Sunny Day Real Estate - Diary (1994, 2013) (24bit Hi-Res, Remastered) FLAC

August 10, 2018, 12:49 am

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Artist: Sunny Day Real Estate | Album: Diary | Released: 1994, 2013 | Genre: Rock

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Daryl Hall and John Oates - Greatest Hits: Rock N Soul Part 1 (1983) (US, Vinyl) FLAC

August 10, 2018, 12:49 am

≫ Next: Sonata Arctica - The Ninth Hour (2016) (24bit Hi-Res) FLAC

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Artist: Daryl Hall and John Oates | Album: Greatest Hits: Rock N Soul Part 1 | Released: 1983 | Genre: Pop Rock

Sonata Arctica - The Ninth Hour (2016) (24bit Hi-Res) FLAC

August 10, 2018, 12:49 am

≫ Next: Witchcraft - Nucleus (2016) (24bit Hi-Res) FLAC

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Artist: Sonata Arctica | Album: The Ninth Hour | Released: 2016 | Genre: Metal

Witchcraft - Nucleus (2016) (24bit Hi-Res) FLAC

August 10, 2018, 12:49 am

≫ Next: VA - Soul Lounge 12 [3CD Box Set] (2015)

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Artist: Witchcraft | Album: Nucleus | Released: 2016 | Genre: Rock

VA - Soul Lounge 12 [3CD Box Set] (2015)

August 10, 2018, 1:41 am

≫ Next: VA - Soul Lounge 13 - 40 Soulful Grooves [3CD Box Set] (2017)

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Artist: Various Artists
Title Of Album: Soul Lounge 12
Year Of Release: 2015
Label (Catalog#): Soul Lounge Records [SLOUNGECD140X]
Genre: Soul, Funk, Disco, Pop
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 3:22:55
Full Size: 1.35 gb
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VA - Soul Lounge 13 - 40 Soulful Grooves [3CD Box Set] (2017)

August 10, 2018, 2:16 am

≫ Next: Juancho Polo Valencia – Por Aqui Por Alla Discos Fuentes 200725

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Artist: Various Artists
Title Of Album: Soul Lounge 13 - 40 Soulful Grooves
Year Of Release: 2017
Label (Catalog#): Proper/Soul Lounge Records [SLOUNGECD150X]
Genre: Soul, Funk, Jazz, R&B, Disco
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 3:10:00
Full Size: 1.22 gb
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Juancho Polo Valencia – Por Aqui Por Alla Discos Fuentes 200725

August 10, 2018, 2:23 am

≫ Next: Patti Smith Group – Wave (2018) [Hi-Res]

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Hoe het komt weet ik niet maar op de een of andere manier
heb ik een zwak voor de zang van oudere mannetjes. Dit is zo’n
geval. Hij zingt op een wat monotone manier en toch luister ik er
heel graag naar. Juancho Polo Valencia leefde van 1918 tot 1978
en liet een mooie stapel platen achter waarvan we er reeds zo’n
vier hadden. Meer van zijn werk wacht op plaatsing alhier.
Van deze is geen jaartal bekend, op Discos Fuentes..

I don’t know how and why but somehow I have a certain weekness
for the voices of older men. This is such a case. He sang in a kind of
monotonous way but I really like listening to him. Juancho Polo
Valencia lived from 1918 till 1978 and left us quite some records
of which we have seen four so far. More of his work is waiting to
get posted one fine day. No year of release on this one, on
the great Discos Fuentes..

tracks ;

01 – Por aqui por alla
02 – El carruaje
03 – El pajaro de la serrania
04 – Carmen
05 – Pablito romero
06 – La tonada
07 – Problemas de frontera
08 – La prima
09 – Alicia
10 – Estela

Patti Smith Group – Wave (2018) [Hi-Res]

August 10, 2018, 2:45 am

≫ Next: Patti Smith Group – Easter (2018) [Hi-Res]

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FLAC | 1,2 GB | LINKS

The Patti Smith Group’s most conventional album, Wave was given a bright pop/rock sound by producer Todd Rundgren. It was the last album Smith made before marrying and retiring from record-making for nine years, and it can be heard as a farewell to the music business, from “Frederick,” the love song to her husband-to-be, Fred “Sonic” Smith, that leads it off, to the version of “So You Want to Be (A Rock ‘n’ Roll Star),” among the most bitter accounts of fame on record. But Smith also achieves a sense of charm and sincerity on Wave that she hadn’t even attempted on her earlier albums, even to the point of her imagined small-talk encounter with the late Pope John Paul I on the title track. Still, the overall mediocre quality of the material makes this the slightest of Smith’s efforts. — William Ruhlmann

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Patti Smith Group – Easter (2018) [Hi-Res]

August 10, 2018, 2:45 am

≫ Next: Patti Smith Group – Radio Ethiopia (2018) [Hi-Res]

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FLAC | 1,7 GB | LINKS

Patti Smith came back from the year-and-a-half break caused by her fall from a stage in January 1977 without having resolved the art-versus-commerce argument that had marred her second album, Radio Ethiopia. In fact, that argument was in some ways the theme of her third. Easter, produced by Bruce Springsteen associate Jimmy Iovine, was Smith’s most commercial-sounding effort yet and, due to the inclusion of Springsteen’s “Because the Night” (with Smith’s revised lyrics), a Top Ten hit, it became her biggest seller, staying in the charts more than five months and getting into the Top 20 LPs. But Smith hadn’t so much sold out as she had learned to use her poetic gifts within an album rock context. Certainly, a song that proclaimed, “Love is an angel disguised as lust/Here in our bed until the morning comes,” was pushing the limits of pop radio, and on “Babelogue,” Smith returned to her days of declaiming poetry on New York’s Lower East Side. That rant (significantly ending, “I have not sold my soul to God”) led into the provocative “Rock n Roll Nigger,” a charged rocker with a chorus that went, “Outside of society/Is where I want to be.” Smith made the theme from the ’60s British rock movie Privilege her own and even got into the U.K. charts with it. And on songs like “25th Floor,” Iovine, Smith, and her group were able to accommodate both the urge to rock out and the need to expound. So, Easter turned out to be the best compromise Smith achieved between her artistic and commercial aspirations. ~ William Ruhlmann

Patti Smith Group – Radio Ethiopia (2018) [Hi-Res]

August 10, 2018, 2:45 am

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FLAC | 928 MB | LINKS

After the success of Horses, Patti Smith had something to prove to reviewers and to the industry, and Radio Ethiopia aimed at both. Producer Jack Douglas gave “the Patti Smith Group,” as it was now billed, a hard rock sound, notably on the side-opening “Ask the Angels” and “Pumping (My Heart),” songs that seemed aimed at album-oriented rock radio. But the title track was a ten-minute guitar extravaganza that pushed the group’s deliberate primitivism closer to amateurish thrashing. Elsewhere, Smith repeated the reggae excursions and vocal overlaying that had paced Horses on “Ain’t It Strange” and “Poppies,” but these efforts were less effective than they had been the first time around, perhaps because they were less inspired, perhaps because they were more familiar. A schizophrenic album in which the many elements that had worked so well together on Horses now seemed jarringly incompatible, with Radio Ethiopia Smith and her band encountered the same development problem the punks would — as they learned their craft and competence set in, they lost some of the unself-consciousness that had made their music so appealing. — William Ruhlmann

VA - Top 40 Christmas #1 Hits: The Ultimate Top 40 Collection [2CD Sert] (2017)

August 10, 2018, 4:32 am

≫ Next: Pop Hits (Warner Music Group) (2018)

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Artist: Various Artists
Title Of Album: Top 40 Christmas #1 Hits: The Ultimate Top 40 Collection
Year Of Release: 2017
Label (Catalog#): Sony [19075802202]
Genre: Pop, Soul, Christmas
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 2:35:20
Full Size: 1.02 gb
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Pop Hits (Warner Music Group) (2018)

August 10, 2018, 6:56 am

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Artist: Various Performers
Title: Pop Hits
Label: Warner Music Group - X5 Music Group
Style: Dream Pop, Jazzdance, Blues Rock, Synthpop, Britpop, New Wave, Italo Disco
Release Date: 07-08-2018
Format: CD, Compilation
Quality: 320 Kbps/Joint Stereo/44100Hz
Codec: MP3
Tracks: 47 Tracks
Time: 03:13:28 Min
Size: 450 MB

Sideburn - Crocodile (2002)

August 10, 2018, 8:30 am

≫ Next: The Staple Singers – Collection 1953-62 (2018)

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???????????: Sideburn
??????: Crocodile
????: Hard Rock
??? ??????: 2002
??????: APE (image+.cue, scans)
????????: Lossless
??????: 459 Mb
??: katfile/gigapeta/depositfiles/turbobit/uploadboy

The Staple Singers – Collection 1953-62 (2018)

August 10, 2018, 8:40 am

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320 kbps | 370 MB | LINKS

The Staples’ story goes all the way back to 1915 in Winona, Mississippi, when patriarch Roebuck “Pops” Staples entered the world. A contemporary and familiar of Charley Patton’s, Roebuck quickly became adept as a solo blues guitarist, entertaining at local dances and picnics. He was also drawn to the church, and by 1937 he was singing and playing guitar with the Golden Trumpets, a spiritual group based out of Drew, Mississippi. Moving to Chicago four years later, he continued playing gospel music with the Windy City’s Trumpet Jubilees. A decade later Pops Staples (as he had become known) presented two of his daughters, Cleotha and Mavis, and his one son, Pervis, in front of a church audience, and the Staple Singers were born.

The Staple Singers are one of the most celebrated and respected groups to have graced the gospel landscape in the post-war era, their music transcending the boundaries of the genres so that they became equally successful and admired across gospel, soul and R&B in a career that spanned six decades. The patriarch of the Staples family, Roebuck ‘Pops’ Staples, formed the group in Chicago with his children Cliotha, Pervis and Mavis, in 1948 when Mavis was just nine years old, and by 1952 they had signed their first recording deal with United. Over the next decade they recorded for various labels, most notably after United for Vee-Jay, Gospel and Riverside, their music already displaying a commercial bluesy edge which differentiated from much of the mainstream gospel of that era. This 3-CD anthology brings together just about all the records they released on both singles and albums during that formative part of their career when the younger members were maturing and they were honing the style which would bring them classic R&B and pop hits in subsequent decades. As well as the A and B sides of their singles, including one or two on lesser known labels, it includes all the tracks from their albums during that era – “albums “Uncloudy Day”, “Will The Circle Be Unbroken”, “Swing Low”, “Gospel Program” and “Hammer & Nails”. It’s a marvellous introduction to the group at the start of their glittering career.

Global A Go-Go: August 8, 2018, Segment 1

August 10, 2018, 9:32 am

≫ Next: VA - 100x Zomer 2018 [5CD Box Set] (2018)

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Music by Ladysmith Black Mambazo and Red Baraat, both of whom will be at the Richmond Jazz Festival on Sunday; a set of new and old reggae; diving into Sudanese pop music; Indian and Balkan brass

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VA - 100x Zomer 2018 [5CD Box Set] (2018)

August 10, 2018, 9:37 am

≫ Next: Opeth - Heritage [Japanese Edition] (2011)

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Artist: Various Artists
Title Of Album: 100x Zomer 2018
Year Of Release: 2018
Label (Catalog#): Universal Music [538 309-4]
Genre: Electropop, R&B, Synth-pop, Disco, House, Dance
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 5:36:57
Full Size: 2.26 gb
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Opeth - Heritage [Japanese Edition] (2011)

August 10, 2018, 10:11 am

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???????????: Opeth
??????: Sweden
??????: Heritage [Japanese Edition]
????: Progressive Metal | Progressive Rock
????????: Warner Music [WPCR-14191]
???: 2011
??????: FLAC (*image + .cue,log, covers)
??????: 435Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)

Opeth - Pale Communion [Japanese Edition] (2014)

August 10, 2018, 10:11 am

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???????????: Opeth
??????: Sweden
??????: Pale Communion [Japanese Edition]
????: Progressive Metal | Progressive Rock
????????: Warner Music [WPCR-15732]
???: 2014
??????: FLAC (*image + .cue,log, covers)
??????: 512Mb
??????: Depositfiles | Turbobit (3% ?? ??????????????)

VA - I Got Soul: Groove Wash (2017)

August 10, 2018, 10:11 am

≫ Next: Jason Eady – I Travel On (2018)

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Artist: Various Artists
Title Of Album: I Got Soul: Groove Wash
Year Of Release: 2017
Label (Catalog#): Playoff Records/Modulor [MODCD069]
Genre: Funk, Soul, R&B, Disco
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 52:44
Full Size: 353 mb
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Jason Eady – I Travel On (2018)

August 10, 2018, 10:40 am

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320 kbps | 88 MB | LINKS

On August 10, the Mississippi-bred singer & guitarist Jason Eady returns with a new album I Travel On. The album is his first to be recorded with his ace touring band who have been relentlessly touring behind Eady’s critically acclaimed self-titled album that was released in 2017. GRAMMY-nominated musicians Rob Ickes and Trey Hensley accompanied Eady, his bandmates and wife Courtney Patton to round out the lineup that would execute the live, single-take sessions.

With his catalog spanning from blues-infused Americana to bare-bones reimagining of classic country, Eady’s seventh full-length takes on a looser, livelier, more groove-driven sound than ever before. But while I Travel On brims with a feel-good spontaneity, the Fort Worth-based artist continues to instill each song with the subtle insight and emotional depth that makes his music so powerful.

In another departure from his previous work, Eady wrote most of I Travel On in a month-long burst of creativity. “Normally I take my pick of the songs I’ve come up with since the last album, but this time I was writing specifically for this record,” he says. “And because the album’s so groove-centered, I focused on the way words rolled off the tongue and how they moved with the music. If something felt good to sing, I just let it be instead of going back and editing myself like I might’ve done in the past.”