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Fews – Into Red (2019)

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61m26NN6QBL._SL1201_.jpg320 kbps | 93 MB | LINKS

FEWS return with a brand new ten-track studio album, Into Red. Following extensive touring throughout 2016-17, including two tour runs as special guests of Pixies, the Anglo-American-Swedish quartet retired to Malmö with the Swedish city’s underbelly providing the perfect environment for unfettered artistic endeavours and the subsequent album recording. Co-produced by Joakim Lindberg (Hater) and mixed by James Dring ‘Into Red’ sees FEWS extricating their influences to reveal a band assuredly moving on from the template of their debut album Means with a confident post-punk swagger and no little addition of muscular heft on the song-writing front.


MIRANDA VEROULI ένα ελληνικό βραζιλιάνικο άλμπουμ

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Η Μιράντα Βερούλη είναι μία πολύ καλή τραγουδίστρια, που ειδικεύεται από χρόνια στο βραζιλιάνικο τραγούδι. Το λέω, επειδή την παρακολουθώ (σε πάλκο και δισκογραφία) από 20ετίας. Βεβαίως, τον τελευταίο καιρό δεν την έχω δει κάπου live, αλλά αυτό δεν σημαίνει κάτι. Δεν αλλάζει, εννοώ, εκείνο που ήδη έγραψα, το σχετικό με τη βαθιά ενασχόλησή της με τη βραζιλιάνικη jazz, την bossa nova κ.λπ. Απόδειξη, δε, αυτού είναι το πιο καινούριο CD της (που μάλλον είναι και το πρώτο προσωπικό της), που έχει τίτλο Onírico [ΤΕΧΝΟΤΡΟΠΟΝ ARTWAY, 2018] και που κυκλοφόρησε προς το τέλος του ’18 (παρότι είναι ηχογραφημένο τον Μάρτιο του 2015). Στο Onírico” καταγράφονται δεκατρία tracks (επτά versionsκαι έξι originals), που όλα μαζί διαμορφώνουν ένα πολύ αξιόλογο set, που «ανεβαίνει» ακόμη περισσότερο από την παρουσία και τη συμμετοχή των διακεκριμένων (ελλήνων) σολιστών. Έτσι, και πέραν της Βερούλη που τραγουδά βεβαίως, στο Onírico” παίρνουν μέρος και οι Ανδρέας Πολυζωγόπουλος τρομπέτα, φλούγκελχορν, Σπύρος Μάνεσης πιάνο, πλήκτρα, Μάνος Αναγνωστόπουλος μπάσο, Δημήτρης Κλωνής ντραμς και Πέτρος Κούρτης κρουστά (σ’ ένα track).
a%2Bjazz%2Bverouli.jpg
Κατ’ αρχάς εκείνο που εντυπωσιάζει (πριν ρίξεις το CDστο player) είναι οι επιλογές των versions, γεγονός που δείχνει όχι μόνο βαθύ ψάξιμο στη δισκογραφία, αλλά και μιαν εξοικείωση με το χώρο – κάτι όχι παράξενο, αν αναλογιστούμε το εύρος ενασχόλησης της Βερούλη με τη βραζιλιάνικη μουσική (και γενικότερα με την κουλτούρα της μακρινής χώρας). Να σημειώσουμε, λοιπόν, κάπως αναλυτικότερα αυτά τα τραγούδια, που διασκευάζονται εδώ, γιατί είναι εκείνα που δίνουν εν τέλει το ξεχωριστό χρώμα αυτού του ελληνικού CD(και το λέμε τούτο, δίχως να υποτιμούμε τα πρωτότυπα tracks, για τα οποία θα γράψουμε ειδικώς στη συνέχεια). Έχουμε και λέμε λοιπόν:
1. Chove chuva” του Jorge Ben από το πρώτο άλμπουμ του “Samba Esquema Novo” [Philips, 1963]
2. “Luz de Tieta” του Caetano Veloso από το soundtrack “Tieta do Agreste” [Natasha Records, 1996]
3.Nanã” των Mário Telles και Moacir Santos, που υπάρχει στο άλμπουμ “Mário Telles” [CBS, 1964], αν και το τραγούδι πιθανώς να το είπε πρώτος, την ίδια χρονιά (1964), ο Wilson Simonal, ενώ μέσα στο 1964 το είχε πει και η Nara Leão
3.Samba da Rosa” των Vinicius De Moraes/ Toquinho, που ηχογραφήθηκε το 1970 από το Osmar Milito Trio σ’ ένα 7ιντσο των Toquinho & Vinicius De Moraes
5.A rã” των Caetano Veloso/ João Donato, που είχε πει η Gal Costa στο άλμπουμ της “Cantar” [Philips, 1974]
6.Luiza” του Antonio Carlos Jobim, με την πια παλαιά εκτέλεση που βρήκα να προέρχεται από ένα LP των  Edu Lôbo και Tom Jobim, που είχε κυκλοφορήσει το 1981
7.Voce”του Tim Maiaαπό το φερώνυμο άλμπουμ του στην Polydor, το 1971
Περιττό να πω πως τα τραγούδια ερμηνεύονται από τη Μιράντα Βερούλη και αποδίδονται από το συγκρότημά της με ιδανικό τρόπο. Εντάξει, είναι και οι επιλογές μία και μία, αλλά δεν μπορείς να μην εξάρεις και να μην καταευχαριστηθείς τα εκπληκτικά “Luzde Tieta” (από τα ωραιότερα τραγούδια του Veloso) και “Samba da Rosa” (με φοβερή πιανιστική παρουσία του Μάνεση α λα Walter Wanderley).
Το “Amor-amor” είναι το πρώτο ελληνικό track του CD και είναι γραμμένο από την Μιράντα Βερούλη. Πρόκειται για μια μποσανόβα βασικά, με δυνατά φωνητικά και πλήρες τζαζ περίβλημα, με τον Πολυζωγόπουλο να κάνει άψογη δουλειά μπροστά και με τον Μάνεση να γεμίζει με πλήκτρα στο background.
Ακολουθεί το ενός λεπτού “ColoresFeliz intro” (του Πολυζωγόπουλου) και καπάκι όπως λέμε το “Colores Feliz” (Βερούλη-Πολυζωγόπουλος), που είναι ένα αργό track, μια brazilian μπαλάντα, απ’ αυτές που δύσκολα πιστεύεις ότι μπορεί να έχουν γραφτεί (και τραγουδηθεί) από μη Βραζιλιάνους.
Στο ίδιο μοτίβο και το “Saudosa” της Μιράντας Βερούλη – ένα έξοχο τραγούδι με ισχυρή sixties ρίζα, που φέρνει στη μνήμη μου την Wanda Sá!
Για το “Samba da Rosa” των Vinicius De Moraes/ Toquinho o Πολυζωγόπουλος ετοιμάζει μιαν εισαγωγή, ένα μικρό σόλο στο φλούγκελχορν, που είναι αυτό ακριβώς για το οποίο προοριζόταν.
Το τελευταίο ελληνικό track του CD είναι το “Oníro (Dream)” της Μιράντας Βερούλη, ένα ακόμη πρώτης τάξεως τραγούδι με απαιτητικό δόσιμο από κάθε πλευρά (και οργανοπαικτική και τραγουδιστική), με τη Βερούλη να τραγουδάει για πρώτη και τελευταία φορά στο άλμπουμ στην ελληνική γλώσσα.
Και είναι αυτό ίσως και μιαν υπόσχεση, για κάτι που μπορεί στο μέλλον ν’ ακολουθήσει…
Επαφή: www.artway.gr

VA - Treasure Of Classical Music Palace [30CD Box Set] (2014)

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VA - Treasure Of Classical Music Palace [30CD Box Set] (2014)

Artist: Various Artists
Title Of Album: Treasure Of Classical Music Palace
Year Of Release: 2014
Label: NAXOS
Genre: Classical
Quality: FLAC (tracks +.cue,log,scans)
Bitrate: Lossless
Full Size: 8.04 gb
Upload: Turbobit

Sun Kil Moon – I Also Want to Die in New Orleans (2019)

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81LQX3nGYJL._SL1400_.jpg320 kbps | 204 MB | LINKS

Recorded at Hyde Street Studios, San Francisco, February 2018 through August 2018. Music by Jim White, Donny McCaslin, Mark Kozelek. Vocals by Mark Kozelek.

Tracks:
01. Coyote (12:31)
02. Day in America (15:06)
03. L-48 (04:51)
04. Cows (09:58)
05. I’m Not Laughing at You (11:38)
06. Couch Potato (11:44)
07. Bay of Kotor (23:14)

Bryan Adams – Shine A Light (2019)

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New, the 14th studio album from the Canadian rocker – his first since 2015’s Get Up. Shine a Light’s 12 tracks include the title track and a duet with Jennifer Lopez called “That’s How Strong Our Love Is.” This CD version has an exclusive song “The Last Night on Earth” (the LP pressing swaps that with “I Hear You Knockin’.”)

Tom Petty And The Heartbreakers – The Best Of Everything – The Definitive Career Spanning Hits Collection 1976-2016 (2019)

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yzmza8-thebestofe-preview-m3_550x550.jpg320 kbps | 342 MB | LINKS

The first Tom Petty collection to span his entire career brings together personal favourites and landmark tracks from a true rock legend. Compiled by Tom s family and closest band members, it includes stone cold classics like I Won t Back Down , American Girl and the Stevie Nicks duet, Stop Draggin My Heart Around and the previously unreleased final track, For Real.

Tracks:

1. Free Fallin’ 04:14
2. Mary Jane’s Last Dance 04:33
3. You Wreck Me 03:22
4. I Won’t Back Down 02:56
5. Saving Grace 03:45
6. You Don’t Know How It Feels 04:46
7. Don’t Do Me Like That 02:40
8. Listen To Her Heart 03:02
9. Breakdown 02:41
10. Walls (Circus) 04:23
11. The Waiting 03:54
12. Don’t Come Around Here No More 05:06
13. Southern Accents 04:42
14. Angel Dream (No.2) 02:25
15. Dreamville 03:47
16. I Should Have Known It 03:38
17. Refugee 03:21
18. American Girl 03:30
19. The Best Of Everything (Alternate Version / Extra Verse) 05:25
20. Wildflowers 03:10
21. Learning To Fly 04:01
22. Here Comes My Girl 04:33
23. The Last DJ 03:30
24. I Need To Know 02:21
25. Scare Easy 04:36
26. You Got Lucky 03:35
27. Runnin’ Down A Dream 04:23
28. American Dream Plan B 03:00
29. Stop Draggin’ My Heart Around 04:03
30. Trailer 03:18
31. Into The Great Wide Open 03:42
32. Room At The Top 05:01
33. Square One 03:25
34. Jammin’ Me 04:09
35. Even The Losers 03:38
36. Hungry No More 05:56
37. I Forgive It All 04:13
38. For Real 03:51

VA - Songbird [2CD Set] (2004)

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VA - Songbird [2CD Set] (2004)

Artist: Various Artists
Title Of Album: Songbird
Year Of Release: 2004
Label (Catalog#): Universal Classics & Jazz [9818395]
Genre: Pop, Jazz, Folk, Vocal, Easy Listening
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 2:32:31
Full Size: 880 mb
Upload: Turbobit

Megadeth - Warchest (2007) [4CD Box Set]

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Megadeth - Warchest (2007) [4CD Box Set]

???????????: Megadeth
??????: Warchest (Compilation)
??? ??????: 2007
????: Heavy / Speed / Thrash Metal
??????: FLAC (image+.cue, log, scans)
????????: LOssless
????????: EMI-Capitol (509995 03187 28)
??????: 2.28 Gb
??: katfile/gigapeta/turbobit

Tim Bowness – Flowers at the Scene (2019)

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Flowers-At-The-Scene-300x300.jpg320 kbps | 103 MB | LINKS

Against a backdrop of propulsive Art Rock, heartbreaking ballads and more, Tim Bowness distinctively delivers cinematic storytelling and disarmingly direct confessional lyrics on his strongest solo album to date.

Representing the duo of Tim Bowness and Steven Wilson’s first joint production in over a decade, the album features stunning performances from an extraordinary cast of players including Peter Hammill (Van Der Graaf Generator), Andy Partridge (XTC), Kevin Godley (10cc), Colin Edwin (Porcupine Tree), Jim Matheos (Fates Warning/OSI), David Longdon (Big Big Train), co-producer Brian Hulse (Plenty), Australian trumpeter Ian Dixon, and drummers Tom Atherton and Dylan Howe. The Curator, David K Jones, violinist Fran Broady and Charles Grimsdale also guest.

Mixed by Steven Wilson and mastered by Steve Kitch (The Pineapple Thief), the album’s poignant artwork is by Jarrod Gosling.

Tracks:

01. I Go Deeper (4:15)
02. The Train That Pulled Away (4:04)
03. Rainmark (feat. Jim Matheos) (4:15)
04. Not Married Anymore (feat. Dylan Howe) (3:30)
05. Flowers at the Scene (feat. Jim Matheos) (3:04)
06. It’s the World (feat. Peter Hammill, Jim Matheos & Steven Wilson) (3:03)
07. Borderline (feat. Dylan Howe & David Longdon) (3:45)
08. Ghostlike (5:08)
09. The War on Me (3:47)
10. Killing to Survive (feat. Peter Hammill) (3:59)
11. What Lies Here (feat. Kevin Godley & Andy Partridge) (4:00)

Trapeze - You Are the Music...We're Just the Band (1972) [Reissue, 1994]

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Trapeze - You Are the Music...We're Just the Band (1972) [Reissue, 1994]

Artist: Trapeze
Title Of Album:You Are the Music...We're Just the Band
Year Of Release: 1972/1994
Label (Catalog#) : Threshold [820 956-2]
Country: UK
Genre: Hard Rock
Quality: Lossless
Bitrate: FLAC (tracks+cue,log)
Total Time: 00:37:52
Total Size: 239mb(+3%)(covers)
Upload: Turbobit

You Are the Music...We're Just the Band was the last Trapeze album recorded by the lineup of Glenn Hughes, Mel Galley and Dave Holland, as Hughes left the band in 1973 to join Deep Purple.

Acordeoneros Famosos – Various Artists Delujo 1975

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acordeoneros-famosos-front

We had some extremely nice days here in the Netherlands. It is only
february and officially still winter, with temperatures until 20 degrees
however, it felt like summer. Tropical weather asks for tropical music.
I am such a bad writer, always the same story, cold weather asks for
hot music to stay warm. what ever the weather, here at the Global
Groove we play tropical music all year round. It is my lack of fantasy
and poor knowledge of the music and artists we post. What can I say,
You know what I like most by now, lots of vallenato, rumba, samba,
forró, son cubano, merengue, cumbia, congolese etcetera . No deep
info here, just the music, some pictures and video’s sometimes.
Listen to these 10 vallenatos by 10 artists I really love ..

P.S. I’m not exactly sure why Abel Antonio Villa is mentioned
on the sleeve. Maybe he wrote these songs, can’t seem to find out ..

De afgelopen dagen was het weer extreem mooi hier in Nederland.
Ik hoef dat jullie niet te vertellen maar het is nu eenmaal de gewoonte
in Engels en Nederlands min of meer hetzelfde slappe verhaal op te
hangen. De meeste van jullie zullen echter wel een woordje Engels
verstaan dus het gaat nergens over dat ik dit doe. ..en dan ga ik verder,
tropisch weer vraagt om tropische klanken, bla bla, ik heb altijd hetzelfde
fantasieloze verhaal. Geen diepgravende beschouwingen hier op de Global
Groove maar slechts de muziek, wat foto’s en soms een videootje. Ik ben
echt een schrijver van niets en weet ook nog eens geen drol aan zinnigs
te melden. Nee, dan moet je eens kijken bij Holland Tunnel Dive, dat is
andere koek. Ik ben serieus hoor, dat is nou echt een top site. Goed,
hier is een plaat met 10 lekkere vallenato’s door 10 artiesten
die ik hoog heb zitten, luister ..

P.S. Ik weet niet zeker waarom Abel Antonio Villa wordt genoemd op de
hoes. Misschien schreef hij deze nummers, ik kan het even niet vinden ..

tracks ;

01 – Calixto ochoa – El humanitario
02 – Alejandro Durán – El amor es una planta
03 – Pachito Rada – El millionario
04 – Julito de la Ossa – Mi martirio
05 – Juancho Polo Valencia – Sabroso 20 de enero
06 – Cesar Castro – Hojita de toronjil
07 – Gilberto Torres – La quebradita
08 – Lisandro meza – Rumbita caliente
09 – Andrés Landero – Mercedes
10 – Abel Antonio Villa – Si la vida se comprara

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The Moody Blues: 1968 In Search Of The Lost Chord - 5-Disc Box Set Universal Music 2018

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The Moody Blues: 1968 In Search Of The Lost Chord
5-Disc Box Set Universal Music 2018


The Moody Blues: 1968 In Search Of The Lost Chord - 5-Disc Box Set Universal Music 2018


Performer:
The Moody Blues
Box Set / Albums:
1968 In Search Of The Lost Chord
(3CD + 2DVD Box Set Universal Music 2018)
Info:
Universal Music / Deram Records
50th Anniversary Deluxe Box
Catalog Box: 676 360-1
Catalog Discs: 676 360-1-6~9 ? 676 361-1
Made in EU
Dynamic Range: 9 / 9 / 9
Genre / Style: Rock / Psychedelic Rock / Symphonic Rock
Released Year: 1968/2018
Format:
CD: FLAC / Level 6 (img + *cue / *cue with ISRC + EAC log, AccurateRip)
DVD: DVD Decrypter (ISO + *mds + log)
DVD Audio Extractor FLAC Stereo (5.1 Surround) 24/96 (24/48) (img + *cue)
Covers: format PNG 300dpi, full scans
Upload: GigaPeta / TurboBit
(5% recovery)

Marie Leonor - Pas déranger

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https://ti1ca.com/xv13h7zp-Marie-Leonor.rar.html

1983.


Marie Léonor est une chanteuse française, connue pour quelques succès à la fin des années 1970 et début des années 1980. Ancienne compagne de Robert Palmer, elle est également connu pour avoir écrit la chanson Ouragan, chantée par Stéphanie de Monaco, dont la musique a été composée par Romano Musumarra. (source :Wiki)


[03:38] 01. Marie Leonor - Pas déranger
[02:39] 02. Marie Leonor - Secrets d'Eden
[03:43] 03. Marie Leonor - Mona
[03:06] 04. Marie Leonor - Drôle de jungle
[03:56] 05. Marie Leonor - La lune rouge
[03:52] 06. Marie Leonor - Les jardins de Tokyo
[02:58] 07. Marie Leonor - Qu'est ce que tu imagines
[02:54] 08. Marie Leonor - Force du destin
[04:07] 09. Marie Leonor - Haute fidelité


tron19

Robert Forster – Inferno (2019)

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81NTllDL3XL._SS500_.jpg320 kbps | 83 MB | LINKS

‘Inferno’ is acclaimed Australian singer-songwriter Robert Forster’s first solo album in four years – his second album over the last eleven years. Forster only makes records when he feels he has the songs – on ‘Inferno’, he has nine he totally believes in. They range from the exhilarating top ten pop of ‘Inferno (Brisbane In Summer)’, the beach shack groove of ‘Life Has Turned A Page’, via ‘Remain’s 1977 New York strut, to finish in a way that this concise, brilliant, drama and wit filled album only can – on the big build epic ‘One Bird In The Sky’. ‘Inferno’ was made in Berlin in 2018, during the hottest German summer in decades. Noted producer/engineer Victor Van Vugt (Beth Orton ‘Trailer Park’, P J Harvey ‘Stories From The City, Stories From The Sea’), recorded the album; the first time he and Forster had worked together since Van Vugt engineered Forster’s debut solo album classic ‘Danger In The Past’ in Berlin in 1990. ‘Inferno’ in its making is a perfect mix of the familiar and the new. Also working with Forster again, are Brisbane based multi-instrumentalists Scott Bromley and Karin B umler from ‘Songs To Play’ (2015), while new recruits are drummer Earl Havin (Tindersticks, Mary J. Blige) and keyboardist Michael Muhlhaus (Blumfeld, Kante). Four musicians from the corners of the world, who, with Van Vugt’s bold and beautiful production, sound like a band of the ages. In front of them, Forster delivers the best vocal performances of his career. Over the last four years Forster has been busy. He curated the acclaimed, Domino Records released, ‘Anthology Volume 1 1978-1984’ on his old band The Go-Betweens. His memoir ‘Grant & I’ was Mojo and Uncut’s Book Of The Year. He continues to publish music journalism, play concerts, and he never stops writing beautiful songs.

Kronos Quartet, Marjan Vahdat, Mahsa Vahdat – Placeless (2019)

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PlacelessPlaceless is the first collaboration between the San Francisco-based Kronos Quartet and Iranian singers Mahsa and Marjan Vahdat, two of the most important performers of Persian vocal music in the world today. Recorded in Kulturkirken Jakob in Oslo in November 2018, ‘Placeless’ has fourteen melodies that Mahsa Vahdat composed to classical poems by Hafez and Rumi and the works of contemporary Iranian poets Forough Farrokhzad, Mohammad Ibrahim Jafari and Atabak Elyasi. Composers Sahba Aminikia (Iran / US), Aftab Darvishi (Iran/ Netherlands), Jacob Garchik (US) and Atabak Elyasi arranged the songs for string quartet.
For 45 years, San Francisco’s Kronos Quartet – David Harrington (violin), John Sherba (violin),…

122 MB  320 ** FLAC

…Hank Dutt (viola), and Sunny Yang (cello) – has combined a spirit of fearless exploration with a commitment to continually reimagine the string quartet experience. In the process, Kronos has become one of the world’s most celebrated and influential ensembles, performing thousands of concerts, releasing more than 60 recordings, collaborating with an eclectic mix of composers and performers, and commissioning over 1,000 works and arrangements for string quartet.


Stereophonics - Scream Above The Sounds (2017)

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Stereophonics - Scream Above The Sounds (2017)

Artist: Stereophonics
Title Of Album: Scream Above The Sounds
Year Of Release: 2017
Label (Catalog#): Parlophone [0190295767983]
Country: UK
Genre: Britpop, Indie Rock, Alternative
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 46:35
Full Size: 307 mb
Upload: Turbobit

VA - Ford Escort: The First 30 Years [2CD Set] (1998)

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VA - Ford Escort: The First 30 Years [2CD Set] (1998)

Artist: Various Artists
Title Of Album: Ford Escort: The First 30 Years
Year Of Release: 1998
Label (Catalog#): Sony Music Special Products [LSP9857322]
Genre: Rock, Blues, Pop
Quality: FLAC (tracks,cue,log,scans)
Bitrate: Lossless
Time: 2:05:39
Full Size: 795 mb
Upload: Turbobit

??????????? ??? ????? (2018)

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??????????? ??? ????? (2018)


???????????: ???????
??????: ??????????? ??? ?????
??? ???????: 2018
?????: Binaural, New Age, Instrumental

Traditional Macedo-romanian songs

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Vocal group Fărşeroţii

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The Aromanians (Aromanian: Rrãmãnj, Armãnj)are an ethnic group native to the Balkans, traditionally living in northern and central Greece, central and southern Albania, the Republic of North Macedonia, Kosovo and south-western Bulgaria and Romania. The term Vlachs is used in Greece to refer to Aromanians, but this term is internationally used to encompass all Romance-speaking peoples of the Balkans.

Aromanians speak the Aromanian language, a Latin-derived vernacular similar to Romanian, and has many slightly varying dialects of its own.  It descends from the Vulgar Latin spoken by the Paleo-Balkan peoples subsequent to their Romanization. Aromanian is a mix of domestic and Latin language with additional influences from other surrounding languages of the Balkans, mainly Greek, Albanian, Macedonian and Bulgarian.



Tracklist:
1. Buna-ti oara, picurare
2. La feata musata
3. Tunca
4. Dzeana iu-ti vineai
5. Screta Pisuderi
6. Naca tu deadi zureata
7. Ti ni stam, na minduim
8. Lina moi, Lina
9. Ia baga-ti Tulia
10. Goga

Yves Jarvis – The Same But By Different Means (2019)

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91kKCm+1xGL._SS500_.jpg320 kbps | 120 MB | LINKS

Yves Jarvis is a clean slate, a recasting of Montreal-based musician Jean-Sebastian Audet. Audet previously created under the name Un Blonde, a name which he says was, at one point, all he wanted.

Each of Yves’s albums is informed and driven by a colour; it is both a visual and thematic palette that reflects and refracts intentions. Un Blonde’s 2017 album Good Will Come To You was yellow, which Audet cites as his favourite colour. It is, for him, the colour of the daytime. Blue, the colour of The Same But By Different Means, is less endearing.

“Blue is more so the colour that I think is imposed on me,” he remarks quietly. “Where the last record was the joy of the morning, and optimism, this record is the pain of the night before sleep. I find it so painful before sleep, and this midnight blue is what this whole world is. The night is just completely imposed and weighing so heavily and this is a much more difficult realm to walk around in, texturally.”

But with The Same But By Different Means Audet continues to create music that is at once warm, haunting, and unfamiliar while remaining singularly inviting and kind—a mélange that reflects both comfort and its counterpart. Good Will Come To You was celebrated universally for the things that make Audet’s work compelling: careful folk noir, tender R&B flourishes, pillowy vocal beds that somehow seem to neither begin nor end, and a punkish ambivalence towards saccharine melodics that traditionally dominate the previous three structures.

These same qualities are present across The Same But By Different Means, a record that builds a delightful, imaginative framework from which to explore what it means to be Yves Jarvis. Songs on the record range from 14 seconds long to over eight minutes. The record’s title is itself a step further: with each new project, Audet adds a word to the title. “This year is my transition into Yves Jarvis where I’m not only widening the scope, but deepening the picture altogether.”

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