says.

The songs on LET IT WANDER are focused and filled with imaginative musical turns. Horne and Levy form a veritable groove machine that knows intuitively when to tighten up and when to stretch out. They expand and collapse the rhythmic pocket around Casal and MacDougall, who pass melodies back and forth in an elaborate game of musical tag as they take turns adding color and shade from a seemingly endless kaleidoscope of cosmic sounds.

One of the album’s highlights, “One For Chuck” features a surprising cameo by Chuck D. The charismatic leader of the legendary hip-hop pioneers Public Enemy happened to stop by the studio while the band was listening to a song they’d just recorded. He liked the music, so the band asked him to record an intro. He obliged, and they dedicated the song to him.

Songs For The Car Box Set (2018)

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Songs For The Car Box Set (2018)

Artist: Various Performers
Title: Songs For The Car
Label: Rhino UK, Warner Music UK Ltd
Style: Rock and Roll, Folk, Alternative, Country, Soul, Blues, Brill Building, Rockabilly, Disco, Synthpop
Release Date: 27-07-2018
Format: CD, Compilation, Box Set
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 72 Tracks

VA - After the Madness - Ultimate Chillout Dance Classics (2015)

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VA - After the Madness - Ultimate Chillout Dance Classics (2015)

Artist: Various Artists
Title Of Album: After the Madness - Ultimate Chillout Dance Classics
Year Of Release: 2015
Label (Catalog#): Universal [5363060]
Genre: Pop, Downtempo, Chillout
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 62:14
Full Size: 361 mb
Upload: Turbobit

Jared Wolff - Another Place (2018) FLAC

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Jared Wolff - Another Place (2018) FLAC
Artist: Jared Wolff | Album: Another Place | Released: 2018 | Genre: Country

Prelow - Why Does Everything Happen So Much (2015) (24bit Hi-Res, EP) FLAC

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Prelow - Why Does Everything Happen So Much (2015) (24bit Hi-Res, EP) FLAC
Artist: Prelow | Album: Why Does Everything Happen So Much | Released: 2015 | Genre: Alternative, Pop

Victoria Riba - Mirame (2015) (24bit Hi-Res) FLAC

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Victoria Riba - Mirame (2015) (24bit Hi-Res) FLAC
Artist: Victoria Riba | Album: Mirame | Released: 2015 | Genre: Pop

Motley Crue - Girls Girls Girls (XXX: 30 Years Of Gilrs, Girls, Girls) (2017)

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rip by Boris1

Motley Crue - Girls Girls Girls (XXX: 30 Years Of Gilrs, Girls, Girls) (2017)

Performer: Motley Crue
Album: Girls Girls Girls (XXX: 30 Years Of Gilrs, Girls, Girls)
Label: Eleven Seven Music/ Motley Records
Catalog #: ESM/MR 189-2 RE 1
Style: Hard Rock, Glam Rock
Year: 1987 (reissued 2017)
Format: Flac (*image + .cue,log,scans)
Bitrate: lossless
Covers: in archive
Amount of tracks: 15
Size RAR: ~ 663 MB
Upload: cloud.mail
Recovery: 3%
Password: sim-sim

Girls, Girls, Girls - ????????? ????????? ?????? ???????????? ????-????? ?????? Motley Crue, ???????? 15 ??? 1987. ????????? ?????????? ?????? ?????????? ? "??????? ?????" ???-??????????, ??????????? ?????, ???????????, ?????clubs ? ????????? ?? Harley?? ?? ?????? Sunset Strip. ?????? - "?????? ? ????????? ????? ????????????? ???-???????".
?????? ???????????? ????????????? ? ??????????? ????????????. ?????? ???????, ??????????? 30-????? Girls, Girls, Girls, ????? ????????????? ??????? ???????? ? ???? ???? ????? ??????, ????? ??????? ?? ???????? ? ?????? ?????????? Rodeo. ? ????? DVD, ??????? ???????? ??????? ?? ??????????????? ????? ???????? ? Nikki Sixx (bass), Tommy Lee (drums), ? Doc MaGhee (music manager Kiss, Bon Jovi ? M?tley Crue) ? ???????? ????? ???????, ? ????? ??????????????????? ?????? ???????????? ????? Girls Girls Girls, Wild Side ? You're All I Need.


Exhorder - Slaughter In The Vatican (1991) [Japan Press]

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Exhorder - Slaughter In The Vatican (1991) [Japan Press]

???????????: Exhorder
??????: Slaughter In The Vatican
????: Thrash Metal
??? ??????: 1991
??????: FLAC (image+.cue, log, scans)
????????: Lossless
??????: 294 Mb
??: uploadboy/katfile/turbobit

Radiorama - The Second (1987)

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Radiorama - The Second (1987)

???????????: Radiorama
??????: Italy
??????: The Second
????????! ? ??? ??? ???? ??? ????????? ???????? ??????.

????: Italo Disco
??? ??????: 1987
????????: (CD-Rip) Ariola (258 422)
??????: 856 kbps FLAC (image. cue. log. cd scans)
??????: 257.43 Mb
?????????????: Depositfiles/Turbobit/Hitfile/Cloud.mail

Opeth - Sorceress [Japanese Edition] [2CD] (2016)

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Opeth - Sorceress [Japanese Edition] [2CD] (2016)

???????????: Opeth
??????: Sweden
??????: Sorceress [Japanese Edition] [2CD]
????: Progressive Metal | Progressive Rock
????????: Ward Records; Chaos Reigns [GQCS 90211-3]
???: 2016
??????: FLAC (*image + .cue,log, covers)
??????: 718Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)

Blindside Blues Band – From The Vaults (2018)

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91t6s%2BkMwWL._SL1500_.jpg320 kbps | 158 MB | LINKS

A collection of Rare Unreleased Tracks by Blindside Blues Band featuring
Mike Onesko on Guitar and Vocals. Includes 11 tracks (65 Minutes) of killer,
blues-based, heavy guitar rock riffage/mojo that lands old-school, retrofied,
six string kool. Featuring excellent original songs + bad-ass cover songs by
Mountain, Montrose, Black Sabbath, Cream & Bodine.

The Coral – Move Through the Dawn (2018)

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91VyJyraayL._SL1500_.jpg320 kbps | 81 MB | LINKS

The Coral return with their seventh proper full-length album, the second in their second chapter, and produce a glorious summer soundtrack full of blissfully romantic melodies that see them drawing on the highs of their previous outings.

Back in 2002, The Coral broke the mould of guitar bands coming out of the UK at the time, drawing on more obscure influences than their contemporaries, but over the course of the following six years their own mould nearly broke them. The departure of Bill Ryder-Jones after 2007s Roots & Echos, of Lee Southall after the following Butterfly House, followed by the release of the ‘lost album’ The Curse Of Love had fans trembling. Was the end nigh for this gang of twisting psych chameleons? After a five year hiatus however, The Coral returned in 2016 with Distance Inbetween, possibly their best and most coherent album since their eponymous debut. Full of heavier and darker riffs, the album was a statement of intent that they had returned full of force and energy. It would have been easy for them to try and replicate its sound and success, but the Hoylake boys are not for treading the Mersey water for too long anymore. Their new album, Move Through The Dawn, takes a left turn away from its predecessor and dives headlong into Phil Spector’s 1970s cosmic sounds, an apt influence of resurgence.

The album opens with current single Eyes Like Pearls, a song that chimes with optimism in the face of its own question. “What do you dream when the world is on fire?” asks James Skelly to start things off before he drifts into a swirling world of technicolour sanguinity, assuring us that there are still oases of calm and bliss. The following Reaching Out For A Friend continues the theme over a buoyant rhythm that drives the song along. It’s clear from this opening couplet that The Coral’s world is once again one filled with joyous spirits and, on the evidence of Sweet Release (the album’s first single), with that cheeky nature which endured so many people to them at the beginning of their career. An opening round of drum machine beats quickly give way to a bombastic tune that pounds along under wiry guitar riffs, and melodies and harmonies that worm their way through your body. Sounding like the Super Furries at their most playful, you have to be comatose inside to not feel the rhythm move your bones.

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